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In this course, you will learn:
Most important, I will share with you the way of thinking while you're improvising in order to exceed the musical quality of your improvisations.
Also, you can use principles which I've described here in your own compositions while writing music.
If you play piano like amateur or if you are student in musical university - doesn't care: you can use the ideas in the range of skills you have.
Also, it's not important to be a piano player: if you play some other instrument, this course might be useful for you as well. The main thing I'm going to talk about is the way of thinking in musical terms. And music itself can be played on any instrument, of course.
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Certificate of completion.
|Section 1: The Girl From Ipanema: learning the theme. Learning the bossa nova.|
Girl from Ipanema: learning the score, learning how to play bossaPreview
|Section 2: Improvising|
First part of the song: finding the ways of improvising on a theme
Second part of the song: using motives which are inside of the theme
In this part I am playing improvisation using all ideas we were talking about in order to put them together
Is a first prize winner on a First Dmitry Tiomkin international piano improvisation competition: “The surprise of the contest named after Dmytro Tiomkin was the victory of Albert Sapr, who challenged the stereotype that the art of improvisation is the patrimony of jazz: “I think there is more freedom for improvisation in academic music, because there is no need to walk the line, you can fold wherever you like and determine the fate of the work in a very unexpected way even for yourself. But there is a “dark side” in the improvisation as it is – one risks to melt among the piles of styles and turn into an apologist of the whole music history”
Has toured number of towns as a pianist improvisator.