helped thousands of dancers and musicians master their castanets.
She is a flamenco dancer, choreographer, teacher, and company.
She danced in the "Andalusian Gypsy Theater" Teatro Gitano Andaluz, with Mario Maya, who gave her her professional name Neta Corte.
She performed with him "The Enchanted Love" by De Flaya in a "flamenco dance theater" show.
She appeared in Italy with Rafael Aguilar's dance company
In the work "The House of Bernarda Alba" by Lorca.
She appeared as a creative solo dancer - "Bailaora" in flamenco tableaus in many places around the world.
Among the artists she danced with are-
Manolo Marin, EL Viejin, Antonio Canales, Mario Maya, Belen Maya
She appeared in opera houses in Belgium, France, and Italy when she played the fate of Carmen, in the production of Walloni's opera "Carmen".
She appeared as a guest soloist in the classical ballet company of Madrid.
Among the reviews written about her over the years:
"creates the tension of a loaded gun".
She educated generations of dancers and taught them to dance and perform with many props such as Manton, Fans, Castanets, and more...
Neta -"Flamenco for me is like bare roots or like a roaring lion.
My gypsy friend La Morita would encourage me,
go there Yes there. We are looking together, dancer, guitarist, and singer to the right moment, from one rhythmic sentence, compass, to another like waves in the sea, until the moment arrives The moment that it's all coming together, the moment when La Morita shouts this is were it hurts!"
