
Conducting music is a useful communication tool which helps you feel the music. Conducting also expresses time signatures.
Conducting music is a useful communication tool which helps you feel the music. Conducting also expresses time signatures.
Musical examples:
Radetzky March by Johann Strauss, Snr.
Toreador Song from Carmen by Bizet
William Tell Overture by Rossini
Conducting three beats per measure we use a triangle shape.
Musical examples you'll be conducting:
Gymnopedie No. 1 by Eric Satie
Scarborough Fair - traditional, performed by Simon and Garfunkle
Ride of the Valkyries by Wagner
In this lesson, you'll learn to subdivide the beat into four equal parts. Subdividing the beat helps you to play in time because the shorter notes will keep the longer notes in time.
Subdividing in music is a rhythm skill that has to be internalized which I'll show you how to do. We'll get softer and softer until the only sound left is the rhythm in your head.
Subdividing the beat is like having a 'click track' or metronome in your head. In other words, it's a silent skill that only you can hear.
You'll be playing a two-part rhythm with me. You'll also be practising 'independent hands' which is so important for playing any musical instrument.
Now I'll show you how to subdivide the rhythm into 3 using the same method as the previous lesson.
In this lesson, you'll learn how to accent the first beat in the bar of a time signature
In this lesson, you'll learn the difference between 3/4 and 6/8 time signatures.
3/4 is a 'simple' time signature, while 6/8 is a 'compound' time signature.
I'll show you how to use accents to make the distinction between the two different time signatures.
Then we'll play alternating bars of 3/4 and 6/8, which makes a great rhythm.
In this lesson, you'll learn how to keep the beat going in your head, even if there is no music.
You don't need to have a drum - you can just use the table if you wish.
We also cover the 3/4 time signature and the repeat sign.
We head outdoors on a hot day to learn how to get that 3:2 poly rhythm ingrained in your mind.
Learn how to use a metronome to improve your rhythm. Then use your 3:2 polyrhythm to challenge yourself.
You’re here because you want to improve your playing, improve your sense of rhythm.
If you’re just getting started with playing piano, playing guitar or playing drums, this course will add to your musicianship.
By the end of this course, you will have improved your sense of rhythm and will have skills to take your music wherever you want to go.
You’ll be sight-reading, clapping, drumming, conducting (yes, you’ll be conducting an orchestra!) and playing polyrhythms with me.
This course will give you the musical skills professional musicians use to improve their sense of rhythm.
I’ll teach you step-by-step.
If you’re a seasoned musician already, you might like to use this course as a refresher. Or skip to the end, where we learn to play a two-part polyrhythm.
One of the features of this course is that you don’t need any equipment or even an instrument because we’ll be using things from around the house or just clapping to practice rhythm and staying on the beat.
I’ve kept it SIMPLE so you’ll learn how to improve your sense of rhythm FAST and without distraction. Then you can easily take this knowledge and apply it to your own instrument - any instrument!
I can't wait to see you in the course!
Kind regards,
Anne.