
basic gymnastics in
-fine motor-skill right hand manoeuvres
-and Improving large scale movements with the whole right arm
How a player uses their bow is the defining ‘line in the sand’ that actually separates those who can proceed as professionals, & those who might not
A feature of this module is always
1-playing two strings at once,
Very simple Gymnastic premise for this – playing on 2 strings means teaching you the ‘levels of the strings’
2- & understanding variable bow-speed.
This phrase – BowSpeed – you need to think about a lot. In your pieces, any sounds you are trying to make
3- USING YOUR WHOLE BOW you paid X for it now use it
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6 bowing skills essential to Bow Control
A demonstration of basic posture requirements that aid play-ability & Dexterity
- Framing Skills and
- The Association of rhythm with left hand to improve dexterity. For the Left Hand this will be the most important module & is also a lesson in using RHYTHMIC DIMINUTION
- the connection of rhythm to enabling dexterity
- Basic pitch association
Based on the premise that there are only 3 shift types; their explanation & demonstration
The importance of tracking the Bow
A Demonstration of Sub-Division, or Rhythmic Diminution; why this is critically essential for dexterity; practical application
The Language of Music is essentially how the ebb & flow of ‘stresses’ in sounds are made; the differences conceptually between Classical & Modern styles
Technique is the ability to do
WHAT you want
WHEN you want
HOW you want
How do we pull what we've learnt in these Modules together?
Technique is the ability to do
WHAT you want
WHEN you want
HOW you want - & I trust these courses will assist you in going down a road that achieves this goal.
WHAT YOU WILL LEARN
- Basic advanced techniques required by all levels of players – typically NOT covered in online ‘how to play the violin from scratch’ courses
- How to advance your bowing hold flexibility, co-ordination & tone
- How to advance your Left Hand Dexterity using Rhythmic devices
- A simple idea to improve your rhythm skills that does not require a metronome!- although for goodness sake keep using one.
- Touching on the idea of what ‘phrasing’ means in music
- Unique practice techniques that may redefine your ability to self-teach
- Self Control
Module One
Basic and Essential Right-Hand & Right Arm Manipulation Skills
Module Two
Improving large scale movements with the whole right arm Skills
MODULE 2a
Confirmation of basic posture and positioning
Module Three
Framing Skills and
The Association of rhythm with left hand to improve dexterity.
An introduction to 'Rhythmic Diminution'
For the Left Hand this will be the most important module
Module Four
Shifting skills - there are only 3 basic shift types
Module Five
‘rhythm’ and feel - a basic way to improve your confidence with Tempo
using Rhythmic Diminution.. & walking
Module Six
Touching on the idea of what the phrase ‘The language of music” means
MODULE Seven
Practice Techniques in the context of these Modules
MODULE Eight
a Practical Demonstration