
Explore themes, characters, and plot points in Hamlet through scene-by-scene analysis, historical context, and varied critical lenses, including feminism, Marxism, psychoanalytic criticism, and performance theory.
Introduce Hamlet's plot, characters, themes, and the play's lasting impact on English literature and drama, with close reading and historical context.
Explore Shakespeare’s life and the Elizabethan theatre world, including the globe theatre, groundlings, and Hamlet by the king's men.
Meet Prince Hamlet and the Danish court at Elsinore, as Claudius and Gertrude consolidate rule, Hamlet grapples with grief and decay, and the ghost of his father foreshadows conflict.
Examines polonius's spying on laertes and the hamlet-ophelia encounter, revealing control, surveillance, and the clash between appearance and madness through the antic disposition.
Explore Hamlet's manipulation of performance to reveal King Claudius's guilt, as he plans a murder scene within a play and navigates surveillance, doubt, and dramatic irony.
Claudius orders Hamlet to England while Hamlet weighs revenge and delays killing, choosing to wait for Claudius’s sin. Scene highlights action, inaction, and the body as a metonym for power.
Follow Hamlet's counter plot in act iv 6–7, as pirates, Horatio, Ophelia's drowning, and Claudius's scheming push the Danish court toward murder and betrayal.
Act five, scene one places Hamlet in a graveyard with Yorick's skull, exploring death's power, Ophelia's funeral, and the performative grief that binds social ranks.
Analyze Hamlet's character arc from inaction to action, highlighting his indecisiveness and pursuit of revenge. See his shift from nihilism to acceptance of death.
Examine Claudius and Gertrude as Hamlet's antagonists, from Claudius's manipulative spying and murder to Gertrude's enigmatic, evolving complicity, ending in poison, revelation, and shared doom.
Explore how Shakespeare uses comedy in Hamlet, employing wordplay and a range of comic figures—from Polonius and Osric to the gravedigger—to deepen characterization, relieve tension, and foreshadow tragedy.
Explore Shakespeare’s treatment of death in Hamlet: graveyard imagery, Yorick’s skull, and memento mori, and analyze Ty Cummings’ view of death as absurdist comedy and comic catharsis.
The reading that goes along with this lecture is the essay by Harold Bloom at the end of our copy of Hamlet.
In this course, we’ll be taking an in-depth look at Shakespeare’s famous tragedy and discussing its plot, characters, themes, and lasting impact on English literature and drama. Hamlet is renowned for its rich psychological and philosophical complexity, but these are only part of what makes it so rewarding. At its heart, it is not a very complicated story at all. Anyone can relate to Hamlet’s rage, grief and desire for revenge.
Before we discuss the play, we’ll first talk about Shakespeare’s life and the historical period he was writing in to get some context for what Hamlet would have meant to Elizabethan audiences and what it would have been like to see it performed at the Globe by Shakespeare’s theater company the Lord Chamberlain’s Men. Then we’ll go through the play scene by scene and talk about plot and characters, important themes and symbols, and the use of language. I’ve included video clips from various performances so you can see how different actors and directors interpret Shakespeare’s words and bring them to life, showing how this text is very much alive—it can be read and performed in many different ways. We’ll also examine the character arcs of the four main characters.
Finally, we’ll read some critical responses to Hamlet and get a sense of how literary critics have engaged in an ongoing dialogue with this rich, multifaceted text. We’ll discuss how different critical lenses such as historical readings, feminism, and psychoanalytic theory can yield fascinating readings that shed light on themes within the play that might not be readily apparent at first glance.
Join me for a deep dive into this text that has fascinated readers and theatergoers for over 400 years, and find out why "the play's the thing."