
Meet your instructor: Brock Shinen, Esq., as he gives you a very brief introduction to the course.
You don't have to be a professional to create something with value. Blog posts, website designs, photos - all the types of things many of us create, and all holding the potential for revenue...and the potential to be used without our permission. It's time to come to the realization that your creations matter. This lecture will help you understand why that's true.
Copyright protection may subsist the moment a work is fixed in a tangible medium of expression, but there's very little you can do to enjoy the benefits of copyright protection without registration. This lecture will explain why a registered copyright is a protected copyright (and why an unregistered copyright is not).
In this lecture, students will learn the scope of copyright protection, including the specific types of materials covered by that protection. Students will walk away with a tangible understanding of what they can and cannot protect with copyright law.
This course will provide you with a visual walkthrough of the entire US copyright application. Each lecture in Section 2 is designed to progress through each step of the application process, showing you the actual copyright application page in context.
This course is a laser focused training on completing a US copyright application using the government's electronic filing service. It is not a copyright law course, so part of the assumption involved in this course will be that you either have a basic grasp of copyright law and/or you have access to people or resources that can help you navigate copyright law issues. I am a copyright attorney and that is a significant part of what I do, but I want to be clear about expectations for this course. We are here to learn about the copyright application process leading towards a registered copyright.
This course is information only, and does not constitute legal advice. Although the instructor is an attorney, I have not reviewed the specifics of any particular case or circumstances, so any instruction is made without regard to the specifics of your case and/or circumstances.
Gain an understanding of the US copyright office website, including where to find helpful information regarding copyrights.
The US Copyright Office website suggests disabling your pop up blocker before you use the site. They also recommend that you use Internet Explorer or Firefox as your browser. I always use Chrome and have no problems, but if you want to use the "certified" browser, stick with IE or Firefox.
You can't file an application without a profile. This lecture walks you through the steps required to set up a user account.
After this lecture, you will have a broad understanding of the US copyright office application and process.
In this lecture, I will walk you through the structure and process of the rest of the section, so that you understand how to complete the remainder of the course properly.
Explore pre-registration questions that decide whether you register one work or a collection, and determine ownership to choose the correct filing path.
Select the correct type of work for copyright registration, from categories such as literary, visual arts, sound recording, performing arts, or motion picture, because the choice cannot be changed later.
If you recall from the pre-registration lecture (Lecture #12), you have the option of selecting "yes" or "no" to three questions that would then define the type of copyright application you would complete. This lecture covers situations in which you are registering only one work, owned by one person and created by one author (e.g., all three questions are "yes").
This lecture is intended to provide alternative possibilities for the "title" portion of the copyright application in circumstances when you have selected "no" on one or more of the pre-registration questions (See, Lecture #12).
Identify the author as an individual or corporate owner and determine work for hire status, adding authors and employer contributions for a sound recording in the copyright registration process.
Identify the limitation of claim in copyright registrations by excluding preexisting or public domain material and other works not owned by you. Determine what constitutes your original contribution.
Learn how rights and permissions work for registered copyrights and how to provide accurate contact information to request permission, while considering privacy and spam concerns.
Complete the correspondence section with mandatory fields and accurate contact information so the Copyright Office can reach you, choosing the correct correspondent (individual, organization, owner, or attorney) to ensure processing.
Explore selecting a mail certificate recipient for copyright registration, including the owner, claimant, or correspondent, and optionally an attorney or organization, while using add me to capture information.
Review your cart during the copyright registration checkout, remove extra cases, and pay for one completed filing at a time.
Go to the pay.gov payment page on the U.S. Treasury site and enter required payment details, choosing either bank account information or a credit card (Visa, MasterCard, American Express, Discover).
After paying by credit card on the Peda website, return to the Copyright Office to continue and complete your application by clicking continue.
Learn how to submit works for US copyright registration by electronic upload or mail, including deposit copies, a shipping label, and Library of Congress deadlines.
If you're mailing in your deposit copy(ies) by mail, this is an example of the shipping slip and how to complete it.
You filed your first copyright application...congratulations! What's next? In this lecture, we'll discuss some of the next steps you'll need to take.
Copyright protection isn't about just filing a registration. It's about having a plan. This lecture will cover the basics of creating a meaningful copyright protection plan.
No false hopes here. Taught by an intellectual property attorney, this course will walk you through each step of the copyright registration process! From setting up a new user account with the US Copyright Office, to completing the application, to submitting your work - it’s all in here. Other resources dance around the subject without giving you the real nuts and bolts, but this course covers each step in detail, including tips and tricks along the way.
You’ve written a book or article, recorded a song, taken some photos…maybe even written some software, designed a website, or sculpted a masterpiece. Copyright protection extends to many types of creative works, including books, music, photos, movies, sculptures, videos, graphics, software, screenplays, articles, and compilations of those things. Here’s the thing: What’s the point of creating content if you’re not going to protect it? “Yeah,” you’re thinking, “but doesn’t copyright law already protect my work as soon as I reduce it to a tangible form?”
Not the way you think!
“But shouldn’t I wait until I have something worth selling?” I’m here to tell you that one person’s garbage is another person’s treasure. Remember, even if you believe you’re material is not worth protecting, it doesn’t mean someone else won’t find it valuable (and use it without your permission). Without a copyright registration, you lack some of the most fundamental protections that would otherwise enable you to do something about your stolen work! You can’t sue, you can’t recover statutory damages…you can’t, you can’t, you can’t.
Bottom line: If you don’t mind having a car with no gas, create a copyright without registering it with the copyright office. However, if you want some juice in the tank to get you where you need to be, submit an application and do it right.
We’ll start with an overview. Not the type of overview that leaves you more confused than when you started, but the kind that jumps right into the most critical and meaningful information: What copyright law protects and what it does not. From there we’ll proceed to why you need to register your copyright with the US Copyright Office. The benefits you receive when you register your work.
Then we will jump straight into the US Copyright Office website and the electronic filing procedure. We’ll set up a new user account, start an application, and walk through each step of the process.
You have everything to lose by NOT taking this course. If you create anything that copyright law is capable of protecting, you NEED to learn how to secure that protection now!