
If you're a corporate videographer, you will be called on to light a podium; sometimes on a daily basis. This particular lesson gives you a quick and easy solution.
Understanding what the two major light sources - Broad and Point - do, is vital to producing unique and original imagery.
Victor Milt has been one of the foremost national TV commercial directors in the USA since the mid-80s. In this most interesting intro, he takes us into world famous Camera Service Central for a private peek at some of the huge lighting and grip gear he regularly used in the early part of his career. At that time all major production was done in 35mm film and they needed huge amounts of light and electricity to shoot scenes you can easily capture on your phone today. It's a rare peek into the history of today's media production.
It's easy to shoot a boring shot in a well lit lab. But painting with light, using closeups and interesting angles will change the entire look of your film
Smoke paints the air, and with it you can shoot in the woods, at night, near water, and anywhere else drama is required.
Get started (or more up-to-speed) on lighting for professional stills and video with this "hands on" course. This course is drawn from a best-selling dvd created by Victor Milt for sale at the NAB (National Association of Broadcasters) in Las Vegas. Thousands were sold at $99 dollars and we received dozens of thank yous from working corporate cinematographers.