
Welcome to the world of Super 16mm film.
Learn what big budget films and television show are shooting on film.
Learn the difference between 16mm and Super 16mm film
Let's go down memory lane and get a better understanding on how the 16mm film camera evolved
Learn about the workhorse of the Super 16mm world
Find out what lens works best for your project.
Can't shoot Super 16mm without a pimped out camera. Here's a few items that'll help you n the real world.
Discover the importance of matte boxes and how to choose the right one.
We breakdown all available Kodak film stock.
Discover the magic that can be done in the lab.
Little known secrets on how to store you film gold.
In this lesson we get real and discuss what you'll need for battle.
Learn the different types of light meters and why they are so important when shooting film.
Learn to load that camera magazine perfectly every time.
Black bags, changing tents and how to use them on set.
Learn How to Shoot Super 16mm Film by Putting the FILM back into FILMMAKING!
Are you look for knowledge of how to shoot with actual film? Then Real Film School Online: Learn to Shoot Real Super 16mm Film is for you!
They DON'T teach you this in Film School anymore!
Why the hell have you created an online Super 16mm Film Course? Because believe it our not there are a ton of television productions, feature films and indie films that are shooting on Super 16mm film. The need for education in the craft of shoot celluloid is great.
After getting many requests for this information instructors Alex Ferrari (Indie Film Hustle) and Egon Stephen Jr. (Cine Video Tech) decided to put together the DEFINITIVE Educational resource for anyone interested in shooting in Super 16mm film. Some of the productions that shooting film these days are:
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And many more. Film is not dead, not by a long shot. In this masterclass you will learn:
• The History of Film • 16mm vs Super 16mm • History of 16mm Cameras: Old School • History of Super 16mm Cameras: Arri SR Series • Super 16mm Lenses: Choosing the Right One • Camera Accessories: Pimping Out Your Camera Package • Understanding Filmstocks • Battle Planning: Shooting Film in the Real World • How to Load a Film Magazine (Arri SR Series) • Prepping Your Film for the Lab
You also have access to download a collection of camera forms, contracts, rental guides and more. If you are interested in shooting film this is course will set you on the way.
Whether you are a film student, producer, director or cinematographer you will have a strong grasp of what is needed to shoot Super 16mm Film in today's world.
Let's put the FILM back into FILMMAKING!
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Important information before you enroll:
Enroll NOW and turn your FILMmaking dream into a reality! Let's get started!
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About your instructors:
Egon Stephan Jr.
“Like father, like son” they always say, yet nowhere has this cliché been more true than when you apply it to the love of filmmaking shared between Egon and his father. Egon began his professional career at an early age, eventually running the camera rental department for his father at the ripe young age of sixteen!
After a six-year stint as the camera rental manager of CineVideoTech, he pursued his love for film in the field, running up an impressive list of credits. He worked his way up from technician to second assistant, second to first, first to operator, operator to second unit Director of Photography, second unit DP to Director of Photography on his first feature film, “Jungle Juice”, starring Christopher Walken, Morgan Fairchild, Robert Wagner and Rutger Hauer.
Shortly after this achievement, Egon’s father fell ill and his duty to continue the legacy his father had begun took precedence over his own successful career. He took over the helm at CineVideoTech in 2002 and has since been busy recreating the company that has launched so many successful careers into a vision of what is to come.
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Alex Ferrari
Alex began his career as an editor and quickly moved up the ranks as a colorist, post production and visual effects supervisor. Coming from a visual effects/post production background, this versatile director combines his passion for storytelling and visual effects experience with a unique visual style. Alex exploded onto the indie film scene with his award winning short film BROKEN. The film went on to screen at over 200 international festivals and has been reviewed by over 250 news outlets world-wide including famed film critic Roger Ebert. "Broken is essentially a demonstration of the mastery of horror imagery and techniques." - Roger Ebert.
Through self-distribution, the BROKEN Special Edition DVD has also sold over 5000 units world-wide. Produced on a budget of $8000 and boasting over 100 vfx shots, BROKEN is one of the most celebrated shorts in recent years.
Alex Ferrari's work runs from stunning live action to animation, from visually griping and stylish worlds to comic gems that will have you rolling on the floor. His body of work, highlighted by commercials spots for Comedy Central, a music video for the Three-Time Grammy Award Winning group Ozomatli (guest-starring Comedian Gabriel Iglesias), and the stylish Lipstick and Bullets, a compilation of your of his short film.
Being frustrated in seeing how his fellow filmmakers were being "chewed up" by the film business, Alex decided to start Indie Film Hustle, a website dedicated to educating filmmakers and artists on to survive and thrive in the film business. He also launched a podcast focusing on filmmaking called The Indie Film Hustle Podcast. Within three months of its start date the show became the #1 filmmaking podcast on iTunes.