
Your instructors, Wyatt Oates and Matt Hayes, introduce themselves and then walk you through the layout of this course.
Get some tips from producer, studio owner, and drummer... Tanner Hendon!
Take a closer look at the specific microphones used on the drum set in this course. Models, classifications, polar patterns, and more is covered in detail.
Positioning the microphones around the drums is one of the most important aspects of recording. It has a huge impact on the quality of the sound. In this video, Matt and Wyatt explain the placement and how it affects the sound of each drum and cymbal.
Some recommendations on how to organize your recording software (Pro Tools is used in this course), create the drummer's headphone mix, panning and fader levels.
In part 1, listen to each of the close microphones to hear how each one affects the sound quality of the drums.
In part 2, take a look at some techniques for positioning the overhead microphones. Then listen to a couple different models of mics to hear how they affect the sound of the drum kit.
A quick look at the controls on a SSL mixing console. EQ, compression, noise gate, and routing options are described in this video.
How to apply equalization and compression when recording a kick drum.
Take a look and a listen to some EQ and compression techniques for recording the snare drum.
A quick demonstration of using equalization and compression on toms.
Listen to how it all comes together. Recording drums for a song becomes much easier, and sounds much better, when the preparation is done with attention to details.
Music producer/engineer Glyn Johns created a practical drum recording technique that uses only 3 microphones. In this video Wyatt and Matt explain how to set up the microphones for this.
Listen to how the Glyn Johns technique sounds. There is no equalization or compression used in this recording so you can hear the raw sound of the 3 microphones.
Editing the drum tracks can help improve the clarity and remove some of the bleed between microphones.
One method for processing the kick drum in the mix.
One approach for shaping the tone of the snare.
A technique for mixing the toms.
How to process the cymbal microphones and overheads for the overall drum mix.
Processing a drum subgroup and adding additional effects are covered in this video.
Thank you and congratulations!
An acoustic drum set is one of the most complicated instruments to record, and many audio schools do not teach it with much detail. A drum set has many pieces and each drummer arranges their kit differently. It can be an intimidating task to record.
This course aims to simplify this process by breaking down all of the variables that go in to recording a drum kit: from working with your drummer to choosing how many microphones to use, which microphones to choose, where to place them, and how to use effects when recording. A modern approach to recording drums is illustrated, as well as the classic Glyn Johns technique. Plus after the recording is done, editing and mixing is covered too.
Whether you have recorded drums before and were not happy with the results, you know how to record drums but want some new insights, or you have never recorded drums but want to learn, you should gain a lot from this course. Thanks for checking out "Drum Recording Techniques!"