
Pages 171- 182
Chapter Seven – The Bebop Scales
The Bebop Dominant Scale
The Bebop Major Scale
The Bebop Melodic Minor Scale
Bebop Scale Licks
Piano and Arranging Stuff
Chapter Nine Pages 193- 218
The Pentatonic Scales
The Modes and the Minor Pentatonic Scales
The I, IV, and V Pentatonic Scales on ii V I Chords
Playing Pentatonic Scales on “Giant Steps”
Pentatonic Scales and “Avoid” Notes
The II Pentatonic Scale over Major 7th Chords
The IV Pentatonic Scale of Melodic Minor Chords
The In-sen and Other Five Note Scales
The Minor Pentatonic and the Blues Scale
Practicing Pentatonic Scales
Explore harmonizing techniques featuring two five-chord substitutions and tritone substitutions, with 2:5 progressions and real-world examples like all of me and Alice in Wonderland.
Explore five chord alterations for dominant chords, including flat nine, sharp nine, alt, and sharp eleven, and examine tritone substitutions and melodic minor relationships.
Explore jazz chord substitutions, including alt chords and tritone substitutions, with resolutions from dominant to major seven and augmented 11, demonstrating up a fourth or down a fifth.
The lecture explains the minor six harmonized as a five-seven chord, using dexterity by Charlie Parker to illustrate G7 as a secondary dominant to C minor 7 within rhythm changes.
This is a continuation of the College Level Jazz Theory part 1. This course is intended to be a sequential follow up of part 1. You are building on the foundation from previous instruction. It is understood that you will have the accompanying texts: The Jazz Theory Book by Mark Levine and The Real Book Sixth Edition.