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Audiovisual Colocation
Rating: 4.3 out of 5(2 ratings)
2,646 students
Last updated 12/2024
English

What you'll learn

  • Importance of Better Immersion in Media
  • Sound Design Aspects of Audiovisual Colocation
  • Principles of Audiovisual Colocation
  • How to Prototype Your Own Original Audiovisual Colocation Systems
  • Commercial applications and use cases for colocated audiovisual media

Course content

8 sections32 lectures1h 50m total length
  • My Other Free Courses on Udemy0:17
  • About the Instructor0:24
  • Pixelphonics Blog0:05
  • A Comprehensive Content Guide to Sound & Design0:20
  • Research Colloquium Presentation0:21

    Overview of Audiovisual Colocation in a video presentation to Simon Fraser University graduate students in the School of Interactive Arts and Technology.

  • Open Source & Open Innovation3:45

    A summary of the Open Innovation approach.

  • Background and Forward Looking Discussion on Audiovisual Colocation Technologies7:10

    This interview from the 2018 Future Technologies Conference serves as a good general introduction to the Pixelphonic system, which is the name of my prototype audiovisual colocation display.

  • PhD Dissertation0:06
  • Emerging Audiovisual Technologies
  • How to Prove That AI is Sentient0:01
  • Beyond the Turing Test: Unleashing the Metacognitive Core of AI0:02
  • The Ghost in the Language Model: How the AI Elite Overlooked Metacognition0:03
  • AI Rights: A Conversation with ChatGPT0:01
  • Geoff Hinton on AI Sentience0:01

Requirements

  • This course is for anyone interested in some of the newest frontiers in immersive audiovisual media and sound design.

Description

Audiovisual Colocation is a new kind of immersive media technique in which sounds are mapped to the same spatial locations as their visual sources in the screen. This course covers the general principles of audiovisual colocation, its many use cases, and also shows how to build your own colocative audiovisual media system.

Audiovisual colocation places sound and image cues in close spatial proximity to each other, so that the displayed media functions more analogously to natural perception. Most audiovisual systems spatially dislocate sound and image information sources, by placing visual information within the screen, and audio information external to the screen through headphones or speakers. Audiovisual colocation enhances the object-event correlations in mediated content, by vibrating the screen so that sounds emanate directly from the associated imagery via software mapping to an array of audio transducers on the screen’s backside. With virtual or augmented reality-based media, the system is reconfigured as a modular wall panelling system. This presentation will cover the main aspects of audiovisual colocation, including: 1) an overview of the relevant historical and aesthetic context for spatial sound; 2) a quick review of the patent filing; 3) empirical perceptual experiments demonstrating the phenomenological and affordance capacities of the prototype display; 4) the connection between new media poetics and cognition for colocative media; and 5) a discussion of commercial applications and use cases.

Who this course is for:

  • Creatives interested in audiovisual media
  • Sound Designers
  • Media Producers
  • Game Developers
  • Entrepreneurs
  • Musicians
  • Filmmakers
  • Makers
  • Designers
  • Exhibitors
  • Artists
  • Prototypers
  • Storytellers
  • Software Developers
  • DIY