Buying for a Team? Gift This Course
Wishlisted Wishlist

Please confirm that you want to add Vocal Boot Camp: Increasing Your Range to your Wishlist.

Add to Wishlist

Vocal Boot Camp: Increasing Your Range

A introductory guide to singing/vocalizing higher, louder and stronger.
4.5 (85 ratings)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
1,145 students enrolled
Created by Paul McKay
Last updated 9/2016
English
$10 $90 89% off
2 days left at this price!
30-Day Money-Back Guarantee
Includes:
  • 43 mins on-demand video
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion
Have a coupon?
What Will I Learn?
By the end of this course the vocalist should be able to identify vocal registers
transition smoothly from one register to the next
Belt in the mixed voice
View Curriculum
Requirements
  • A decent voice and a decent ear
Description

The mixed-voice belt is an exciting sound that SELLS RECORDS! Most of the current top selling Pop, R&B, Gospel, Country artist can perform the mixed voice belt. This sound is also used for theatre performances (singing and speaking components).

Increasing Your Range the second course in OneVoice Music Academy's Vocal Boot Camp. It is designed to help the vocalist develop and strengthen his/her mixed voice belt.

The first step is to locate and distinguish between vocal registers. Second, passagios-points of transition between vocal registers would be discovered. Finally, participants are encouraged to perform the belting sound within the context of the simple vocal warm-ups included in the program.

The exercises are designed to establish flexibility and ease of transition from one register to the next.

Who is the target audience?
  • This course is intended for beginning and intermediate vocalists.
  • Basic music theory is an asset, but not a necessity.
Students Who Viewed This Course Also Viewed
Curriculum For This Course
Expand All 17 Lectures Collapse All 17 Lectures 42:54
+
The Chest Voice
5 Lectures 11:18

Discovering the Chest Voice:

What does a Chest Voice Feel Like?

  1. Put your hand on your Chest and feel the vibrations when you speak/sing in the chest voice

What does a Chest Voice Sound like?

  1. Pitch-The Chest Voice starts with thte lowest note in your range, the chest voice usually ends at G4 or A4
  2. Timbre- The characteristic quality of a sound independent of pitch and loudness.
  3. Louder, More Dramatic, More Intense
Preview 02:51

The concept introduced in the previous video is expanded and supplemented with additional exercises and examples.

The participant should sing along and pay attention to how the Chest Voice sounds and feels during this warm up.

Preview 04:00

This video is meant to be used in conjunction with the attached audio recordings. It is designed to guide the participant toward to correct mouth position, volume and posture for these particular exercises

Preview 00:37

This lecture is similar to the former lecture except that the "Ah" vowel used is wider and it is preceded by a "G" consonant sound. Keep the movement of your jaw to a minimum as you perform this exercise as it is designed to develop independence between tongue and jaw movement.

Preview 02:17

This exercise is part breathing, part vocalization. It involves short, percussive bursts of breath with support from the diaphragm followed by a 5 note major scale descent (from the 5th note to the first).

Preview 01:33
+
Head Voice
3 Lectures 03:30

Head Voice: The higher, lighter part of your singing voice. It makes vibrations in your head or skull as you sing. These exercise uses a "G" consonant accompanied by the "Oh" vowel

"G-Oh"

Head Voice 1
01:34

This Lecture uses a broken triad to demonstrate head voice vocalization. The "G" consonant and "Oh" vowel are used.

Head Voice 2
01:01

This exercise has the fewest notes of all the head voice exercises. The idea here is to establish flexibility and ease with head voice vocalization. A clear unrestricted tone in the head voice is desirable and necessary for mixed voice vocalization.

Head Voice 3
00:55
+
Mixed Voice
3 Lectures 09:15

This Lecture is all about the passagio. Locating it, working with it, bridging it. The audio file attached gives additional practice. Download the audio file and practice this exercise to familiarize yourself with your passagio.

Mixed Voice 1
04:34

This Lecture presents the first steps in "mixing" your chest and head registers. It instructs you to speed up your exhalation and add compression to develop your mixed voice. The audio files attached are challenging because of the amount of notes involved, but it is an excellent tool for developing mixed register vocalization technique.

Mixed Voice 2
03:00

This lecture describes the attached exercise/mp3 file, explaining how it is performed. It is an "Oh" vowel and alternates between "g" and "h" consonants. It starts with an E5 and should be performed in the mixed voice.

Mixed Voice 3
01:41
+
Accessibility Exercises
4 Lectures 09:02

This exercise allows the participant to sing a more extensive range of notes and to move from chest register into head/mixed register in one exercise. It should be practiced in a light head voice first; then in a raspy vocal fry sound. After that a mixed voice belt should be attempted using this exercise.

Accessibility1
02:18

This lecture describes the attached audio files as a "glissando" going up a full octave followed by major scale decent to the original note. The participant should work to smooth out the passagio transition along the range of this glissando as this will signify mastery over mixed voice vocalization. It may take some time, but commit yourself to the work and you will absolutely get it!

Accessibility 2
02:22

This exercise provides additional practice bridging the passagio. It is a glissando exercise that uses the "Ee" and "Eh" vowel of the basic vowel spectrum. Download the attached mp3 files and practice!

Bridging Exercise1
02:52

This Lecture is a continuation of the previous exercise. It expands the concept introduced and includes the vowels "Ah", "Oh", and "Oo"

Bridging Exercises2
01:30
+
Bridging Exercises
2 Lectures 09:49

This exercise is meant to be performed with a light mixed voice. It has a lot of notes, but in the video tutorial the notes are presented little by little so that the participant can understand the exercise. Practice slowly and then attempt the attached mp3 files.

Bridging Exercises3
06:17

The exercise in this lecture starts with an F5. This note may be challenging for Basses, Baritones, in the mixed voice. The exercises quickly descends an octave and this makes it easier to execute for non-soprano/mezzo/contralto vocalists.

Practice this exercise to develop smooth passagio transitions.

Bridging Exercises
03:32
About the Instructor
4.6 Average rating
262 Reviews
2,196 Students
3 Courses
Voice Coach

Paul McKay has worked with many of the Music Industries leading producers, songwriters and performers (Midi Mafia, Dangerous LLC., Drake, Fantasia Barrino, and Anthony Brown to name a few). High belted mixed and head voice sounds are characteristic of his style as well, as extraordinarily unique improvisation.

Paul McKay is a classically trained pianist with the Royal Conservatory of Music and also attended the University of Toronto to obtain his Bachelor of Commerce Degree.

His method of voice coaching is an eclectic mix of traditional opera technique and more contemporary, vocalization styles.

Paul currently operates OneVoice Music Academy; a place where potential vocalists and musicians from all over the world are trained and mentored by experienced professionals.

Report Abuse