Pianoforall - Incredible New Way To Learn Piano & Keyboard

Learn basic blues rhythms with left-hand patterns and 12-bar blues in the keys of C and G, using C F G chords to build two-hand coordination.

Learn rhythm 2: basic triad blues with alternate chords by inserting right-hand C, F, and G between left-hand notes, playing a complete 12-bar blues in C and G, no pedal.

Master straight eight boogie and 12/8 boogie shuffle rhythms, with left and right hand patterns, key transpositions, and 12-bar blues progressions in C, F, and G.

Extend the straight eight boogie left-hand pattern by adding a seventh, apply to C, F, and G, and practice Jerry Lee Lewis style right-hand over a 12-bar blues without pedal.

Master straight eight boogie through four variations, mainly the first with alternate right-hand chords; practice extended left-hand versions, inversions, and bass runs in C or G.

Learn blues rhythm number 5 in 12/8 time with a triplet feel, practicing C, F, and G chord progressions in the style of Blueberry Hill.

Master the 12/8 boogie shuffle rhythm, the go-to blues tempo, using two-note left-hand shapes (C5, C6) on the 12-bar blues in C and G, with transpositions to F.

Explore inversions to play chords closer together around middle C, using root position, middle inversion, and backwards inversion to connect chords smoothly.

Practice chord progressions using inversions to ease changes, with recommended inversions and optional all-in-one circle of fifths exercises for daily practice.

Master half beat bounce progressions with inversions using c family chords across popular progressions in twenty songs, styled after hit tracks.

Develop proficiency in oom-pah progressions with inversions for the C family chords, featuring fingering guidance and a sing-along of 18 tunes, from Happy Birthday to Oh Susanna.

Learn to avoid a common mistake when using inversions of seventh chords, by moving the root note correctly two keys left and recognizing crossover chords in left hand practice.

Practice seventh chords and inversions across the C family chords with D, E, A, and B flat, using styles from popular songs to master progressions in various keys.

Practice seventh chords progressions with inversions in the C family and D, E, A, and B flat. Explore styles such as I Walk the Line and The Bear Necessities.

Explore split chord rhythm and seventh progressions with inversions, applying fingerings to popular songs in various styles while keeping chords close together.

Develop split chord rhythm techniques and inversions with seventh's progressions through practice, exploring left-hand notes and right-hand splits across popular song styles and keys.

Learn 12/8 country shuffle piano progressions with inversions, pedal use, and splitting chords between the thumb and top two notes.

Explore twist rhythm practice with inversions, keeping the left hand in root position while the right hand applies inversions across C, A minor, F, and G progressions.

Develop static broken chord rhythm and practice progressions with inversions for piano using ten songs for sing-a-long, including swing low, amazing grace, auld lang syne, and oh danny boy.

Master the 3 Beat Bounce rhythm with practice progressions and inversions across original, light, and slow versions for a 14-song sing-along repertoire.

Master bossa nova bounce progressions with inversions across 14 songs, exploring Cmaj7, C6, Dm, D7, Fmaj7, and Fm6, while the left hand consistently plays the root note.

Practice Twist #2 rhythm progressions with inversions, keeping left hand in root position while right hand uses inversions. Learn rhythms: straight beat, half beat bounce, Twist #2 across eleven songs.

Master reggae progressions with inversions and chords like Bm7 and Em7 backwards, applying styles from No Woman No Cry, Three Little Birds, and Jammin across 17 songs.

Explore blues rhythms with right-hand inversions while left-hand patterns remain from section two, using examples like straight eight boogie in C and G, boogie shuffle, blueberry hill, and Oh Darling.

Practice chords and inversions with the circle of fifths to master common movements and speed learning through two sequencing drills: the C family chords and the second sequence.

Learn an instant memory trick to identify major and minor chords in root position using root-fifth color patterns and the middle third for faster progressions and rhythms.

Practice popular B chord progressions with inversions through a sing-along of 13 songs, featuring B root-to-fifth motion and up-tempo oom pah styles.

Explore B chords and practice progressions with inversions through 21 songs, delivering style cues from a wide range of classic tunes.

Practice piano progressions using Cm, Fm, Gm, Db, Eb, and Ab, with crossover chords like Gm over Eb and F over D, in styles from Rocket Man to Trouble.

Practice progressions using Cm, Fm, Gm, Db, Eb, and Ab, including a split chord and crossover chords like Fmaj7, Bbmaj7, and Am over F.

Practice piano progressions across Cm, Fm, Gm, Db, Eb, Ab with crossover chords and four-note right-hand voicings, in styles from Bob Marley to Radiohead, plus 6/8 rhythm.

Learn two new chords, F# (also called Gb) major and F#m (also called Gbm), explore root position and inversions near middle C, applying them in practice progressions and sing-along songs.

Explore popular piano progressions in F# and F#m across 21 songs, with twist rhythms and left-hand root-position patterns, for piano and keyboard learners.

Explore popular piano progressions in dbm, ebm, and abm, with inversions and backwards chords and minor-major relationships, across 11 songs with stylistic references to iconic tracks.

Learn the magic bluff formula to play 9, 11, and sus chords on piano, using the root in bass and a major chord two notes left of the root.

Practice bluff 9, 11, and sus progressions with dsus, csus, and gsus inversions; play two-note left-hand patterns to form sus over roots in pop and classic styles.

Explore bluff 9, 11, and sus progressions with chords like C11 with Bb over C, F7sus resolving to F7, and E7sus4 with middle inversion over E.

Learn Barry Manilow style chordal composition featuring key changes, slash chords like C/D, a three-beat slash pattern, and bass runs that lead between chords to inspire a Manilow style song.

Master three geometric shapes to instantly form all diminished chords, with each shape covering four diminished chords and the root in the bass producing a distinctive, dramatic sound.

Learn diminished chords through progressions in various styles, using three-note shapes that cover twelve diminished chords, with optional four-note shapes and left-hand root notes.

Explore cluster chords by adding notes between chord tones in the right hand to create tension with c add6, fmaj7, and am9; understand add2 vs add9 naming.

Explore extra practice progressions that adapt rhythms to fit songs, using arpeggios and inversions with chords like Em, D, Am, Dm, Gmaj7 over E, and Cmaj7 over A.

Explore extra fun popular progressions #2, blending left-note and right-split chord ideas with a half-beat bounce across 12 pop-style songs in a 6/8 rhythm.

Practice Beatles-style rhythms across their songs using a dedicated Beatles songbook. Use the first chord for the key, transpose as needed, and explore blues and rock n roll rhythms.

Learn ballad piano by improvising before memorizing songs, establish a simple left-hand pattern over C, Am, F, and G, add pentatonic scale melodies with pedal for a full sound.

Explore ballad-style pentatonic patterns to craft tuneful melodies, from straight up and down and three-step patterns to varying note durations and random order.

Develop a ballad-style, structured approach to piano by improvising with pentatonic scales and a three-note left-hand pattern, then apply the rhythm to Auld Lang Sang in three easy steps.

Move beyond a single pentatonic scale by adding two right-hand notes for each chord in a structured ballad pattern, across C, A minor, F, and G, with pedal and lightness.

Explore improvisation in ballad style by varying rhythm and structure of C and F notes, using chord tones and passing notes; experiment with the order of notes to deepen interest.

Learn to improvise ballad-style beyond safe notes by using runs across two or more octaves, varied durations, and passing notes to connect chord tones with a simple left-hand pattern.

Combine all learned techniques into a ballad-style piano piece, using left-hand basic ballad style, safe notes, thirds, sixths, octaves, varied durations, and runs, culminating in a big finish.

Improvise ballad style in a minor with a left-hand pattern and a shifting chord sequence (A minor, D, B diminished, E nine) across two bars.

Improve improvisation over an A minor progression by sticking to notes A, B, C, D, E and adding G sharp on E. Use a Bdim chord tone and follow pattern.

Practice improvising a ballad style in D minor using progression three, exploring chords D minor, C, B flat, F, and G diminished, with pedal changes across bars.

Improvise over minor progressions by sticking to D minor notes (D E F G A) and avoiding B natural, adding B flat; use G diminished shape and left-hand thumb percussion.

Apply the ballad style to Auld Lang Syne in three steps: left-hand pattern in G, add the right-hand melody, and layer chord tones beneath the melody for a thicker sound.

Explore ballad style Scarborough Fair in 3/4 time, learning to weave the left-hand pattern with the melody in D minor, extend patterns when melody drops, and create a descending bass.

Learn a ballad-style ding dong merrily on high with slow practice, counting two chords per bar, extended left hand, and a repeatable melody run using D minor, F, G, C.

Learn to tie a melody to chord tones in ballad style through a beautiful Irish song, using C, G, and F and practicing with slow tempo.

Explore how a ballad-style melody is built entirely from chord tones—D minor, D minor major 7, and D minor 7—with a simple left-hand 1st–5th–1st pattern.

Learn ballad-style piano with a simple left-hand pattern, and the expressiveness of the right-hand melody, focusing on subtle variations in attack, timing, and liveness.

Develop improvisation with the right hand by sticking to chord tones in the I vi IV V progression: C, a minor, F, and G, staying melodic and structured.

Extend the left-hand pattern beyond three notes in Greensleeves by adding two notes, freeing the right hand for melody, and transpose this pattern from A minor to G chords.

Extend the left-hand with jazzy minor patterns over C minor chords, jump to the second and third, and improvise using the C minor scale with focused chord tones.

Explore the magic blues scale in the key of c, with ceasy blues chords c7, f7, g7, and learn a simple thumb-on-white, third-on-black fingering that riffs over any chord change.

Practice blues riffs by breaking the scale into three-note patterns, exploring variations, slides, trills, and double notes, and transpose them to F and G over two octaves.

Learn a blues riff for the 12-bar blues in C, then transpose to F and G, with right-hand riffs and left-hand patterns around C7 and F7.

Learn to jazz up show tunes by using left-hand seventh chords, moving from triads to four-note left-hand voicings such as C major7, C7, and other C-family chords.

Master voicing left-hand seventh chords to avoid muddiness on lower keys, moving the third and fifth to the right hand, and practice C Am Dm G with C major seven.

Frere Jacques jazz part one introduces a jazzy rendition using left-hand chords C major 7 and D minor 7 for two-beat patterns, then adds the melody and solo practice slowly.

Improvise the melody line in a frere jacques jazz approach and practice it repeatedly. Pace the left hand slowly and use entrances before or after the beat.

Master four-note jazz chord inversions from root to middle and backwards, and apply the caterpillar walk to a common cycle of fifths progression ending back at C major seven.

Explore nine simple improvisation patterns in the key of C to pair right-hand ideas with left-hand chords, including root-second-third, scale runs, and triads for smooth jazz or swing styles.

Play jingle bells jazz by combining c family 7th chords with snap hold swing rhythm, moving hands with caterpillar motion from c to d minor 7 and f major 7.

Master the caterpillar progression in a minor, cycling through am7, e7, dm7, g7, cmaj7, fmaj7, b half-diminished7, returning to am7, with left or right hand bass-note bossa nova accompaniment.

Master a seventh-chord progression, including C major seven, D minor seven, G seven, and C sharp diminished seven, with left-hand stride patterns and improvisation to Stormy Weather and Blue Moon.

Learn Dm7 and Em7 chords in a snap hold rhythm, then add Gm7 and Am7 turnaround chords for improvisation.

Learn to improvise the right hand in D minor jazz by building from one note, using the D blues scale, and balancing variety, space, and melodic patterns.

Learn to shape jazz flavor in D minor through chordal improvisation, using right-hand chord tones across D minor, E minor, G minor, and A minor with rhythmic left-hand accompaniment.

Practice the D minor jazz rendition of God Rest Ye Merry Gentlemen, focusing on chords, rhythms, and a snap-hold rhythm, with an added A7 chord to watch for, played slowly.

Master left-hand stride in D minor jazz and practice two simple right-hand patterns from the D blues scale, supporting a 12-bar progression with ties and confident timing.

Explore modern voicings and chordal fragments inspired by Bill Evans, learn G minor 9 and F minor 9, then improvise using minor seven scales and chord tones.

Develop relaxed piano voicings and left-hand patterns inspired by Bill Evans's peace piece. Practice C major 7 fragments, explore right-hand ideas, and improvise by experimenting with pentatonic patterns.

Master a descending bassline moving from G minor to G minor major seven and E-flat major seven, heard in my funny valentine and masquerade, with right-hand G blues scale ideas.

Practice four-note flourishes and seventh chords, cycle through fifths from chord pattern, play one note at a time with sustain pedal, transpose from C major 7 to F major 7.

Master the four-note flourish with ninth chords like C major 9 and D minor 9 over bass note, using tricks to spot Em7, A minor 9, and F major 9.

Master stride-style progressions in C major 9 and C minor 9, using extended chords and the memory trick of E flat major 7 over C to shape C minor 9.

Explore improvisation over left-hand chords in C major nine, practicing right-hand patterns, keeping hands separate, and using short motifs to shift between C major and C minor seven.

Learn a traditional jazz blues progression in F, blending blues and jazz with chords F, Bb, C, B diminished, Gm7, D7, and F7 with added 6th.

practice a 12 bar blues in c minor, a minor variation, memorizing chords such as c minor seven add nine and f minor seven add nine, then improvise simply.

Practice jazz seventh chords across keys with left-hand four-note shapes and right-hand broken patterns, using three methods to form major seventh, seventh, minor seven, half-diminished seven, cycle of fifths.

Practice one type of seventh at a time, moving through all twelve major7s, then minor7s and diminished/half-diminished 7ths, with pedal and mirrored right-hand patterns.

Practice seventh chords, including minor seven, seven, and major seven, using the two-five-one progression in all keys with the left hand, featuring caterpillar movement, middle inversions, and cycle of fifths.

Advance blues piano by enriching right-hand chords with seventh chords and inversions, using off-on rhythm over left-hand blues patterns like triad blues, boogie, shuffle, and 12/8 rhythms.

Practice the right hand triplets pattern across the song, aligning with a 12/8 shuffle and left-hand rhythm as you lock your hands in position through all chord changes.

Practice right hand chord riffs with triplets and a double shuffle over the twelve-eight left-hand pattern to strengthen fingers and coordinate pattern changes through slow, repetitive exercises.

Master right hand chord riffs and the I IV riff using the cycle of fifths, moving from C to F, Bb, Eb, Ab, and Db for blues and gospel.

Learn right hand chord riffs in a I IV shuffle blues pattern, with chords split and alternated between the thumb, third, and fifth fingers.

Master blues phrasing with right-hand chord riffs and I IV slide techniques that bounce between notes, creating a bend-like sound, then practice the F and G progression.

Explore extended right-hand chords, form C6 and F7 with added 9th (noting the 9th equals the 2nd), and apply them using off-on blues, boogie, and 12/8 shuffle left-hand rhythms.

Develop right-hand riffs and left-hand rhythms with a simple three-note jump, then apply it to triad blues, 12/8 shuffle, straight eight boogie, and twist rhythms with focused practice.

Master right hand riffs, pickups, slides, and tremolos in blues, learn quick slides and higher notes, and practice the progression on the next page.

Practice the slide shuffle over the 12/8 shuffle left hand to master a progression that enables your right-hand riffs, pickup, tremolo, and triplets at a slow tempo.

Practice the slide-on boogie, applying the slide and pickup over the straight end boogie in the left hand, while avoiding tremolo and triplets to introduce something a bit more difficult.

Explore the piano's octaves to move riffs up or down, then practice a 12-bar blues using three pick-ups and a blues scale run in a 3-1-3-1 pattern, slowly.

Master basic blues turnarounds by integrating three chord patterns in a 12-bar blues in C, ending on G to return to the start and drive the groove.

Explore fake stride piano by keeping bass notes close to chords, using root, third, and fifth, then transpose to F and G while simplifying the third.

Master the three-bar octave opening of the entertainer by locking your fingers in position and tracing a simple, repetitive pattern from D to A to D, then back to A.

Practice the entertainer part 2 from the opening octave, first hands separately, then slowly combine bar by bar with the left-hand pattern in C, C7, F, G, C.

Master the bass run in the Entertainer part 3 (bars 16–20) by practicing hands together and memorizing the left-hand pattern built on C, C7, A, F, and F minor.

Practice the entertainer part 4 by dividing the page into halves, mastering left-hand c to f minor back to c patterns and right-hand c, d, d6 chords, then repeat bars slowly.

Explore music through video lesson 22 part 2, as part of Pianoforall's approach to teaching piano and keyboard. Discover music as the core of the learning experience.

Explore Beethoven's Fur Elise through chord tones, left and right hands almost separate, with E broken chords and an A minor ballad; practice precise fingering to advance the melody.

Learn Bach's Prelude & Fugue no. 1 in C major through a five-note repeating pattern for sight reading, with hands, pedal technique, and expressive practice to speed and octave variation.

Chopin's waltz in a minor teaches a simple right-hand melody and a four-time left-hand c minor progression; practice the left hand alone before hands together, and keep the pedal on.

Observe the spacing between notes on the staff, memorize the tune, and focus on the left hand, then practice with eyes closed to repeat the melody.

Practice the Bach minuet in G with correct fingering for the right and left hands. Use sheet music to keep hands in one position and play both hands together.

Learn the piano arrangement of Verdi's la donna e mobile, featuring two-bar left-hand split-chord patterns in c and g and a bar-18 move through d, g, e, and a minor.

Learn the blue danube waltz on the piano by practicing hands separately, then combining, focusing on chord tones, broken chords, and the 3/4 waltz rhythm.

Learn Brahms' Hungarian dance in two halves, practice hands separately then together, apply the same fingering, and move the right and left hands up one octave for the full piece.

Learn Bach's menuet in B flat by practicing hands separately, using precise fingerings and patterns, then combine hands slowly to master the G-chord progression and move to an F.

Play Erik Satie's Gymnopédie No. 1 with both hands together, divided into four sections. Remember left-hand e-flat and g minor cues with right-hand b-flat to shape the ballad-like sections.

Explore Chopin mazurka in F major by linking both hands to chord tones, focusing on 3rd and 5th patterns and steady left-hand 1st–5th motion across chords, then repeat.

Master Chopin opus 28 no.4 in em by slow practice of the left-hand chords, with careful pedal changes, starting with the first half before the more challenging second half.

explain two practice methods for Chopin prelude in C minor, Op. 28 No. 20: play chords above the music, or follow a simplified deep-octave version and practice chord changes slowly.

Master major scales and learn sharps and flats patterns through memory tricks, memorize the order of sharps and flats, and apply different keys by ear.

Explore natural minor and minor seven scales, learn memory tricks to relate natural minors to major scales, and use the relative major to form minor chords like C minor natural.

Master the dorian minor seven scale and its use over the second-degree minor chord in major keys, learning tricks including circle of fifths to relate minor seven to major scales.

Explore arpeggios and broken chords to improve chord knowledge and improvisation. Practice arpeggios in every key with fingering, keep the thumb off black keys, and use pedal for ringing sound.

Master a C major basic triad workout with a four-note right-hand pattern and left-hand twist rhythm, moving through the C–A minor–D minor–G progressions. Practice inversions and practice in different keys.

Practice seventh chords by left-hand static C family chords while the right hand plays a two-octave broken seventh pattern; start in C, then apply for other keys using fingering diagrams.

Learn six three-note melodic patterns derived from scales or triad chords, practice them up and down through octaves, and apply them to four-note jazz chords to boost improvisation.

Combine two melodic patterns from lesson, using triplet rhythm and varied accents to drive jazz improvisation and a swing feel with two-note and three-note patterns over D minor seven chords.