Hello everyone, the season 2 of “The Immortal Classical Chinese poetry: Learn Chinese language and Culture series” is launched! Like its predecessor season 1, this course will allow you to learn a wide range of Chinese language (such as language describing Nature, emotion, basic topics of human existence) by learning the breath-taking, immortal beauty of the original works of other most famous classical Chinese poets beyond Li Po, Wang Wei and Tu Fu, including Tang Dynasty poets such as the landscape poet Meng Haoran, the defiant poet ghost Li Ho, Li Shangyin, the obscure poet of passion and renunciation, Tao Yuanming and Han-shan Te-Ching, two renowned Taoist hermit poets in Jin and Ming Dynasty. These two seasons of Immortal Classical Chinese poetry will give you a comprehensive as well as in-depth picture of the most famous classical Chinese poets, especially the poets in the Tang Dynasty, the Golden Age of China as well as classical Chinese poetry.
More than any other countries, classical Chinese poetry is given the most prominent and exalted status, which not only shapes Chinese language, literature, arts, philosophy and religion, but also Chinese history and politics. Chinese scholar-officials are invariably good poets who had passed Civic Entrance Exams with good grades and became high officials by composing excellent poetry and to a lesser extent, great essays. Moreover, the language of classical Chinese poetry is surprisingly similar to modern Chinese language, therefore it is very adaptable to the language use in daily life. To the very few vocabularies that changes their usage in time, the course will explain carefully and provide the modern equivalent.
Each poem is taught in three lectures: the first lecture teaches the language of the poem. Vocabulary lists are provided and taught to recite and to use in modern situation, the literal meaning of each poetic line is explained in great detail, and each poetic line is led to recite and memorize, because the vocabulary lists include vocabularies from the most basic to the advanced, any level of Chinese students can take the course, although it is advisable to take my College Mandarin Chinese on Your Own Beginning Level so that you are knowledgeable of the Chinese pinyin and writing system and basic Chinese vocabularies. The second lecture teaches in English the poetic implication, the relationship between its poetic form and meaning, composition method and philosophical influence of the poem, so that you understand and appreciate the cultural implication of the poem in greatest depth. The third lecture is a music recitation video made with my recitation (which you can read after), beautiful classical Chinese music and painting, so that you can further familiarize and memorize the language of the poem, and appreciate the immortal, living beauty of these poems.
Through learning these two seasons of Immortal Classical Chinese Poetry Course in combination you will be able to take greatest pride in yourself in being able to understand the major poets of classical Chinese poetry whose works have amazing homology with Chinese arts, philosophy and religion and shapes Chinese history for thousands of years. While you take the aesthetic flight, your Chinese skill will also improve drastically with the wide range of vocabularies and expression in human existence you acquired in these two courses.
This lecture introduces in general terms the life and poetic works of Meng Haoran.
This lecture teaches and practices the language of the poem. Vocabulary
list is provided and you are taught to recite the vocabularies and how
to use them in modern situation. I provided the Chinese character text,
pinyin sound text and English translation text of the poem in my power
point video, usually one passage of the poem on one slide. The literal
meaning of each poetic line is explained in English for you to
understand the poem phrase by phrase and line by line, and I will teach
you to recite the poem line by line twice. You will read after me and
try to imitate as closely as possible my pronunciation and tones.
Because the vocabulary lists include vocabularies from the most basic to
the advanced, any level of Chinese students can take the course,
although it is advisable to take my College Mandarin Chinese on Your Own
Beginning Level so that you are knowledgeable of the Chinese pinyin and
writing system and basic Chinese vocabularies.
This lecture teaches in English the poetic implication of the poem, the
relationship between its poetic form and meaning, its composition method
and Chinese philosophical influence on the poem, so that you understand
and appreciate the cultural implication of the poem in greatest
This lecture is a music recitation video made with my recitation of the poem, matched with beautiful classical Chinese music and painting, so that you can further familiarize and memorize the language of the poem, and appreciate the immortal, living beauty of the poem. In my recitation, I left space between the lines so that you can follow me to read line by line, and watch the video for multiple times until you memorize the poem.
Following the corresponding part of lecture description as provided for the above poem.
I am an award-winning professor of Chinese, director of "Hong Zeng's Chinese Language and Culture". I have taught Mandarin Chinese at all levels in prestigious American colleges altogether for 16 years. I have taught nine years as a tenure-track professor of Chinese at Carleton College, ranked No. 1 in undergraduate teaching in all liberal arts colleges in America, and have directed the Chinese program for two years at Hamline University (the first university in Minnesota). In both my second year coming to Carleton and Hamline, I more than doubled their Beginning Chinese Class enrollment. I have also taught at University of North Carolina, Chapel Hill. I have two PhDs, one in Chinese and comparative literature from UNC, Chapel Hill, the other in second language education, literary translation and English literature from Beijing Foreign Studies University. I have published five books in America (including two from Macmillan) on Chinese and comparative literature, film study, language study and language philosophy that are well-endorsed by world-renowned experts and book review journals in my field. I have earned 30000 dollars large grant from Asian Network in Chinese study.