The art of piano improvisation

Learn and improve your improvisation skills on the example of improvisation in classical music way
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80 students enrolled
Instructed by Albert Sapr Music / Instruments
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  • Lectures 9
  • Length 40 mins
  • Skill Level All Levels
  • Languages English
  • Includes Lifetime access
    30 day money back guarantee!
    Available on iOS and Android
    Certificate of Completion
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About This Course

Published 9/2014 English

Course Description

In this course, I will share with you the techniques of improvisation on the piano on the example of improvising classical variations on a theme "twinkle twinkle little star". As a bonus, there is an improvisation on a "smoke on the water" theme.

Most important, I will share with you the way of thinking while you're improvising in order to exceed the musical quality of your improvisations.

Also, you can use principles which I've described here in your own compositions while writing music.

If you play piano like amateur or if you are student in musical university - doesn't care: you can use the ideas in the range of skills you have.

Also, it's not important to be a piano player: if you play some other instrument, this course might be useful for you as well. The main thing I'm going to talk about is the way of thinking in musical terms. And music itself can be played on any instrument, of course.

You will learn a branch of stuff about improvising on a theme:

  • presentation of a theme
  • variations with different musical texture
  • variations in field of harmony
  • variatig the melody
  • setting free and giving chance a chance
  • changing the mood, changing scales
  • seeking for new types of expression
  • changing figurative sphere of music, improving it

What are the requirements?

  • a musical instrument
  • desire to make music
  • It's nice to be familiar with the musical basics, but not most important
  • if you would like to take part in quizz, you need a sound recorder or a videocamera

What am I going to get from this course?

  • In this course, you will learn to think in terms of music and to make desicions while improvising
  • In this course, you will learn to increase your skills in musical improvisation
  • The principles set out in this course can be useful for you as a beginning composer

Who is the target audience?

  • amateur pianists
  • any musician who would like to start improvising
  • any musician who would like to increase his improvisation skills

What you get with this course?

Not for you? No problem.
30 day money back guarantee.

Forever yours.
Lifetime access.

Learn on the go.
Desktop, iOS and Android.

Get rewarded.
Certificate of completion.


Section 1: Introduction. What is improvisation about?
Introduction. What is improvisation?
Section 2: Improvisation on a "Twinkle little star" theme
Learning the theme: check the scores and find out how did Mozart improvise

Introducing a theme on which we plan to improvise.


First variation: just making some imrpovements in voices

Second variation. Variating chords: refreshing harmony, changing the tonality
Third variation and a draft of fourth. Setting free.
4th & 5th variations. Improving left hand, switching major to minor
Sixth variation: Final.
Section 3: Bonus: improvisation on a theme "Smoke on the water"
Smoke on the water

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Instructor Biography

Albert Sapr, Musician

  • Albert has studied in Kiev National Musical Academy, Ukraine and Graz University of Music and Performing Arts, as a composer and pianist.
  • Has a master degree for composition.
  • Is a teacher in musical school. Has a rich experience of working with students.
  • Is a first prize winner on a First Dmitry Tiomkin international piano improvisation competition: “The surprise of the contest named after Dmytro Tiomkin was the victory of Albert Sapr, who challenged the stereotype that the art of improvisation is the patrimony of jazz: “I think there is more freedom for improvisation in academic music, because there is no need to walk the line, you can fold wherever you like and determine the fate of the work in a very unexpected way even for yourself. But there is a “dark side” in the improvisation as it is – one risks to melt among the piles of styles and turn into an apologist of the whole music history”

  • Has toured number of towns as a pianist improvisator.

  • In his musical activities, is combining three spheres of music: composition, improvisation and playing. Is interested to find the point of contact of these spheres, and where they should exist separately, non interfering with each other. These reflections, he plans to bring to its second thesis. First thesis is about four symphonies of great Polish composer Vitold Lutoslawsky.

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