Psychedelic Music production workshop with Cubase
3.4 (5 ratings)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
25 students enrolled
Wishlisted Wishlist

Please confirm that you want to add Psychedelic Music production workshop with Cubase to your Wishlist.

Add to Wishlist

Psychedelic Music production workshop with Cubase

Create a Psytrance track from A to Z
3.4 (5 ratings)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
25 students enrolled
Created by Twisted Kala
Last updated 5/2016
English
Curiosity Sale
Current price: $10 Original price: $35 Discount: 71% off
30-Day Money-Back Guarantee
Includes:
  • 4 hours on-demand video
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion
What Will I Learn?
  • Have the building of a psychedelic track with Cubase
  • Create, open a new project. Choose BPM. Create Short cuts (key commands). Import samples.
  • Organize structure of the track. Use quantize. Kick in audio. Bass in midi.
  • Effects in inserts: Equalization of Bass.
  • Install V.S.T Use V.S.T Instruments: Synth 1 synthetizer: Sound design in midi: Create audio sample (Record midi).
  • Record automation on Synth. Assign LFO. Equalization synth. Bounce (export) midi files in audio files.
  • Use of synth 1 syntheziser (explaination of oscillator, FM, Frequencies, LFO, Pitch, sound design)
  • Construction of a break in a track.
  • Create an FX with one effect audio sample. Reverse an audio sample.
  • Zebra 2 syntheziser sound design (assignation of LFO), write midi pattern + arpeggios..
  • Use of Turnado FX vst.
  • Use of reverb.
  • Construction of a break with kicks/timestretch a loop sample.
  • How to record voices with microphone.
  • Hit Hat and percussions + Equalizations.
  • Bonus: Record voice and create Fx with it.
  • Bonus: Serum VST Experimentation.
View Curriculum
Requirements
  • Cubase Steinberg
  • Monitors or Headphone.
  • Synth 1 vst (free)
  • Fab Filter Equalizer or any Equalizer knowned
  • Zebra Vst (in option)
  • Turnado Fx Vst (in option)
Description

Write a Psychedelic Track Wih Cubase from A to Z:

Level 1 part 1 included:

Main structure of a track in Cubase.

Create, open a new project. Choose BPM. Create Short cuts (key commands). Import samples. 

Organize structure of the track. Use quantize. Kick in audio. Bass in midi. Effects in inserts: Equalization of Bass. Closed Hat. Equlization closed hat. Open hat. 

Install V.S.T Use V.S.T Instruments: Synth 1 synthetizer: Sound design in midi: Create audio sample (Record midi). Differents types of filters. Record automation on Synth. Assign LFO. Equalization synth.

 Bounce (export) midi files in audio files. Create short cut (key commands). Use of synth 1 syntheziser (explaination of oscillator, FM, Frequencies, LFO, Pitch, sound design). Mixe of a track finished. Pitch envelop process. Construction of a break in a track.


Level 1 part 2 included:

Use of effects on audio sample. Create an FX with one effect audio sample. Reverse an audio sample.

Zebra 2 syntheziser sound design (assignation of LFO), Create a patch (including 3 Twisted Kala Patches), write midi pattern + arpeggios..

Turnado FX. Analyse of a project of a finished track (arrangement, progression, place of percussions – snares, crash - , leads) .

Use of reverb. Analyse of stereo of a track with Paz analyser (antiphase, reduce stereo with S1 Imager).

Presentation of binaural VST, analyse of stereo.

Use of gate effect.

Construction of a break with kicks/timestretch a loop sample.

Remind about equalization of different sounds and percus. Mix of leads in a track. Write different midi patterns of Bass. Construction of a break with kick and Turnado effect VST. 

How to record voices with microphone.


Who is the target audience?
  • beginners producers with Cubase
  • Advanced producers want to discover Cubase and some new ways to produce.
  • Producers who want write psychedelic music.
Students Who Viewed This Course Also Viewed
Curriculum For This Course
12 Lectures
04:11:10
+
Write a Psychedelic track with Cubase from A to Z
10 Lectures 03:36:35

Twisted Kala is karine PETIAU. She was born in france, and lives today in Spain. 

Her first approach to music was through classical music, experimental sounds and break beat rythms .....

She spent 10 years learning piano and classical music theory at Montpellier’s conservatory of Music in France.

She’s been producing on Cubase for the last 9 years....

To her, Dancing, listening to music, is active meditation.....…meditation being the place where you become aware of your connexion with the universe , with the “whole”, any living thing.

She spent over the last 15 years dancing and exploring dimensions all over the world .....

Today She enjoys using her sounds to embark people onto deep journeys within themselves ...She played in various places such as  Asia (India, Nepal, Thailande), Europe (Portugal, Spain, Italy, France, Germany, Greece, Turkey, Austria, Sweden, Hungary, Ireland), Russia, Switzerland, London,  Lebannon, Mexico..... Live Act and DJSet.

Preview 06:39


Level 1 part 1 included:

Main structure of a track in Cubase.

Create, open a new project. Choose BPM. Create Short cuts (key commands). Import samples. 

Organize structure of the track. Use quantize. Kick in audio. Bass in midi. Effects in inserts: Equalization of Bass. Closed Hat. Equalization closed hat. Open hat. 

Install V.S.T Use V.S.T Instruments: Synth 1 synthetizer: Sound design in midi: Create audio sample (Record midi). Differents types of filters. Record automation on Synth. Assign LFO. Equalization synth.

 Bounce (export) midi files in audio files. Create short cut (key commands). Use of synth 1 syntheziser (explaination of oscillator, FM, Frequencies, LFO, Pitch, sound design). Mixe of a track finished. Pitch envelop process. Construction of a break in a track.


2 - Kick, Bass and Percussions
26:10

Samples 170 bpm for the track:

1: Kick

2: Bass non Equalized

3: Hat

4: Lead

5: Lead

6: Lead

7: Atmo

8: Lead/ Atmo

9:Lead


Preview 01:58

3: Effects insert: Equalization of Bass
08:54

4: Closed Hat. Structure of a track
10:25


6: Install VST, Sound Design Synth 1VST., Record Midi, Create Audio sample.
37:28

7:Sound Process (Synth 1 synthesizer), bounce Audio, key command, pitch envelopp
25:26

Level 1 part 2 included lectures 9 and 10):

Use of effects on audio sample. Create an FX with one effect audio sample. Reverse an audio sample.

Zebra 2 syntheziser sound design (assignation of LFO), Create a patch (including 3 Twisted Kala Patches), write midi pattern + arpeggios..

Turnado FX. Analyse of a project of a finished track (arrangement, progression, place of percussions – snares, crash - , leads) .

Use of reverb. Analyse of stereo of a track with Paz analyser (antiphase, reduce stereo with S1 Imager).

Presentation of binaural VST, analyse of stereo.

Use of gate effect.

Construction of a break with kicks/timestretch a loop sample.

Remind about equalization of different sounds and percus. Mix of leads in a track. Write different midi patterns of Bass. Construction of a break with kick and Turnado effect VST. 

How to record voices with microphone.

 

8: Sound Design Zebra Vst., Create FX, Use Effects, Analyse of stereo.
38:50

Write midi pattern, Turnado Fx, Analyse of finished track, time strech a loop sample....

9: Sound design Zebra2 Vst, percussions, Built a break, record voice
51:53
About the Instructor
Twisted Kala
3.7 Average rating
5 Reviews
39 Students
2 Courses
Music producer

Twisted Kala is karine PETIAU. She was born in france, and lives today in Spain. 

Her first approach to music was through classical music, experimental sounds and break beat rythms .....

She spent 10 years learning piano and classical music theory at Montpellier’s conservatory of Music in France.

She’s been producing on Cubase for the last 9 years....

To her, Dancing, listening to music, is active meditation.....…meditation being the place where you become aware of your connexion with the universe , with the “whole”, any living thing.

She spent over the last 15 years dancing and exploring dimensions all over the world .....

Today She enjoys using her sounds to embark people onto deep journeys within themselves ...She played in various places such as  Asia (India, Nepal, Thailande), Europe (Portugal, Spain, Italy, France, Germany, Greece, Turkey, Austria, Sweden, Hungary, Ireland), Russia, Switzerland, London,  Lebannon, Mexico..... Live Act and DJSet.