The best way to learn the art of photography is by watching a master artist at work. In Masters of Photography: How to Use Color, Light, and Storytelling in Photography—eight lectures taught by four top National Geographic photographers who represent the gold standard of photography—you’ll gain unprecedented access to true masters, watching and learning from them as they work.
Join Michael Melford, an internationally recognized landscape photographer, for a discussion about diffuse light, sidelight, backlight, and “magic” light, and how to use filters to control the available light.
Annie Griffiths, Executive Director of Ripple Effect Images, demonstrates how the different “personalities” of colors communicate emotions. She’ll provide practical tips on shooting at all times of day, using backgrounds, and creating silhouettes, and she’ll show you how to use light for drama and interest, nature shots, and special event photos.
Learn how to create impact with your photos following the lead of William Albert Allard, photographer and writer, and consider photographing traditional icons in new ways.
Ed Kashi—photojournalist, filmmaker, and educator—takes the lessons on visual storytelling to the next level, sharing insights into capturing daily life, cultures, landscapes, a sense of place, and a cohesive feeling or mood.
Beyond revealing professional secrets, this course provides a toolbox overflowing with techniques you’ll put into practice every time you lift your camera.
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Michael Melford is an award-winning photographer who has worked with National Geographic for more than 30 years, producing 19 features for the magazine as well as more than 30 stories for National Geographic Traveler and eight titles for the Society’s books division. After receiving a bachelor’s degree in photography from Syracuse University, he became a contributing photographer for Life Magazine and went on to have his work featured in many leading publications, including Newsweek, Time, Fortune, Smithsonian, Geo, Travel and Leisure, Travel Holiday, and Coastal Living. Most recently, he has been on assignment for National Geographic, celebrating the marvels of America’s National Parks. Mr. Melford holds National Geographic seminars on photography around the country and on the various ships that National Geographic has stationed around the world.
National Geographic photographer Annie Griffiths has photographed in nearly 150 countries, and her work has been exhibited on five continents. She has worked on dozens of magazine and book projects for the Society, including stories on Lawrence of Arabia, Baja California, Galilee, Petra, Sydney, New Zealand, and Jerusalem. Deeply committed to photographing for aid organizations around the world, Ms. Griffiths is also the Executive Director of Ripple Effect Images, a collective of photographers who document programs that are empowering women and girls in the developing world. Her book projects include A Camera, Two Kids and a Camel; Last Stand, done with author Barbara Kingsolver; Simply Beautiful Photographs, which was named the top photo/art book of 2011 by both Amazon and Barnes and Noble; and Life in Color: National Geographic Photographs. Ms. Griffiths has been honored with fellowships by Ashoka, The Cordes Foundation, and The International League of Conservation Photographers, and she has received awards from the National Press Photographers Association, the Associated Press, the National Organization of Women, The University of Minnesota, the White House News Photographers Association, and Heifer International.
A major force at National Geographic and of mainstream photography for 50 years, William Albert Allard has been contributing to National Geographic Society stories and books as a photographer and writer since graduating from the University of Minnesota in 1964. One of color photography’s most celebrated pioneers, he has shot in 30 countries and been published in many major U.S. and European publications, including more than 40 articles with National Geographic. In addition to being a former contributor to Magnum Photos and having his prints appear in private and museum collections, he is the author of six highly acclaimed books, including the award-winning Vanishing Breed, a collection of his photographs and writing about the American West and the cowboy. His latest book, William Albert Allard: Five Decades, a retrospective and memoir, explores his long career in both words and pictures. Among his worldwide exhibits, his one-man show at the Museum of Contemporary Art in Tehran, Iran, in 2002, was the first exhibit of an American artist in Iran since 1979. In 1994, he received the Outstanding Achievement by an Alumni Award from the regents of the University of Minnesota.
Ed Kashi is a photojournalist, filmmaker, and educator dedicated to documenting the social and political issues that define our times. Since 2000, he has pioneered the movement to multimedia and filmmaking in photojournalism, producing the innovative Iraqi Kurdistan Flipbook—which has been shown in film festivals and museums around the world—and award-winning short films and multimedia projects on geopolitics and social issues. Along with numerous awards from World Press Photo and Pictures of the Year International, UNICEF’s Photo of the Year 2010, a Prix Pictet 2010 Commission, and honors from Communication Arts and American Photography, Kashi’s images have been published and exhibited worldwide. He has made seven books, including Curse of the Black Gold: 50 Years of Oil in the Niger Delta and THREE. Kashi’s latest book, Photojournalisms, is a compilation of journal writings to his wife, done over a nearly 20-year period, from various locations around the world.