Music Theory Comprehensive Combined: Part 4, 5, & 6
4.7 (82 ratings)
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Music Theory Comprehensive Combined: Part 4, 5, & 6

Mastering Music Theory and SATB Composition with College-Level Music Theory
4.7 (82 ratings)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
2,050 students enrolled
Created by Jason Allen
Last updated 9/2017
English
English
Current price: $10 Original price: $100 Discount: 90% off
5 hours left at this price!
30-Day Money-Back Guarantee
Includes:
  • 10 hours on-demand video
  • 26 Articles
  • 27 Supplemental Resources
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion
What Will I Learn?
  • Composing music using modes and counterpoint
  • Create unique melodies by understanding the rules of counterpoint
  • Create more emotional music by taking advantage of the musical modes
View Curriculum
Requirements
  • Students who have taken Music Theory Comprehensive Part 1 - How To Read Music will benefit from some concepts, but it is not required.
  • Students who have taken Music Theory Comprehensive Part 2 - Chords, Scales, and Keys will benefit from some concepts, but it is not required.
  • Students who have taken Music Theory Comprehensive Part 3 - Minor Keys and More will benefit from some concepts, but it is not required.
  • This courses assumes students know the basics of how to read music. (Those who can not identify notes in treble clef should start with Music Theory Comprehensive Part 1)
Description

For years I've been teaching Music Theory in the college classroom. These classes I'm making for Udemy use the same syllabus I've used in my college classes for years, at a fraction of the cost. I believe anyone can learn Music Theory - and cost shouldn't be a barrier.

Recently I was named as a semi-finalist for the Grammy Foundation's Music Educator of the Year award because of my in-person university classes. Now I'm taking those classes to Udemy in an online format in order to reach more students, and give them the joy of Music Theory.

My approach to music theory is to minimize the memorization. Most of these concepts you can learn by just understanding why chords behave in certain ways. Once you understand those concepts, you can find any scale, key, or chord that exists. Even invent your own.

This class is a Comprehensive class - it will have many parts, going through my entire annual curriculum.

This version of the class has three of my Theory classes combined: Music Theory Comprehensive Part 4, 5, and 6. You will get the complete class for all three of those contained inside this class.

Throughout this class, I'll be providing you with many worksheets for you to practice the concepts on. If you get stuck, you can review the videos or post a question, and I'll back to it as fast as possible. Also in this class I have several complete analysis projects that we will complete together - just like in my college classes.

In this class, we will cover:

  • My approach to Music Theory
  • Tools you will need to learn Music Theory quickly and efficiently
  • How Modes Work
  • The History of Modes
  • Identifying the Musical Modes
  • Incorporating modes into popular music
  • Analysis of popular and classical music, including the Simpsons TV Theme Song, and the Beetles.
  • Interval Exploration
  • Compound Intervals
  • Rules for Inversion
  • Augmented Intervals
  • Diminished Intervals
  • Enharmonic Equivalence
  • Labeling Dissonance
  • Counterpoint in Species 
  • The Rules of Counterpoint
  • Compositing with Counterpoint
  • Types of Contrapuntal Motion
  • Creating music with Counterpoint
  • Tools of Counterpoint
  • Second Species Counterpoint
  • Metric Accents and Diminutions 
  • Resolutions
  • Passing Tones
  • Consonant Skips and Leaps
  • Neighbor Tones
  • Writing Compelling Melodies
  • Third Species Counterpoint
  • The Cambiata
  • Double Neighbor Tones
  • Fourth Species Counterpoint
  • Rhythmic Displacement
  • Suspensions
  • 4-3, 7-6, and 9-8 Suspension Types
  • Consonant Suspensions
  • Chains of Suspensions
  • Fifth Species Counterpoint
  • Free Counterpoint
  • My approach to Music Theory
  • Tools of Counterpoint
  • Types of Motion in Counterpoint
  • 18th Century Counterpoint
  • Chordal Dissonance
  • Cadences in Bass/Melody Accompaniment
  • Cadences in 4-Voice Accompaniment
  • Non-Chord Tones in 4-Voice Accompaniment
  • Suspensions in 4-Voice Accompaniment
  • Example Analysis Projects
  • Writing 4-Voice (SATB) Lines
  • SATB Notation
  • SATB Ranges
  • Voice Crossings
  • Doubling
  • T-D-T Phrasing
  • Establishing Tonic Areas
  • Establishing Dominant Areas
  • Resolving Leading Tones (in 4-Voice Accompaniment)
  • Harmonic Rhythm
  • Texture (in Song)
  • Worksheets and Music for Practice
  • ...and much, much more!

And of course, once you sign up for this class you automatically get huge discounts to all the upcoming parts of this class.

You will not have another opportunity to learn Music Theory in a more comprehensive way than this.

Dr. Jason Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater. His 2015 album, Aniscorcia, reaching the CMJ Top200 Charts and radio broadcasts nationwide. In 2014 he was named a semi-finalist for the Grammy Music Educator Award.

He currently as an adjunct professor of composition at the University of St. Thomas, and the CEO of Slam Academy in Minneapolis.

Praise for classes by Dr. Jason Allen:

  • "Without a doubt the best explanation and east of use that one can get. It leaves you enough room to go explore. The classes go by quick, so you can be on your way at being proficient. What are you wait for!"
  • "Amazing - Seriously Loved It! I took all his courses and have to say I'm so happy! Learnt loads! Jason is an awesome teacher!"
  • "I have never had any formal training in music at all. Trying to learn all the notes and how everything translated was a serious challenge. After going through this class, Dr. J has totally brought down the barriers. The content was very useful and was easy to grasp for me."
  • "I like these courses because you can get up and running quickly without having to spend hours of time wading through TMI (too much information!). Jason hits the high points but shows you what you need to know. Thanks!"
  • "I've watched many other videos on scales and chords before, however, this one has been the best. I now understand minor scales and chords and even how to analyze songs. It really gave me the confidence to start producing music because I feel like I have some structure and guidelines to follow. AWESOME!"
  • "Clear and Informative - Jason has a clear uncluttered style (with the important dashes of humor) of presentation that is focused on the important key aspects of this course. Recommended for those starting out!"
  • "Dr. Allen does it again with his music theory series. This course really opened up everything I learned from the 1st section, and now I understand more about the composition side of things for music. I highly highly recommend this course to anyone!!! Really opened my eyes to many things I wasn't aware of."
  • "The Best Teacher Ever, who makes you understand the ins & outs of Music Theory by all means without giving what you don't want to know."
Who is the target audience?
  • This course is designed for anyone who has wondered about music theory and is ready to fully explore it.
  • Songwriters, producers, and instrumentalists will benefit from this course by understanding music on a deeper level.
Compare to Other Music Theory Courses
Curriculum For This Course
138 Lectures
10:07:29
+
Welcome & Overview
5 Lectures 22:28


[DOWNLOAD] Free Staff Paper
00:04


Review Session: Diatonic Chord Progressions
06:07
+
Modes (The Musical Modes, AKA The Church Modes)
11 Lectures 49:17
Overview of Modes: New Harmonic Territory
03:06

How Modes Work
07:46

The History of Modes
10:12

The Ionian Mode
02:39

The Dorian Mode
06:50

The Phrygian Mode
04:03

The Lydian Mode
02:39

The Mixolydian Mode
04:32

The Aeolian Mode
02:13

The Locrian Mode
05:15

[DOWNLOAD] Worksheet No. 1
00:02
+
Using Modes
7 Lectures 27:51
From Old to New Again: Modern Uses of Modes
02:50

Analysis: The Simpsons (TV Theme Song)
10:22

[DOWNLOAD] The Simpsons (TV Theme Song) Sheet Music
00:02

Analysis: Missa Pange Lingua (Choir)
11:08

[DOWNLOAD] Missa Pange Lingua (Choir) Sheet Music
00:02

Analysis: Eleanor Rigby (The Beetles)
03:25

[DOWNLOAD] Eleanor Rigby (The Beetles) Sheet Music
00:02
+
Deeper Into Intervals
10 Lectures 40:18
Melodic Vs. Harmonic Intervals
03:28

Using Visual Landmarks to Quickly Identify Intervals
05:19

Compound and Simple Intervals
06:58

Major/Minor/Perfect Intervals
03:28

Rules for Inversions of Intervals
04:47

Summary of Intervals So Far
02:00

Augmented and Diminished Intervals
06:28

The Tritone
05:01

Enharmonic Equivalence
02:47

[DOWNLOAD] Worksheet No. 2
00:02
+
Consonance and Dissonance
6 Lectures 28:21
Consonance and Dissonance in Intervals
08:49

Resolution
09:21

Interval Classes
02:59

Analyzing Intervals
07:08

[DOWNLOAD] Back 2 Part Invention No. 8
00:02

[DOWNLOAD] Worksheet No. 3
00:02
+
Introduction to Counterpoint
9 Lectures 46:33
What is Counterpoint?
07:41

The Different Species of Counterpoint
05:29

Connecting Melodic Intervals
04:24

First Species Counterpoint - Melodic Rules
05:09

Connecting Harmonic Intervals
07:37

The 4 Types of Contrapuntal Motion
09:45

[DOWNLOAD] Example Analysis Files
00:02

Parallel Fifths and Octaves
06:25

[DOWNLOAD] Worksheet No. 4
00:01
+
Writing Note-To-Note Counterpoint in Strict Style
5 Lectures 30:52
The Beginning and The End
05:40

The Middle
11:33

The Riemenschneider
03:50

The Rules: All Wrapped Up
09:47

[DOWNLOAD] Worksheet No. 5
00:02
+
Part 4 Wrap Up
2 Lectures 02:53
What Next?
01:54

Thats it for Part 4!
00:59
+
Welcome to Part 5!
5 Lectures 22:30
Introduction to Part 5
05:12

Tools We Will Use
03:26

[DOWNLOAD] Staff Paper
00:03

Review: Modes
03:49

Review: First Species Counterpoint
10:00
+
Second Species Counterpoint
4 Lectures 15:15
What's New In Second Species
04:10

Metric Accents and Diminutions
04:52

Resolutions
03:52

Second Species Counterpoint Rules Summary
02:21
15 More Sections
About the Instructor
Jason Allen
4.6 Average rating
6,756 Reviews
38,986 Students
65 Courses
Ph.D / Ableton Certified Trainer

J. Anthony Allen has worn the hats of composer, producer, songwriter, engineer, sound designer, DJ, remix artist, multi-media artist, performer, inventor, and entrepreneur. Allen is a versatile creator whose diverse project experience ranges from works written for the Minnesota Orchestra to pieces developed for film, TV, and radio. An innovator in the field of electronic performance, Allen performs on a set of “glove” controllers, which he has designed, built, and programmed by himself. When he’s not working as a solo artist, Allen is a serial collaborator. His primary collaborative vehicle is the group Ballet Mech, for which Allen is one of three producers.

J. Anthony Allen teaches at the University of St. Thomas in St. Paul, MN., and is an Ableton Live Certified Trainer. He is a co-founder and owner of Slam Academy, a multimedia educational space in downtown Minneapolis. Recently, Allen founded Hackademica – an innovative net-label for new music.

J. has a PhD in music composition, 2 Master’s degrees in music composition and electronic music, and a bachelors degree in guitar performance. Through his academic travels, Dr. Allen has received numerous awards along the way.

If you run into him on the street, he prefers to be addressed as J. (as in, Jay.)