Mastering HDR Picture Making
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Mastering HDR Picture Making

Learn how to significantly ramp up the visual impact of your photography with this high energy manipulation process
5.0 (1 rating)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
7 students enrolled
Created by Robin Nichols
Last updated 6/2017
English
Current price: $10 Original price: $50 Discount: 80% off
5 hours left at this price!
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Includes:
  • 3 hours on-demand video
  • 3 Articles
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion
What Will I Learn?
  • HDR image making can be quite an easy process, but if you have an inquisitive mind, you can develop the HDR 'look' to an art form
  • Once completed, students will be able to create really eye-popping results, quickly and with great visual impact
  • Students will have a complete understanding of the HDR process and the skills to develop their image making techniques to a higher level
  • Students will have the tools to troubleshoot when the HDR result is not as they expected
View Curriculum
Requirements
  • Students need to have a camera that can shoot RAW files as well as exposure brackets - that can be processed into fabulous HDR images
  • Although it's not essential to have an HDR application, you'll have plenty of guidance on finding both free, and the best value paid HDR applications
Description

One major problem with most digital cameras is that they cannot capture every tone in a bright, high contrast scene - which is why you often see pale washed-out skies instead of the deep blues we remember, or dark, moody landscapes instead of glorious detail.  

HDR or high dynamic image making is a technique originally developed in the scientific community to record a wider range of tones in a photographic image than is normally possible from a single frame.Learn how to set up your camera to do this, how to choose the best software for post-processing, and how to troubleshoot your editing when the result is not exactly the way you wanted it to be ...

Who is the target audience?
  • This class is designed for everyone interested in taking their picture-making skills in a totally new direction
  • HDR is for any photographer wanting to add strong visual characteristics to their image making skills
Compare to Other HDR Photography Courses
Curriculum For This Course
35 Lectures
03:00:53
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Start Here
4 Lectures 09:53

In this short video I look at why the HDR process can help photographers capture a wider range of tones in a scene than if you were to shoot just a single frame...

Preview 03:50

Not sure if your camera has a good dynamic range capture capability - in this short article I highlight some of the cameras with the best dynamic range and explain, in brief, what you need to do to get a good HDR result.

Preview 02:34

To demonstrate the potential HDR image making can offer any photographer, here's a selection of [processed] HDR images, all of which could not have been made in a single shot, because the scene brightness is too wide for a single shot.

Preview 02:05

HDR can create a totally different look to any standard digital image file - and it gives creative photographers a wide range of image-making tools that can be used to expand their visual repertoire.

Preview 01:23
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Setting up the Camera for HDR Photography
8 Lectures 17:40

Simply splitting the dynamic range across several exposure brackets might work in ideal lighting - but in tricky lighting you'll find that the bracket does not reveal enough detail in the shadow areas or hold enough detail in the highlights. Learn to use the camera's inbuilt exposure compensation function to shift all the exposure brackets lighter or darker to fully cover the exposure latitude.

Exposure Compensation - and HDR Shooting
01:47

When shooting for HDR it's important to choose the correct Exposure Mode - in this case it is definitely the Aperture Mode. Choose an aperture, then let the camera adjust the shutter speed to make the exposure bracket suitable for turning into an impressive HDR picture.

Selecting the Correct Shooting Mode
03:05

Auto Exposure bracketing harks back to film days when we were never 100% sure that the exposure was going to come out - now we use this feature, and HDR software, to expand the dynamic range capture capabilities of our cameras Here's what AEB looks like on a Canon DSLR camera.

Setting up the Exposure Bracketing Mode (Canon DSLR)
02:24

All but the least expensive cameras feature an exposure bracketing mode - here's how to set it up on an Olympus mirrorless camera.

Exposure Bracketing with an Olympus mirrorless camera
02:08

Although you can get acceptable HDR results using the humble JPEG file, photographers will always get superior results from RAW files. Here's a quick show and tell on how to set this up in-camera.

Choosing the Best File Formats for HDR
00:54

Though the best HDR results come from multiple exposure brackets, the process excludes moving subjects - unless you make an HDR image from a single, well exposed RAW file.

HDR for Action Photography: Single File Options
01:26

All good digital cameras have inbuilt High ISO Noise Reduction Filters, Long Exposure Noise Reduction Filters and even Exposure Optimisers, all good functions but all of which slow image processing considerably. Turn them off for optimum HDR performance.

More HDR Preparation: Turning off Noise Reduction Filters
02:04

Picture Control (Nikon) and Picture Styles (Canon) are settings to display more interesting colour/tones on the LCD screen - they do not affect the amount of picture data recorded in a RAW file, but they can be used to enhance what you see on the LCD screen. All cameras have them (with different names).

Using Picture Styles/Picture Control
03:52
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HDR Software
7 Lectures 01:01:20

You cannot create good HDR effect images without software. And there's a confusing number of HDR applications available. Here's a short overview of some of the best products on the market.

Short Guide to the Best HDR Software
05:44

Photomatix Pro is one of the best HDR software apps on the market. It'll work on a Mac and  PC and comes with free upgrades and patches. Watch this lecture on how to get started with this powerful application.

Photomatix Pro Basics
11:48

The Nik plug-in suite of software filters used to cost more than US$700 - it's now free through Google (it's now called the Google Nik Collection) and includes an impressive HDR app called HDR EFEX Pro 2.
Here's what it looks like...

Using Nik HDR EFEX Pro 2
11:46

Here's an overview of this very capable HDR software; Easy HDR for Mac, or PC

Using Easy HDR - Overview
07:29

Aurora HDR Professional is produced by Trey Ratcliff, in association with software designers, MacPhun.

It's an impressive product and I think possibly the best HDR application around.
Here's a brief overview on how it works.

Preview 10:27

Here's a look at Canadian software developer Mediachance's HDR software.

Mediachance's HDR Software - Overview
06:28

Adobe Photoshop has for many years included an HDR component called Merge to HDR Pro, but it has never been as effective as some of the excellent third party applications on the market (discussed elsewhere in the course) Here's how it works - you make up your mind on its efficacy....

Creating HDR images using Photoshop's Merge to HDR Pro Feature
07:38
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HDR Technique Basics
4 Lectures 21:50

It might be obvious to some, but clicking the Browse button all the time to get your bracketed sequences into an HDR program can be the slowest way to do it.
Far better to use a browser (i.e. Windows Explorer or the Mac Finder) and just drag the image icons directly into the application. Couldn't be easier.

Opening Files the Easy Way
03:29

In most good HDR applications, you can apply chromatic aberration reduction, automatic or manual alignment and even ghosting reduction - all before you actually start processing the files.
Here's how to do this, plus some examples of how effective these features really are.

Preview 03:51

Photomatix Pro, and other HDR applications, create high dynamic range results using a range of different 'methods'. This video is all about identifying those methods, and deciding which ones are most appropriate to use...

Methods: All About Tone Compression and Detail Enhancing
06:41

Photomatix Pro has the capability to work with just one RAW file. This is especially useful if your subject matter is moving and, providing the RAW file is correctly exposed, you can expect to get very good HDR results. This program will also run single files (.jpg or RAW) through its batch processing utility, useful for making time-lapse videos sequences (see separate video on Batch Processing for HDR Timelapse).

Processing a Single File for HDR
07:49
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HDR Processing in Detail
5 Lectures 26:11

If you find that the HDR software does not do a good job of auto aligning your HDR frames well, you can adjust Photomatix to be more aggressive in its application. Very often this is the best policy to get absolute clarity in the end result.
If it still does not work then try using Photoshop's impressive auto alignment layers tool, then re-import the files to make a perfectly-lined up HDR result (see separate video about this in the troubleshooting section).

Using Photomatix's File Alignment Tools
02:15

Most HDR applications have some form of frame alignment function - this is used if the exposure bracketing was shot hand held. This is a quick overview of how to fix up the alignment using Photoshop's excellent Auto Align Layers feature - it usually does a far better job than the in-application alignment features - but of course, it takes longer because each frame must be imported into Photoshop, altered, cropped, then saved once more as individual file,s before having a second go in the HDR software. If it's an important shot that must be clear, this is the best way to do it...

Advanced File Alignment (with Photoshop)
08:14

If you shoot time-lapse files for making a video, use this very useful processing utility to batch process single or multiple files automatically and with great efficiency.

Batch Processing HDR files (Photomatix Pro)
05:28

Watch this six-minute video on how to pre-process one file from a sequence shot for time lapse. You can then save that 'develop recipe' as a preset and replay it on hundreds more files in that same sequence. The resulting HDR stills are then assembled into a time lapse video using another application like Apple Quicktime Pro or Time Lapse Tool.

Batch Processing for an HDR Time Lapse Video
06:35

If your exposure sequence includes something that has moved between frames one, two and three (or however many frames you shoot in a bracket) you'll get a ghosting effect when all frames are combined. The de-ghosting feature, found in Photomatix Pro, Aurora HDR Professional, and some other HDR applications, is there to help remove blurry, ghosted images.
In most cases, it works extremely well and can transform a messy-looking composite into an image of remarkable clarity.

Deghosting: What Does it Do?
03:39
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HDR Troubleshooting
4 Lectures 31:34

More often than not, a single HDR image has successful 'bits' in it - but at the same time there might be sections in the image that do not 'translate' well into the HDR format. They come out darker, smudgy, or strangely highlighted.
One way to produce a better result is to process two, or more HDR versions from the same files - and produce  different results - which are then merged together into one 'master' file using Photoshop or Photoshop Elements.

Merging Versions
13:44

When multiple exposures are merged into a single HDR picture you'll often notice the appearance of dark sensor spots and other unsightly specks in the final result - merging multiple frames together usually exaggerates the marks you can have on a dirty sensor. Here's a simple Photoshop/Photoshop Elements way to clean these up with its professional retouching tools.

How to Remove Sensor Spots (with the Healing Brush)
06:42

Chromatic aberration appears as unreal rainbow-coloured lines, usually around the edges of objects, at the very edge of the  image frame. It's usually more apparent in wide-angle lenses.

Here's how you can reduce/remove the worst of this annoying lens failing...

How to Remove Chromatic Aberrations (with Photoshop)
05:26

Haloes look like glowing edges around some objects that have been poorly processed in HDR software. Here's a Photoshop/Elements retouching tip to paint these unsightly edges out of your work using the retouching tools set to the Darken Blend Mode.

Advanced Retouching: Removing Haloes using Photoshop
05:42
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Finishing the HDR Image
3 Lectures 12:47

Very often the results you get from the HDR process is a bit blotchy - looks great across most of the photo but there's usually a few weird darker or lighter areas, maybe unsightly haloes - or tonal areas that just look dull. Here's how to fix those errors locally using the Burn or the Dodge brushes in Photoshop or Elements.

Fixing uneven processing with the Burn and Dodge Brushes
05:16

This is one of the best HDR applications - not just because it works well, but also because it has tools such as masking which you won't find in other HDR applications.
In this lesson I demonstrate how easy it is to combine one HDR effect with a second effect, using layers and the masking brush.

Masking Effects with Aurora HDR Pro
05:52

Aurora HDR Pro has a gradient tool that looks remarkably similar to the one in Adobe Lightroom - and it works just as effectively too. Here see how easy it is to add further dynamism to your files by adding a gradient to a landscape shot.

Adding a gradient to the HDR image
01:39
About the Instructor
Robin Nichols
4.3 Average rating
29 Reviews
173 Students
5 Courses
Lecturer at Sydney University

Like a few others involved in the industry, I’m in the enviable position of being able to combine my life’s passion, photography, with my job. And, even though I spend too much time in front of a computer, it remains one of the best occupations in the world…
Born in the UK, I’ve spent the past 31 years in Sydney. I began work in Australia as a cameraman in the audio-visual business, then as a freelance photographer. In the nineties I worked as a contributing freelance writer for several photo publications, then as a full-time magazine editor for more than eight years. In 2000 I started my own publishing business producing Australia’s best-selling specialist digital photo techniques publication: Better Digital Camera magazine.With this I aggressively pursued the goal of producing clear, well-illustrated information written in simple English and continued to develop this plain-speaking style in another specialist magazine, Better Photoshop Techniques.

Nowadays I mostly teach and run specialist photo tours to photo-centric locations such as Africa, Japan, Bali, Iceland and Cuba. When not travelling I run photo workshops, teach digital photography, video and post-production classes online and in face-to-face classes locally through Sydney University.