Massive Tutorial: Master "Massive" in One Week
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Massive Tutorial: Master "Massive" in One Week

Learn the principles of sound design and synthesis by mastering the most powerful and robust VST on the planet: MASSIVE
Bestselling
4.5 (427 ratings)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
4,649 students enrolled
Created by Dylan Bowes
Last updated 10/2013
English
Curiosity Sale
Current price: $10 Original price: $20 Discount: 50% off
30-Day Money-Back Guarantee
Includes:
  • 8.5 hours on-demand video
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion
What Will I Learn?
  • Understand the inherent capabilities of Massive
  • Navigate the VST components
  • Understand LFOs, Oscillators, Filters, Performers, and Effects
  • Create 100% unique synths, basses, hits, and FX
  • Become a professional sound designer
  • Understand synthesis and how to synthesize any sound
View Curriculum
Requirements
  • It'll be useful to have a DAW such as Logic, Cubase, FL Studio, etc. But it's not necessary
Description

Here's what some students are saying about this course:

"This course is amazing. I've tried to learn Massive through tons of Youtube videos and other sources previously. This course taught me so much more in the first couple of sections than all of my previous efforts combined. Dylan takes time and goes through every single slider, knob, and setting and describes it's function and usefullness. I'm about half-way through the lectures, and I can't wait to get to Section 8 where the knowledge is applied."

- J. DiPalmo

"Dylan's experience on the topic and his ability to analyze and simplify complex materials, compounded with solid presentation skills, rich articulation and enthusiasm throughout this lecture series, resulted in a 5-star winner product."

- A. Stergiopoulos

"Great intro to sound design using massive.. Dylan does a great job explaining the concepts without drowning you in a sea of technical information."

- F. Carvalho

"I am new with sound production and this course inspired me to keep learning. Mr Bowes knows his stuff and he teach based on his own experience instead of just following the course outline. Thanks man."

- Akmal

--

This course is a comprehensive training course in the popular and powerful "Massive" VST plug-in from Native Instruments. Using 100% high-definition screencasts, you will learn the ins and outs of this software.

In 1 week, you will be able to create huge, earth-shaking basses, lush pads, screaming leads, and even some crazy FX presets.

I created this course because learning the principles of true sound design opened up a world of possibilities for my productions. Massive helped get me there. Now I want to show you how to get there too.

You'll get access to 52 video tutorials. That's over 10 hours of content. Plus I include all of the preset files that we build in the course for free. All for a really great price with a 30 day money-back guarantee. You can't beat that.

You know that you're sick of being a preset-picker. Learn sound design and get over that production plateau that has been making you hate your mediocre mixes.

You will become a master of Massive.

--

A few words about the methodology of this course. The first third of the course features lectures that describe elements of the software including the user interface, navigating presets, and how to control parameters. The middle portion of the course delves into sound design techniques and modulation assignments. The last third features in-depth tutorials about building specific sounds. If you already have a pretty good handle on Massive (or other soft synths) then you may want to skip the introductory portions. I designed this course to take the student from complete novice to expert. In other words, I wanted a student who has no experience with sound design or synthesizers to feel comfortable. However, I also provide lots of deep content for more experienced users. Plus, if you're like me, hearing someone else explain what I thought I already knew is still very helpful. All that to say, feel free to jump around in the chronology of the course. But don't take the fundamentals for granted.

--

P.S. You can follow me on Twitter for deals, discounts, and lots of great production tips. And don't forget to check out my other course on creating a remix. Thanks! -DB

Who is the target audience?
  • Anyone who wants to learn synthesis from a non-nerd
  • Beginning to experienced music producers
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Curriculum For This Course
50 Lectures
08:15:51
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WELCOME
3 Lectures 12:33

In this lecture, I provide a brief introduction to the course style, structure and approach.

A few things to remember:

  1. Feel free to post any questions, comments, or concerns in the discussion area for each lecture. I try to answer all questions within 1-2 days.
  2. All of the preset files we design can be found in the "Resources" section of each lecture. Download them and load them into Massive to follow along, or feel free to use them in your tracks!
  3. Once you've gotten a feel for the course, please take a minute to rate and/or review the course. This helps prospective students know what they're getting into!
  4. Have fun, learn, and grow. We're all here to learn together so have fun and work hard!

You can also download the entire preset pack using the zip file below.

Oh, and you can find out a bit more about me in the external resources below. Stay in touch!

Preview 03:12

In this lecture I describe several methods for acquiring the software.

Preview 03:00

In this lecture I describe how to purchase or download the Massive demo, how to install Massive on your machine, and how to set up the routing, audio, and midi settings.

Installation, Setup, and Communicating with Massive inside a DAW
06:21
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Getting to Know Your New Favorite Synth
7 Lectures 41:09

In this lecture I provide an overview of Massive's User Interface, including the design philosophy of the software.

Preview 08:26

In this lecture I explore the different methods of locating presets, including attribute descriptions, different browser views, and search functions.

Preview 06:08

In this lecture I describe the format and methods of Massive's Menus and Sections.

Preview 03:32

In this lecture I describe the methods of adjusting and tuning parameters including faders and knobs.

Preview 03:24

In this lecture I describe briefly the purpose and functionality of Macro Controls. Massive provides eight controls which a sound designer can assign to one or several parameters. This enables a sound designer to control multiple parameters with a single knob.

Preview 07:55

In this lecture I describe signal flow within Massive. Signal flow is the process of a sound moving through the different components within a synthesizer. I explain the meaning of signal flow and how it can be used to shape a sound.

Preview 05:42

In this lecture we discuss the capabilities of bypass routing for building patches.

Preview 06:02
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Diving into Synthesis: OSCILLATORS
4 Lectures 41:19

In this lecture I introduce students to oscillators. Oscillators are the origin of sound synthesis. We examine several basic waveforms as well as Massive's wavetable oscillator engine. We also examine the role of oscillator modes.

Understanding and Building Wavetable Oscillators
16:16

In this lecture, we take a look at the modulation oscillator section of Massive. I describe the differences between the modulation oscillator modes and how to apply them in sound design.

Modulation Oscillators
08:59

In this lecture, we take a look at the noise generator and some different applications for noise in sound design.

Noise Generator
05:28

In this lecture, we take a look at the feedback engine in Massive. We discuss the routing method of feedback and how to use feedback to add warmth and tone to your sounds.

Feedback
10:36
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Deeper into Synthesis: FILTERS
3 Lectures 25:53

In this lecture, I provide an overview of what filters actually are and their important place in sound design.

Filters: An Overview
04:18

In this lecture I describe the routing capabilities of Massive's Filter Busses. We look at the differences between seriel and parallel routing, mixing filter outputs, and sending different oscillators to different filter busses.

Filter Routing
07:18

In this lecture, we walk through the several filter types available in Massive, examining the uses of each.

Filter Types
14:17
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Modulation Assignments
9 Lectures 01:56:25

In this lecture, I provide an overview of the different modulation sources including Envelopes, LFOs, Performers, and Steppers. I also describe the process by which Massive enables the user to assign these modulation sources and determine modulation ranges.

Modulation Overview
07:56

In this lecture, I provide a brief overview of envelopes and explain all of the envelope parameters within Massive.

Envelopes Overview
24:03

In this lecture I show how to apply envelopes to various modulation targets in order to shape a sound's expression over time.

Envelopes Application
16:24

In this lecture I introduce the concept of Low Frequency Oscillators and describe the available controls and functions of Massive's LFOs.

Low Frequency Oscillators Overview
08:38

In this lecture we look at some common and some unique ways to apply LFOs to the different parameters within Massive.

LFOs Application
15:01

In this lecture I describe the Stepper modulation source in Massive. I explain all of the various parameters and controls.

Stepper Overview
06:25

In this lecture, I describe some of the ways users can apply the Stepper in sound design.

Stepper Application
14:45

In this lecture I provide a brief overview of the Performer modulation source. I cover all of the various parameters, controls, and the methods for building performer curves and sequences.

Performer Overview
06:39

In this lecture I show how to apply the Performer modulation source to various parameters within Massive.

Performer Application
16:34
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The Center Window: General Pages
6 Lectures 50:46

In this lecture we walk through the controls and parameters located in the Oscillator General Page.

The Oscillator Page
09:38

In this lecture we will discuss the Keytracking Oscillator general page.

The Keytracking Oscillator Page
05:21

In this lecture we look at the various controls and parameters of the Keytracking Filter general page.

The Keytracking Filter Page
07:10

The Voicing Page
11:14

In this lecture we walk through the Routing page in the center window and discuss signal processing.

The Routing Page
03:31

In this lecture we walk through the various Global controls located within the Global general page.

The Global Page
13:52
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Inserts and Master Effects
3 Lectures 20:12

In this lecture, we look at placing Inserts within the signal chain.

Insert Routing
02:56

In this lecture we walk through the several Insert Effect options and describe how they influence a sound.

Inserts
08:55

In this lecture we walk through the various Master Effects and describe how they can influence your sound.

Master FX
08:21
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Sound Design Applied
14 Lectures 03:05:51

In this lecture we will design and build a classic analog bass patch from scratch.

Classic Analog Bass
16:49

In this lecture we design a thumping sub bass patch from scratch.

Sub Bass
07:56

In this lecture we will synthesize an earth-shaking wobble bass along with macro controls to tweak the speed and pulsation depth of the wobble.

Wobble Bass
14:53

In this lecture we will design a soaring Trance lead.

Trance Lead
14:32

In this lecture we use the performer modulation source to design a tempo-synced synth patch.

Tempo-Synced Percussive Synth
08:00

In this lecture, we build a classic sync lead using slave and master oscillators.

Sync Lead
14:43

In this lecture, we will build a cinematic soundscape using envelopes to modulate pitch plus tons of reverb.

Soundscape
11:09

In this lecture, we will design a Morphing Pad from the ground up.

Morphing Pad
10:16

In this lecture we design a drum loop, complete with kick, snare, hi hat, and melodic elements.

Electro Drum Loop
26:41

In this lecture, I show students how to synthesize a basic kick drum in Massive. Then I show some ways to modify the patch in order to create unique kicks.

Kick Drum
19:31

In this lecture, I show students how to synthesize a basic snare drum in Massive.

Snare Drum
09:47

In this lecture, I show students how to synthesize a clap sound in Massive.

Clap
08:59

In this lecture we will synthesize single hi hats as well as build a hi hat groove using the noise generator coupled with the performer.

Hi Hat
08:47

In this lecture we cover using automation to control parameters in our patches over time. Logic is the DAW utilized in this lecture.

Using Automation to Control Parameters over Time
13:48
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Thank You
1 Lecture 01:43

A quick "Thank You" video to show my appreciation for your participation in this course.

Thank You!
01:43
About the Instructor
Dylan Bowes
4.4 Average rating
1,054 Reviews
12,348 Students
6 Courses
Producer & Sound Designer

Dylan is a producer & sound designer in Los Angeles. He has taught music production and mixing techniques for more than four years.