
Reveal why the approach isn't matte painting by emphasizing simple video compositing in Photoshop and fast, math-based techniques discussed in reviews and tutorials.
Explore why Photoshop can handle video compositing with filmstrip mode, painting directly on video, a reengineered timeline, and adjustment layers.
Import a video into Photoshop using either open from file or the plus sign, which reveals the timeline and lets you move the playhead and toggle sound.
Apply layer styles to blend elements with the scene using a color overlay, sampling sky color with an eye dropper, and adjusting opacity for realistic integration.
Learn layer blending in Photoshop to remove backgrounds, cut out objects with blend-if adjustments, edge softening, and precise selections, then merge layers for clean, seamless composites.
Save and load selections using alpha channels in Photoshop, using the channels panel and RGB channels to store a selection named sky, then recall it later to streamline composite work.
Learn to add a mountainscape to a video in Photoshop by selecting the sky and pasting the mountains. Blend edges with layer masks, color overlays, and controlled opacity.
Learn to composite a pyramid shot in Photoshop using masking, layer mask, color range, and non-destructive edits; adjust hue, saturation, color overlay, and use stamp to clean edges.
Remove cars from the right side to create an empty highway, using polygonal lasso and layer via copy, then refine with screen blending and a clone stamp for shadow-aware results.
"It's NOT Matte Painting" is a series of composite tutorials. Using Photoshops ability to open video, these compositing tutorials go through imports, edits, and composites the video only using Photoshop. I believe one of the reasons this series of tutorials were so successful is because they were very simple and easy to follow. Even though there are plenty of matte painting tutorials online, there are very few that cater to the novice or the beginner.