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Pick up where MusicProfessor's Beginner Flute course leaves off, adding more complex rhythms, scales and tone exercises to your repertoire.
Flute is a challenging, but extremely fun instrument to play, and MusicProfessor's intermediate curriculum will help you get the most out of your learning. Master the range, tone, and technique necessary to become a great flutist (yes, we said flutist, not flautist). On the way, you'll also learn useful music theory and musicianship skills. Plus, sheet music is available for each lesson.
Private lessons cost anywhere from $30 - $100/hr, and as you improve, unfortunately, so does the cost of lessons. Factor in driving time and expenses and you realize just how costly lessons can be. Each MusicProfessor Flute course provides an entire year's worth of instruction, for a fraction of the cost, and at your own convenience. Plus, each course is taught by an industry leading instructor!
MusicProfessor's curriculum is used in nearly 100 schools and school districts throughout the United States and by more than 14,000 students and music teachers throughout the world. No where else can you find the level of detail and professional instruction of MusicProfessor's curriculum, and, best of all, your purchase is backed by Udemy's 30-day guarantee.
Fulfill your musical destiny by enrolling today!
“Lisa (flute), with her sense of humor, enthusiasm and at the same time, maintaining professionalism, keeps it interesting!"
" I struggle with going flat the softer I get on higher notes, so I opened up Music Professor and sure enough they had a lesson to help me with my problem. I highly recommend that you use Music Professor if you are having any types of problems on your instrument."
ABOUT THE INSTRUCTOR:
Lisa Garner Santa currently serves as Artist-Performer and Professor of Flute at Texas Tech University where she enjoys a diverse career as teacher, recitalist, soloist, and chamber musician. Performance highlights include the world premiere of Mike Mowers Concerto for Flute and Wind Ensemble and a Carnegie Hall debut recital featuring Chamber Works for Flute.
Rver en Couleur (Dreaming in Color): French Music for Solo Flute and Piano, presented in collaboration with Gabriel Sanchez, is her most recent CD release on MSR Classics.
I am quite taken [with this disc]...It is all magnificent music, played with finesse. The flutist has the kind of tone I prefer - rich, colorful, perfectly in control, and always in tune. Her phrasing is all well-shaped and thoughtful, just what this elegant music deserves. Sanchez is an equal partner. [Garner Santa] is a truly remarkable artist with dazzling musical ability. Flutists and non-flutists alike should find this wonderful disc. I look forward to hearing more from this duo.
- American Record Guide
Her 2004 CD release ofFrom Noon to Starry Night, a compilation of 20th Century chamber works for flute and piano (with TTU Faculty, Lora Deahl, piano), has also received outstanding reviews.
The title track (From Noon to Starry Night by Matthew Santa)...is a wonderful addition to the flute repertoire...Garners colors, vibrato use, and interpretations are excellent. This interesting, well-produced CD should be in every flutists record collection.
- Flute Talk
gorgeous - flat-out gorgeous...a true artist. It serves me and All the Words EXTREMELY well.
- Dan Welcher, Composer
As an active member of theNational Flute Association, Dr. Garner Santa recently served as Program Chair for the 2011 convention in Charlotte, NC, and continues to serve as a member of the NFA Executive Committee. She has been a featured performer at the Boston, Atlanta, Phoenix, Dallas, Nashville, Kansas City, and Las Vegas conventions as well as an adjudicator and/or coordinator for many NFA events and competitions including the High School Soloist Competition, the NFA Newly Published Music Competition, the NFA Professional Flute Choir Competition, and as the NFA General Competitions Coordinator.
As a pedagogue, Lisa Garner Santa presents masterclasses throughout the United States and abroad. Recent international exchanges include masterclasses at the Royal College of Music in London, England and Victoria University in Wellington, New Zealand. Presentations and performances at various regional and national conventions include invitations from theTexas Music Educators Association, the Texas Music Teachers Association, the National Association of Wind and Percussion Instructors, and theCollege Music Society. Her research and pedagogical articles are frequently published in The Flutist Quarterly, Flute Talk, and The Instrumentalist.
In recognition of her creative teaching, she was awarded the Texas Tech Big 12 Fellowship as well as the Texas Tech Alumni Association New Faculty Award and is also an elected member of Texas Tech University's prestigious Teaching Academy.
With co-authors Matthew Santa and Thomas Hughes, Lisa Garner Santa developed theFlute/Theory Workout, a method that efficiently introduces full-range scalar and chordal flute technique while introducing music theory fundamentals at the same time. The Workout, which comes with an entertaining accompaniment CD, is available throughCarolyn Nussbaum Music Co., and Flute World.
Dr. Garner Santa holds performance degrees from West Texas State University, Florida State University, and The Shepherd School of Music at Rice University. Her teachers to whom she is eternally grateful include Carol Wincenc, Charles DeLaney, Sally Turk, Helen Blackburn.
In addition to her active role as a flutist, Lisa Garner Santa is also a certified Kripalu Yoga Instructor and member of theYoga Alliance. She teaches Yoga for Musicians at the TTU School of Music and Kripalu Yoga classes at various locations throughout Lubbock.
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|Section 1: Vibrato|
|Let's pick up where we left off from MusicProfessor's A Beginner's Guide Flute course. Here, we'll discuss the topics to be covered in this section, including a few new notes, multiple new Major scales, a new type of scale called the Chromatic scale, and most importantly, a new technique called Vibrato.|
|Let's begin by reviewing some of the topics we covered in the final lesson of MusicProfessor's A Beginner's Guide Flute course, including Enharmonic notes and the Harmonic register.|
|Learn a new note, Bb.|
|Let's spend some time getting used to your new note, Bb.|
Exercise 2.1 - Vibrato - Measured A
Exercise 2.2 - Vibrato - Measured B
|Now let's begin putting vibrato into musical context by taking out the 'measured' element.|
|Finally, let's wrap up our discussion of vibrato with another unmeasured exercise.|
Melody 1.1 - Scarborough Fair
|Section 2: 16th Notes|
|Here we'll discuss the many different topics to be covered in this section, including new notes that will require lots of pinky strength and dexterity building, adding to our scale library, and a new rhythmic element, 16th notes.|
|Let's begin by reviewing what we covered in the previous Section, including new scales and Vibrato.|
Notes Db, C
|Our new notes, Db and C, require a lot of pinky dexterity. Let's spend some time getting used to employing our pinkies.|
C-Major Scale, Two Octaves
Chromatic Scale, Two Octaves
Exercise 2.1 - 16th Notes
Exercise 2.2 - Counting 16th Notes
Melody 1.1 - A Finnish Theme
Melody 2.1 - A French Theme
Melody 3.1 - A Texan Theme
|Section 3: Major Scale Milestone|
|Here we'll discuss the multiple topics to be covered in this section, including a new high note, more new scales, and a new variation of the 16th note rhythm.|
Note High Eb
|Spend some time familiarizing yourself with your new note, Eb.|
Exercise 2.1 - Dotted Eighth + Sixteenth Notes
Melody 1.1 - Langsam
Melody 1.2 - Langsam
Melody 2.1 - John Peel
Melody 3.1 - Overture to L'arlesienne
|Section 4: Accidentals|
|Here we'll discuss the various elements to be covered in this section, including a couple of new high notes, E and F, adding to our two-octave Major scales, and further exploration of 16th note variations.|
|Let's begin by reviewing some of the topics we covered in the previous lesson, notably the dotted 8th plus 16th rhythm.|
Notes High E, F
|Let's extend our two-octave Chromatic scale to reach the highest notes we've learned thus far.|
Melody 1.1 - Simple Gifts
Melody 2.1 - Hallelujah Chorus - Eighth Rests
Melody 3.1 - March - Sixteenth Rests and Accidentals
|Section 5: Syncopation|
|Here we'll discuss the various elements to be covered in this lesson, including two new high notes, F# and G, as well as their respective two octave Major scales, and a new rhythmic concept called Syncopation. Let's get started!|
|Let's begin by reviewing what we covered in the previous section.|
Notes High F#, G
Gb, F#-Major Scale
Melody 1.1 - Yellow Rose - Syncopation
Melody 2.1 - Joplin Rag
Melody 3.1 - Minuet
|Section 6: Dynamics|
|Here we'll discuss the many new topics we're going to learn in this section, including more new high notes and two-octave Major scales as well as a new, extremely important musical element called Dynamics.|
Notes High G#, A
|Spend some time familiarizing yourself with your newly learned high notes, G#/Ab and A.|
Exercise 2.1 - Dynamics
|Continue learning about and practicing Dynamics.|
Melody 1.1 - Theme from Mendohlsson's 3rd
Melody 2.1 - Saints
Melody 3.1 - Simple Gifts
Melody 4.1 - A Schumann Melody
|Finally, let's discuss some of the difficulties of playing with braces and some remedies.|
|Section 7: Compound Meter|
|Here we'll discuss the many new topics to be covered in this Section, including additional high notes and Major scales, why it's important to play in tune and how to do so, and even a new type of meter, or time signature, called Compound Meter.|
Note High Bb
|Learn about a crucial musical term called Intonation, and why it's important to play in tune.|
|Let's spend some time learning how to adjust and correct intonation on the Flute.|
|Learn about a new meter that's completely different than 2/4, 3/4 and 4/4 called Compound Meter.|
Melody 1.1 - Devienne's Presto
Melody 2.1 - A French Folk Song
Melody 3.1 - A German Folk Song
|Section 8: Continued Compound Meter|
|Here we'll introduce the various concepts to be covered in this Section, including some of our final notes and scales as well as expanding our knowledge of Compound Meter.|
|Let's begin by reviewing Compound Meter which we began studying in the previous Section.|
Note High B
|Let's spend some time getting comfortable with High B.|
B-Major Scale, Two Octaves
|Let's expand our knowledge of Compound Meter by learning some rhythmic variations you'll encounter quite often.|
Melody 1.1 - Canadian Folk Song
Melody 2.1 - Susato Dance
|But wait, there's more. Let's learn some additional Compound Meter variations!|
Melody 3.1 - The Cold Winter
|Learn about an embouchure type, the Teardrop, that can cause problems for many flute players, especially when it comes to developing better tone.|
|Section 9: Extended Technique|
|Here we'll introduce some of the topics to be covered in this lesson, including our final high note, High C, multiple 3-octave scales, some alternate fingerings for our new hight notes, and some great methods for helping you sound better and play faster.|
Note C - 4th Octave
MusicProfessor provides pre-recorded, high-quality online music lessons for students who either can't study with a private teacher or would like to further supplement their education. We do so via a massive library of lessons taught by some of the finest faculty in the country.
WOODWINDS: Flute, Oboe, Clarinet, Bassoon, Saxophone
BRASS: Trumpet, French Horn, Trombone, Euphonium, Tuba
EXTRACURRICULAR: Music Theory, Conducting, Percussion
MusicProfessor launched in 2012 with a single instrument series, 'Bassoon 101,' but has since expanded to over 12 instrument series with just over 5000 video lessons. Our curriculum is used in nearly 100 schools and school districts throughout the United States and by more than 14,000 students and music teachers throughout the world.
Nowhere else can you find the level of detail and professional instruction of MusicProfessor's curriculum. Fulfill your musical destiny by signing up today!
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