INSTANT HARMONICA – play Beethoven's Ode to Joy right now!
If you have a tune that you would like me to teach please message me.
Take this course and play the tune instantly. No musical experience needed.
You will pick it up straight away without needing any music skills. This is easy to play and really fun to learn. You will be proud of your achievements and happy with the results.
'INSTANT HARMONICA' is a new series of courses where you learn one tune per course. You will find it is taught in a friendly and encouraging manner and most importantly is it taught v-e-r-y s-l-o-w-l-y.
Ben Hewlett is a very experienced music teacher who is able to be very patient and methodical. Each lecture will introduce you to the next group of notes – usually just 4 new notes and that's it.
This method is very easy for you to pick up the tunes as they are repeated over and over again until you have got it. You can even re-run the video if you find it useful.
Take one course and learn your favourite tune. The try another. Remember you can always get your money back if you wish but otherwise you have lifetime access to the course.
Imagine how amazing it will feel when you whip out your harmonica and play this tune – your friends and family will carry you shoulder high in triumph. Hopefully they don't carry you out of town and dump you in the river, but hey, swimming's good as well.
The health benefits of playing the harmonica are well documented – google it. Your lungs get exercised, your lung capacity increases, aerobic movement is good for you, playing music makes you smarter they say.
You will have fun on your own and with your friends, and more oxygen to the brain will make you think you are having a good time so it's all good.
Any course in my INSTANT HARMONICA series needs only two things:
a harmonica (key of C, 10 holes, diatonic)
and the ability to play single notes - but I'll show you how to do that now in this lecture
Make your mouth into the shape you might use if you whistle - it's known as the pucker, pursed lip or kiss shape. Allow your lower lip to drop and push the harmonica in a little; the further it goes in the better it will sound! Relax your lips to let the harmonica in and gradually try to get the shape that gives you a single note.
Some people use a pencil or straw to model the shape you need so try that as well.
I have a bigger course with five lectures on this subject if you want to go deeper - it's called 'INSTANT HARMONICA - how to get single notes in 5 easy steps' so dive in and take that one if you like
The more complicated way is called 'tongue blocking' but I will not go into it here except to say you use your tongue to block the holes to the left (or sometimes the right) side of the hole you want to play. Here's another of my courses that explores the use of the tongue in harmonica playing - 'Killer Harmonica sounds using the tongue and bending notes'
PLEASE BE SURE TO OPEN THE PICS IN THE DOWNLOAD TAB FOR EVERY LECTURE - THEY ARE SCREENSHOTS OF THE WHITEBOARD AND WILL MAKE EVERYTHING MUCH CLEARER FOR YOU IF YOU ARE USING A SMALL SCREEN TO VIEW THE VIDEOS
AND DON'T FORGET TO USE THE PLAYALONG TRACK TO PLAY ALONG WITH
Let's start Beethoven's 9th symphony.
First bar of music
First note - E, 5 BLOW
Sing the tune
First four notes - sing it
E E F G
5 BLOW, 5 BLOW, 5 DRAW, 6 BLOW
(out, out, in, out)
Loop it round
Nice and smooth - like a violinnist
Play this about a million times!
2nd bar of the piece
Let's recap the previous lecture first
Memorise the notes
I play then you play
If you can sing it you can play it
Sing the next four notes
'Scale' means ladder
The next four notes go down the scale we just learnt
Call and response
6 BLOW, 5 DRAW, 5 BLOW, 4 DRAW
G, F, E, D
(out, in, out, in)
Now add the first bar (4 notes) that we learnt in the previous lecture:
(E E F G - 5 BLOW, 5 BLOW, 5 DRAW, 6 BLOW (out, out, in, out)
Bar 3 - we've done 8 notes so let's finish off the whole line
Starting on 4 blow
4 BLOW, 4 BLOW, 4 DRAW, 5 BLOW - C, C, D, E
I play, you copy me
Repeat lots of times until you've got it
Sing it up to the point we have reached
Play from the beginning - 3 bars so far
4th bar - 3 notes only
The notes are: long, short, long
Can you find the notes without reading them
Can you see if I'm breathing in or out?
Can you see where I an on the harmonica?
Last three notes are 5 BLOW (long), 4 DRAW (Short), 4 DRAW (long) - E, D, D
How many holes willl we use for this tune?
Starting the second line
Apart from the last three notes this the same as the first line -
4 DRAW (long) 4 BLOW (short), 4 BLOW (long) - D, C, C
I'll play, you copy - all on hole 4
We are playing in C but there are 12 keys in music and you can play the C harmonica in all 12 keys if you choose to learn how
Play the whole of the second line now with me
Now let's play the whole lot from the top
Feel the question and answer
Wow! We've achieved a lot already - well done you!
What is the form of the tune? It seems like a jazz piece - aaba. The B section is the bridge.
Sleep on it and let's pick it up next time.
Play the first part with the piano
The third line - you could call it the middle section. It feels like the 'bridge' in a jazz piece
Watch out for the rhythmic changes here
4 DRAW, 4 DRAW, 5 BLOW, 4 BLOW - D, D, E, C,
I play, you play
Next bar - 4 DRAW, 5 BLOW-5 DRAW, 5 BLOW, 4 BLOW - D, E-F, E, C
A little quicker now
Now let's play everything we've learnt in this lecture
DON'T FORGET TO USE THE PLAYALONG TRACK IN THE RESOURCES SECTION TO PLAY ALONG WITH
Now we have the last line to add which, usefully, is exactly the same as the first line.
Play the whole of the last line
Now let's play the whole tune without piano and then with
So that's the tune sorted and you could leave it there or add dynamics perhaps?
Would you add a legato or stacato approach - smooth or detatched noted?
How do you attack each note - soft or tongued?
Is it all the same volume or do you vary it as you go along?
Could you play it with other people like a pianist (one that can actually play!) or a guitarist maybe?
Play it over and over until you are happy then it's in the repertoire and worth refreshing every now and then - you never know when you will need it!
General musical knowledge
Hope you are pleased with yourself, you've done well!
What next? Celtic, Bob Dylan, Jazz, Neil Young, Gospel, Country, Blues...
Just look out for my INSTANT HARMONICA series and jump right in.
This lecture explains what all the notes are.
If you aldeady know this stuff you can skim or skip it
Like I said earlier, I have a bigger course with five lectures on this subject if you want to go deeper - it's called 'INSTANT HARMONICA - how to get single notes in 5 easy steps' so dive in and take that one if you like
Wow, over 15 thousand students - you could be next!!
Please note I am your HARMONICA SPECIALIST - that is my main focus.
Please see my copyright policy at the bottom of this page.
**NEW** My interest in sound and travel has also led me to do some live workshops on English conversation and pronunciation (in Vietnam) and so I am now starting to create some Udemy courses on that subject.
I always give current students a 75% discount on everything so if you take one course you are 'in my exclusive discount club' which means I will tell you every month what's new and where the discounts are.
Here's how my courses are categorised in terms of subject, purpose and content. 'Instant' courses are simple tunes; 'Learn Harmonica' is the harmonica encyclopaedia for everyone; 'Bones of the Blues', 'Get Chugging', '101 Blues Riffs', and '60 Sonny Terry Riffs' are the video taught versions of books I've written (you can google them) and the others are all about different techniques.
I also now have a few Celtic music courses for you, and English pronunciation as well.
If you see a course you want but don't have the cash you can talk to me. If you are a student or not earning much I will support you with a lower price, but if you are doing ok you can support me - how's that?
*Ben is the Chairman of the NHL - National Harmonica League in the UK
*Professional Harmonica Instructor since 1996
*Lousy at speelling - getting worse actually so tell me if you see a typo pleese
*Ben qualified as CTABRSM in 2002 (Certificate of Teaching - Associated Board of the Royal Schools of Music)
*Certificate of Music Workshop Skills (Goldsmiths University of London) in 1995
*Accredited Diatonic Harmonica Teacher 1993 - HTAB (Harmonica Teachers Accreditation Board, supported by Lee Oskar Harmonicas, the National Harmonica League of UK and the International Harmonica Organisation).
*Ben's teaching business 'HarpsCool' is proud to be 'IN PARTNERSHIP WITH HOHNER'
'Ben Hewlett is one of the UK's most respected harmonica teachers and the UK's most prolific author on harmonica tuition. He will lead you through the ins and outs of harmonica playing through a series of short video lessons. His teaching style is confident, practiced, humorous, skillful, knowledgeable and packed with information in bite sized chunks. Ben is used to teaching all over the world at prestigious harmonica festivals and is delighted to offer his services to you.'
'You'll know Ben better as a harmonica teacher but he also studied Irish Drum - Bodhran - and tin whistle in the 1990's with the now very famous Steafan Hannigan and Marc Moggy from Renegade Rhythms. He got so into Bodhran playing he bought an expensive tuneable drum from Marc and it works better than ever to this day. Ben has played Bodhran in bands and sessions for years and even has a Senheiser bass drum microphone embedded into his drum. Check out his Bodhran teaching on Udemy'
I would recommend using 'Transcribe!' for slowing down and changing the key on my backing tracks - it's free as a trial and well worth a look in my opinion.
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I have been teaching people to play harmonica since 1996 as a full time job. I have started tens of thousands on their way to play the harmonica and I can tell you - it sure beats working!
I believe I was the first person to be a full time harmonica teacher in the UK, there are still very few of us - so there's plenty of room if you want to come and join me.
Recently I have become the Chairman of the National Harmonica League (NHL) which supports the UK harmonica players community.
Much of my time is spent writing books with Paul Lennon on how to play the harmonica, there are 20 or so with loads more in the pipeline - we have so many ideas it never stops.
I teach children near home, and with my team at HarpsCool where the team and I give 300 children weekly harmonica lessons.
My YT videos, and their success and feedback, are the reason I am teaching on Udemy; there are millions of hits on the youtube sites and thousands of subscribers. People are kind enough to say how clear the teaching is, and how it's helped them to understand aspects of harmonica playing - at last!
I run workshops at major harmonica festivals including SPAH in the US, the Bristol International Harmonica Festival in the UK, the World Harmonica Festival in Trossingen, Germany - home of Hohner, and the Harmonica Masters Workshops also in Germany.
I even use the harmonica in team building events for many international companies.
Cruise Ships have been part of my teaching life since 2002 and the combination of teaching, performing and travelling is quite a blast. Who knew teaching the harmonica would take me to the Caribbean three times, Africa, Russia, Scandinavia, and Atlantic Europe.
You will often find me performing in various venues and going to jam sessions, and I love playing with interesting groups or sitting on a number when the opportunity arises - that's one of the wonderful things about the harmonica, you can have it in your back pocket and join in with people wherever you are.
So you are in extremely competent and safe hands, so do yourself a favour and try one of my courses - in fact have a free lecture or two to suck it and see - that's a harmonica joke by the way.
Respect and thanks to all the artists for writing and performing these amazing songs that you want to learn.
The Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014 (extracts)
"Not more than 5% of a work may be copied under this section by or on behalf of an educational establishment in any period of 12 months, and for these purposes a work, which incorporates another work is to be treated as a single work.
Fair dealing with a work for the purposes of private study does not infringe any copyright in the work.”
Any recordings used in my courses represent less than 5% of the entire work and are already in the public domain on YouTube.
Any written transcriptions are written by me or my team to promote the work and the artist and to facilitate students who want to learn more about their music.
Any audio backing tracks are written and recorded by me or my team to promote the work and the artist and to facilitate students who want to learn more about their music.
If you are a copyright holder and feel I have used too much of your work please contact me on email@example.com or 07973284366 and I will remove whatever you feel is inapropriate without question.