As the artist Manafest I've sold over 300,000 albums worldwide, over 1,000,000 singles and toured over 20 different countries.
I've signed & negotiated Record Deals with Major Labels such as EMI and Sony Music as well as many independent labels around the world.
Over the last 10 years I continued to play live shows, write songs and attending conferences improving and teaching my students everything I know in the music industry.
I'm tired of artists being broke. I have friends that have sold over 1,000,000 records but because they haven't setup their business correctly are forced to get a part time job driving for Uber.
I have put this course "How To Get a Record Deal" together for you - to which you have full lifetime access, including all the updates, for free.
I "take you step by step" showing you:
- How To Get a Record Deal
- What To Say To Labels
- How To Negotiate a Deal
- How To Look Up Record Label Contacts
- I Go Through The Most IMPORTANT Points In a Record Contract
See exactly why I'm so successful with my music career - see the stats in the free preview videos, below).
Watch this video first to get an overview of what you'll be learning in this course.
Sometimes we chase after goals or dreams without really stepping back to think why. In this lecture "Why Do You Want a Record Deal" I challenge artists to think what is there end goal in mind.
Being Independent or Signed both have pros & cons. Getting signed to a record label is not a destination it's just part of the journey.
In this lecture you will have a better understanding of what record labels are looking for in an artist and how you can better position yourself to look more attractive to labels.
The sooner you can start understanding that most labels don't care about your music as much as they care about making money you will be in a much better position to negotiate and get a record deal.
The higher the advance the more skin in the game the label has. It's easier to assume the label believes in an artist by the amount of money they are willing to invest. However there are no guarantees in this industry but that is the benchmark I use. Money talks..
Traditional Record Deals are when the label is fully invested because they own the masters in most cases under that type of a deal.
360 Deals or 360 Record Deals are where labels take a percentage of every income stream that an artist has. For example: Touring, Merchandise plus digital album sales and publishing.
A Licensing Deal is when you license the master recording or album to a record label for period of time which could be anywhere from 2-7 years. You still own the masters but the label controls the master during that period of time.
A distribution deal is sometimes with a record label or directly with a distributor. This could be for just physical CD's or digital downloads and streaming of your music. Normally this leaves the artist in charge of all marketing and promotion.
It blows my mind to speak with artists that have signed record deals but when I ask them specific questions about a deal they stare at me with a blank look on their face... Know what your signing!
The term is the number of years the contract is in effect.
How much money the record label or distributor agrees to give you in advance of you releasing your album.
How many albums you've signed on to record with the record label. 2-5 is typical.
What territories/countries a label has the right to sell or distribute your music in.
Means FOREVER... watch out for this one
The rate used to calculate how much your getting paid per album or single sale as well as streaming.
Are you allowed to re-record new versions of the songs. Live album of the song etc.
The first law of success is to "maintain control"
How much does it cost for you to purchase CD's from the record label to sell at your shows.
Learn what to say and what not to say in your emails to record labels.
Be ready to reach out to a record label before just firing off any email. Have a plan.
You only get one chance to make a great first impression.
Get feedback on your music other then your close friends and family.. Honest feedback is what you want.
Learn how to look up record label contacts of A &R's using Google, Facebook and LinkedIn
Only Submit Finished Songs
Avoid Using Samples
Never attach a file like an MP3 and definitely not a WAV
Never attach files unless you've been specifically asked to do so. Use Dropbox, YouTUbe or Soundcloud when sending solicited music.
Social proof is important to record labels to see if you have a fan base.
Spend the money and higher a designer to make your branding look good. You only get one chance to make a good first impression.
http:///www.midem.com (cannes France)
http://www.sxsw.com (Austin, TX)
http://www.nxne.com (Toronto Canada)
http://www.ascapmusicexpo.com (Los Angeles, CA)
http://www.diymusiciancon.com (CDBaby - Chicago)
Enroll in Fanbase University and get the support you need. http://www.fanbaseuniversity.com
Chris Greenwood: Musician, Best Selling Author & Entrepreneur
Why are 19,000+ students enrolled in my Udemy courses?
As an entrepreneur, I have spent over a decade building multiple businesses in the music industry, real estate & online marketing. I believe in a no debt philosophy - and that good morals is good economics
Learn from someone living out everything he teaches!
Would you like to see how I make over $4,000 a month selling music online?
Would you like to become a world class performer and own the stage & my $10,000 a month touring strategy?
Would you like to see how I get Millions of views on my YouTube Videos?
Would you like to know how to Write a book from idea to published author?
Would you like to easily start an online business teaching with Udemy?
Enroll in my Udemy courses - you too can be doing all of this - and more!
Across the last decade and some change, Manafest has steadily cemented his status as one of the world's most diverse, envelope-pushing and all around uplifting artists. His seamless, lightening-like blur between the spectrums of rap, hip-hop, rock and pop hasn't just led to 300,000-plus album sales and five coveted Juno Award nominations (essentially the Grammy equivalent in his home country of Canada), but also more than 1,000 shows logged over four continents.