How To Solve Painting Problems
4.6 (46 ratings)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
413 students enrolled
Wishlisted Wishlist

Please confirm that you want to add How To Solve Painting Problems to your Wishlist.

Add to Wishlist

How To Solve Painting Problems

Solve These Important Painting Problems. Paint with confidence and see your paintings improve massively. (Updated 2016)
4.6 (46 ratings)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
413 students enrolled
Created by Malcolm Dewey
Last updated 7/2016
English
Curiosity Sale
Current price: $10 Original price: $45 Discount: 78% off
30-Day Money-Back Guarantee
Includes:
  • 4 hours on-demand video
  • 1 Article
  • 3 Supplemental Resources
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion
What Will I Learn?
  • plan, prepare and complete landscape paintings
  • use essential painting techniques
  • approach various landscape subjects with confidence
  • Solve typical and more advanced problems in landscape painting
View Curriculum
Requirements
  • A set of oil or acrylic paints, brushes, pencils and sketch pad
  • All materials required will be explained in detail
Description

What Painting Problems? Transform your painting with important skills and tweaks. These tips and skills will save you plenty of time and frustration.

Every subject we choose to paint offers certain challenges or problems to solve. This course will look at common problems and how I go about solving them so that you can take your oil painting to new levels.

This course builds on my previous course, Learn to Paint With Impact, by looking at specific problems faced by painters. I look at various landscape problems such as countryside, street scenes, seascapes, beaches and skies.

How to plan, prepare and complete a landscape painting that will leave you more confident for the next painting. All the skills you will learn can be taken forward to build up your painting ability and increase your enjoyment of painting.

Who is the target audience?
  • Anyone wanting to learn landscape painting
  • In particular oil and acrylic mediums
Students Who Viewed This Course Also Viewed
Curriculum For This Course
39 Lectures
04:14:33
+
Introduction
1 Lecture 01:22

This course consists of selected topics that pose common problems to beginner and even intermediate artists. However as we solve on problem we often learn other techniques that are helpful to solve other issues in our painting too. You can follow the course section by section or pick out sections that are relevant to you at the time.

All these topics have been part of my personal development as an artist and many other artists I teach. I hope that you will gain more knowledge that will help you in your art journey. Enjoy!

Preview 01:22
+
Planning Your Painting Revisited
2 Lectures 06:11

A preparation outline that can be adapted for your painting process.

Section 2 Introduction:
00:07

A quick overview of how I like to prepare before any major painting. As you develop as an artist you will develop your own habits. Sometimes good and others not so much. We all need to revisit at our preparation over time as it can make a big difference in the end result.

Preview 06:04
+
Composition Refresher
1 Lecture 12:15

Although this course is not about all the technical issues of painting I thought it would be useful to include a refresher on composition. It is an important topic. This video is adapted from my course Learn To Paint With Impact. If you have seen it or are familiar with the basics of composition you can of course skip this lecture.

Preview 12:15
+
Shapes & Values
3 Lectures 06:28

An introduction to this important section. Masses and shapes make up every landscape painting. Learn to see these masses and you can paint almost any landscape with confidence in your own unique style.

Introduction To Section: Masses & Shapes
00:55

Most good landscape paintings fall within four distinct values: lightest light, darkest dark and two mid values. There are also four distinct mass shapes in such a landscape. If you can identify these masses and values at the start it makes it easier for you to develop and refine the painting. Your painting will also have a convincing appearance. This video explains this idea further.

Identify Mass Shapes
03:56

Paint for masses using acrylics in simple flat shapes. Keep four values distinct from each other. This will be the starting point for developing the basic landscape painting in oils.

Paint The Masses Demo
01:37
+
Developing Masses Painting Demo: Overberg Farm
4 Lectures 15:32

In Part 1 we start to develop the mass shapes in oil paints. This video shows the sky and mountains. I am using smaller shapes, but still keeping them loose and suggestive rather than showing fine detail. A #6 bristle brush is a good size to use as it prevents me getting too fussy with the shapes. This is all about staying true to the idea of large shapes and distinct values.

Part 1: Developing Sky and Mountains
03:45

In Part 2 we work in the darkest darks and foreground. I make the most of the value contrast between the dark treeline and the sunlit foreground. The color temperature between warm foreground and cooler darks ad interest and the illusion of depth to the painting. Most importantly shapes are still simple and strong.

Part 2: Developing Tree Line & Foreground
03:11

In Part 3 I continue to develop the foreground. The edges, color temperature and textures are given attention. The essential value contrast between the trees and foreground is emphasised. See how four basic masses and values can produce a strong painting!

Part 3: Foreground & Trees Are Developed Further
05:28

I conclude this demo with a few small changes to improve the composition. Then I look at the framed painting and give my views on whether the painting has worked out or not.

Part 4: Painting Critique
03:08
+
Aerial Perspective
3 Lectures 20:44

The rules of aerial perspective are explained. Also the difference between sunny days, overcast and how aerial perspective differs between land and sky.

Aerial Perspective Notes
09:02

Let's have a look at a practical example of assessing aerial perspective. See how to adjust color temperature and values to create convincing aerial perspective.

Aerial Perspective Demo: Part 1
05:34

Part 2 of this demo on mixing color and adjusting value for convincing aerial perspective.

Aerial Perspective Demo: Part 2
06:08
+
Painting Trees
4 Lectures 36:28

Paint the tree's character! Trees are an important part of most landscapes. Yet we tend to paint symbols of trees. This lesson seeks to solve this problem by getting us to see trees like artists.

Observe The Character of Trees
15:22

How to see the character of a tree! Trees are important part of landscapes. Unfortunately we often paint symbols of trees without seeing the unique character of the tree. This lesson shows what we need to look for with examples of artists paintings.

Tree Painting Demo: Part 1
07:04

Tree Painting Demo: Part 2
06:06

The finishing touches to the tree demo followed by a critique of the framed painting.

Tree Painting Demo: Part 3
07:56
+
Giving Impact to Photo References
1 Lecture 11:41

The problem to solve: How to use photos in the studio without losing the energy and vitality of plein air painting? Often in the studio we can overwork a subject from photo references. This lesson gives you 10 steps to help avoid this common trap.

10 Tips For Adding WOW to Photo References
11:41

A recap on how to improve paintings from photos.

Photo References
7 questions
+
Add Life With Brushwork
2 Lectures 11:20

How to avoid flat and uninteresting painting surfaces? Use distinct brushstrokes and generous amounts of paint. This section is about getting texture and lively brushwork to enhance the painting surface. Painting in the impressionist tradition is not just about creating an illusion. It is also about using the paint to add texture and interest in its own right.

Introduction to Brushwork & Paint
05:30

This is a fun demo to simply show you how brushwork can be used to put down distinct color notes. You will also see how a generous amount of paint can be used. Each brushstroke leave a distinct mark in hue and in texture. Try not to go over the mark a second time to avoid making a flat surface unless necessary to correct an error. Certain areas can be flatter such as shadows provided that that the sunlit portions are kept nice and thick with texture.

Paint-by-the-Pound & Brushwork Demo
05:50
+
People In Landscape
4 Lectures 43:45

My method for painting figures in a landscape setting.

Figures in Landscape Demo
11:07

We look at the most effective approach to painting figures outdoors. What is necessary to get a recognisable figure without overworking the subject. How to see light and use shapes, color and values to achieve this goal.

How To Paint Recognisable Figures In Landscapes
13:20

Often a landscape will benefit with having distant figures, These figures add interest, life and help with the overall story. But there are a few common problems to look out for.

(demo coming soon)

Add Distant Figures in Your Landscape
08:07

Now I will show you how I paint basic distant figures in a landscape. I will pay close attention to the warnings and tips in the previous lecture to show you how to avoid making those mistakes.

Distant Figures in Landscape Demo
11:11
7 More Sections
About the Instructor
Malcolm Dewey
4.5 Average rating
418 Reviews
9,995 Students
7 Courses
Professional Artist

I am a professional artist with twenty years experience in painting mainly in oil, acrylic and watercolor mediums. I have studied art for most of my life and continue to develop my style of painting. I enjoy teaching art, which has led to me developing courses to help artists seeking to improve their work.

I am also concerned with helping people find their calling to create. This includes using art to release creative blocks, achieve mindfulness and more calm in our lives. Art has great potential to ease the burdens of modern living.

I follow a representational approach to subjects using a painterly or impressionistic style. Plein air painting is a favorite part of my approach to painting. I currently produce paintings for sale to collectors worldwide.