
Explore the basic rhythm guitar parts for gypsy jazz waltz accompaniment, focusing on common waltzes and tuning practice to kick off this volume.
Explore the first waltz, 'Valse a Rosenthal,' composed by Wasow Grun Holts. Refer to Sokolow Rosenberg's version on his arrest album for guidance on gypsy jazz rhythm guitar accompaniment.
Explore the introduction to valse a Rosenthal, featuring a two-section form with repeats, walking bass, chromatic run, and precise open-string waltz technique on gypsy jazz rhythm guitar.
Master gypsy jazz waltz rhythm by learning the a section chord progressions, including minor, b-7, g-7, f7, e minor, and e7 voicings with thumb bass.
Master the valse a Rosenthal bridge with a seven chord and inversion to move the bass, then cycle minor, b-7, and e minor progressions, ending with a final minor emphasis.
Explore the Montagne Sainte-Genevieve waltz's gypsy jazz rhythm guitar, tracing Django Reinhardt's versions, and learn varied accompaniment approaches, tempo adjustments, triplets, and the A-B form with a four-time bridge.
Begin the Montagne Sainte- Genevieve introduction with an E minor opening and a C-7 with a near G diminished sound, then move to B-7.
Explore the Montagne a section variation with bar chords and open-string voicings. Move through e minor, b-7, d-flat diminished substitute, f sharp seven, and a walking bass for gypsy jazz rhythm guitar.
Explore the Montagne a section (2nd variation) in gypsy jazz rhythm guitar, using open-string passages, A minor and B-7 shapes, and thumb-over bass for waltz accompaniment.
Explore the Montagne Bridge in gypsy jazz rhythm guitar, applying chord substitution, walking bass, and a sequence of G, diminished, and minor chords in a looping bridge.
Learn an E minor gypsy jazz waltz by Wasow, featuring an abc form with sections a, b, c repeated, ending with a final a, referencing Jimmy Rosenberg's version.
Explore the valse de wasso introduction in e minor and b-7, with c-7, alternating six-eight waltz and 3/4 rhythms, and mute open strings with the third finger.
Explore the Valse de Wasso a section with a back-and-forth e minor and b-7 figure in 6/8 waltz rhythm, muting open strings for control.
Explore the open vibe of the Valse de Wasso B section, with ringing bass notes and chords such as E minor, D major, C major, F7, and B-7 inversions.
Learn the c section as a bridge in gypsy jazz rhythm guitar, weaving a walking bass through G major, B diminished, C major six, and D seven chords.
Master the Wasso ending in gypsy jazz waltz accompaniment by practicing slowly with a metronome, backing the soloist with solid chord work.
Learn gypsy jazz waltz rhythm by practicing these arrangements slowly with a metronome, mastering chords, and providing rock-like backing to support the soloist while exploring la pompe and Boston style.
In this course we will go further into the Gypsy Jazz waltz guitar style that we learned in my Introduction to Gypsy Jazz Guitar Course.
Gypsy Jazz waltz guitar has it's roots in the Bal-Musette style of French dance music that dates back to the 1880s. Django Reinhardt- the greatest guitarist of the 20th century and the father of Gypsy Jazz, cut his teeth playing Bal-Musette in the 1920's. The valse (waltz) style of musette was one of the most popular styles of the time.
We will learn the chords for Montagne Sainte-Genevieve, a famous valse that was attributed to Django. I will show you two different arrangements for this landmark composition.
This course also explores two Valses from the Dutch style of Gypsy Jazz, Valse a Rosenthal and Valse de Wasso. Both of these valses were composed by the master Gypsy Jazz guitarist Wasso Grunholz. I will show you how to play the arrangements for these pieces by drawing inspiration from the versions of The Rosenberg Trio, and Jimmy Rosenberg.
We will get into the details of how and when to play Folk versus more Jazzy arrangements. We will also explore how to approach walking baselines in concert with chord progressions and discuss how to create tension in the music by switching up the feel from the typical 3/4 waltz feel to the 6/8 rhumba style.
This course will provide you with many variations and inversions of chord shapes and fingerings that often get used within the Gypsy Jazz genre. We will talk about these chords as they appear up and down the neck as well as how to efficiently get around open string chords.
If you are looking to expand your accompaniment skills on guitar, want to increase your knowledge of chord shapes and rhythm guitar arrangement, this course will provide you with a solid foundation. You can also take what we will learn here and it apply it to many different genres of guitar playing. Bolster your own creativity by using this course as an inspiration for your own compositions as well.
Join me on the quest to play Gypsy Jazz guitar and sign up today!