Make Your First Future Bass Track - In FL Studio
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Make Your First Future Bass Track - In FL Studio

Use Free/Built-In-FL-Studio-Plugins to make a Future Bass track
4.8 (6 ratings)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
260 students enrolled
Created by Colin Warn
Last updated 2/2017
English
Current price: $12 Original price: $95 Discount: 87% off
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Includes:
  • 2.5 hours on-demand video
  • 1 Article
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion

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What Will I Learn?
  • Create a Future Bass track, start to finish
  • Create a Supersaw, Lead and Bass synth from scratch in 3xOSC
  • Understanding What Bussing is in the Context of Mixing
  • Create a reversed sound effect
  • Create an instrument using a vocal sample
View Curriculum
Requirements
  • A general understanding of FL Studio (i.e. How to link tracks to a mixer, how to add patterns to the playlist, etc)
Description

Prior Experience with FL Studio Highly Suggested. If you've taken my free "How To Make Your First EDM Track" course, you have the prerequisite knowledge needed to take this one.

Learn from EDM ghost producer Colin Warn how to make a future-bass track!

Having sold thousands of dollars in ghost productions, and having made over 200+ tracks, this kid who likes to write about himself in the third person will teach you:

  • How to start and finish a Future Bass track
  • How to beef up a wimpy sound by using distortion
  • How to create your own reversed sound effects
  • How to create your own future bass supersaw sound using built-in FL Studio synths
  • How to mix and master using free or built-in plugins
  • How to make a future bass melody
  • How to create an instrument from a vocal sample
  • The "history" of future bass

...and much more.

The first 1/4 of the course is open as a preview to anyone interested: So go ahead and try it before you buy it.

Hope to see you in the classroom!

Who is the target audience?
  • Producers interested in creating a Future Bass track
  • Producers with some experience looking to up their production game
  • Producers interested in creating a track using only free plugins/samples
Compare to Other FL Studio Courses
Curriculum For This Course
23 Lectures
02:35:50
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Setup
6 Lectures 19:11
Downloadable Content
00:07

A quick note about some of the nomenclature used in this course.

Preview 01:47

Welcome to the course! In this video I give a quick introduction of myself, and a quick preview of what's to come.

Preview 02:41

Though the title sounds ironic, we go over a little bit of the backstory of the rise and main characters of the future bass genre from my perspective.  From the rise of Flume to the genre's establishment by guys like Marshmallow.

Preview 07:38

in this video, we quickly go over how to add 3rd party samples.

Preview 01:53

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Creating the Track
17 Lectures 02:16:40

We start off our track by creating our future bass drumloop.

Preview 07:09

In this video, we use 3xOSC to make a future bass supersaw synth from scratch,

Preview 04:03

In this video, we create the bass synth in 3xOSC to give our track some lowend.  We also create a white noise synth to help fill out the top-end.

5 Creating the Bass Synth and White Noise from Scratch
06:51

In this video, we go over some tips and tricks for creating future bass melodies.

6 Creating our Future Bass Melodies
08:51

In this video we learn how to create an instrument using nothing more than a vocal, and then we create a melody for it.

7 Creating an Instrument from a Vocal Sample
07:36

Now we start to do some rudimentary mixing for our track.  In this video, we link all our elements to the mixer, do some basic gain-staging, and then throw on some effects.

8 First Mixing Pass
14:00

Now that we have the drop created and layered, it's time for us to start constructing the break!

9 Crafting the Break
11:08

In this video, we quickly create a plucky synth sound in 3xOSC for our break.

10 Sound Designing a Plucky Chord Sound
03:08

Now that we've created our break, time to mix it!

11 Second Mixing Pass
04:57

In this video we take our elements, and start laying them out into a full track.

12 Laying Out the Track
09:34

In this video, we add fx/risers/sweeps to make the track even more interesting.

13 Adding Ear Candy
15:51

We finish adding our ear candy.

14 Adding Ear Candy (Part 2)
09:08

In this video, we learn how to create a reversed sound effect using edison: And a ton of reverb.

15 Creating a Reversed Sound Effect
05:13

In this video we learn a bit about bussing, and we make the final mixing tweaks to our track,

16 Final Mixing Pass, and a Tutorial on Bussing
11:59

We quickly automate a few elements in our track.

17 Automating our Track
04:33

In this video, we'll learn how to master using Limiter6!

18 Mastering
09:58

Congratulations on finishing the track! In this video I give you some final thoughts, in addition to some other additional learning resources.

19 Outro
02:41

Final Quiz
1 question
About the Instructor
Colin Warn
4.3 Average rating
377 Reviews
6,214 Students
12 Courses
Music Producer, Ghost Producer, Composing 1-2 Tracks a Week

Colin Warn is a dance music producer and a Middle8Studio ghost producer, hailing from Seattle.  For some reason he also enjoys talking about himself in the third person.

Alter ego DJ Veaux. He's been teaching music production on forums from the legendary Laidback Luke production forums to the Max Vangeli "The Lab" forums for over four years.  His productions have received praise from the likes of Studio DMI, recording studio for artists like Diplo and Borgeous. He's made about 200+ tracks as of writing this bio from hip hop to dance music, and he continues to make 1-2 tracks a week.

Currently touring with Jordan Riley, so while he isn't on the road he's sitting down to figure out how he can help his fellow producer become the best artist they can be.