Final Cut Pro 7

Video Editing
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  • Lectures 98
  • Length 14.5 hours
  • Skill Level All Levels
  • Languages Arabic
  • Includes Lifetime access
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    Available on iOS and Android
    Certificate of Completion
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About This Course

Published 12/2015 Arabic

Course Description

Final Cut Pro 7 Video Editing Course

  • you will learn at this course
  • haw to Create Video Editing for All Films and Promos,
  • you can make editing your Movie ,
  • Use Music with Video to Create Video Editing ,
  • Use all Effects and text, Compositing ,Chroma Key ,
  • All Documentary Film you Can Edit at final Cut Pro 7 ,
  • Haw to Edit Drama Filmes
  • Haw to make Cutting Between two or three Camera
  • Connect Sync Video With Audio
  • You will learn haw to use all Tools
  • Import All Format or From Camer

What are the requirements?

  • Video from camera and some Audio Files mp3 and Pictures

What am I going to get from this course?

  • Feeling comfortable with the basic editing operations of FCP 7.
  • They will cut video clips to a narration track, divide a narration track, cut to music, and add cutaways to cover jump cuts.
  • Complete their cut by mixing the audio tracks and adding transitions and titles.
  • Enjoy exploring the different filter options in Final Cut Pro.
  • Gain a more detailed knowledge of the software and be able to use colour, compositing, motion aspects of Final Cut Pro.

What is the target audience?

  • Anyone has a creative and interesting for video editing .

What you get with this course?

Not for you? No problem.
30 day money back guarantee.

Forever yours.
Lifetime access.

Learn on the go.
Desktop, iOS and Android.

Get rewarded.
Certificate of completion.

Curriculum

Section 1: Start Here
02:35

Final Cut Pro 7 Introduction

16:30

Introduction for haw to use Mac system and system Preferences Complete guide to System Preferences in Mac OS

  • How to find System Preferences on a Mac
  • How to customise System Preferences
  • What you can do with General in System Preferences
  • How to change Desktop & Screen Saver
  • How to change the Dock using System Preferences
  • Using Mission Control in System Preferences
  • Languages and Regions in System Preferences
  • Security and Privacy in System Preferences
  • Spotlight in OS X
07:05

Basics of Working in the Final Cut Pro Interface

There are four main windows in Final Cut Pro that you use while you are making your

movie. You may want to open Final Cut Pro so you can view these windows and familiarize

yourself with them.

To open Final Cut Pro

In the Finder, double-click the Final Cut Pro icon in the Applications folder.

• Browser

  • Viewer
  • Timeline
  • Canvas
  • 3 questions

    Introduction Quiz

    Section 2: 01-Interface
    00:49

    Final Cut Pro Interface introduction .

    02:25


    How You Use the Browser

    The Browser is a powerful tool used to organize your project’s clips. In the Browser, you

    can sort, rename, and rearrange hundreds of clips in a multitude of ways. You can also

    customize how the Browser displays information about clips to suit your preferred work

    habits.

    How You Can Use the Viewer

    The Viewer is extremely versatile. You can use the Viewer to:

    • Define In and Out edit points for clips before editing them into a sequence

    • Adjust audio levels and panning in the Audio tab

    • Open clips within sequences to adjust durations, In and Out points, and filter parameters

    How You Use the Timeline

    The Timeline and the Canvas display two different views of the same sequence. The

    Timeline shows the chronological arrangement of clips and layered video and audio clip

    items, while the Canvas provides a single view that allows you to watch your sequence

    just as it will appear on a movie or television screen.

    How You Use the Canvas

    In Final Cut Pro, the Canvas is the equivalent of a record monitor in a tape-to-tape editing

    suite; it displays the video and audio of your edited sequence during playback.

    Using Different Window Layouts

    Final Cut Pro comes with a set of predefined window layouts. These layouts determine

    the size and location of the four main windows in Final Cut Pro (the Browser, Viewer,

    Canvas, and Timeline), along with the Tool palette and audio meters. Some window

    layouts include additional windows, such as the Tool Bench. Choose a layout that

    maximizes your screen space in the best way for your source material, editing function,

    screen resolution, and monitor type.

    14:52

    Working with Projects

    How you use and organize your projects depends on the scope of your movie as well as

    your particular organizational style. These factors also affect your decision to use one or

    more sequences in your project.

    Save Project , Close Project , Open Project


    11:05

    Importing Media Files

    You can import single files, a folder, or a group of folders. If you import a group of folders

    that contain folders inside one another, Final Cut Pro imports all files in each folder and

    subfolder that are in formats it recognizes; incompatible file types are ignored.

    Import ( Files , Folder ,Video , Audio , Picture )

    FCP7 (2)
    2 questions
    FCP7 (3)
    6 questions
    Section 3: 02-Working With Clips
    00:26

    Working With Clips Introduction

    11:15

    Viewer Interface All Details About Controls and Buttones

    The Viewer is extremely versatile. You can use the Viewer to:

    • Define In and Out edit points for clips before editing them into a sequence

    • Adjust audio levels and panning in the Audio tab

    • Open clips within sequences to adjust durations, In and Out points, and filter parameters

    Note: Changes you make to a clip opened from a sequence are applied to the clip only

    in that sequence. If you make changes to a clip opened from the Browser, the changes

    appear only in the clip in the Browser.

    • Add filters to clips and adjust filters applied to clips

    • Adjust the motion parameters of clips to modify or animate such parameters as Scale,

    Rotation, Cropping, and Opacity

    • Adjust generator clip controls

    10:24

    Viewer , Browser , Mark in , Mark Out , Time Code Viewer

    Marking Controls in the Viewer

    Marking controls let you set In and Out points, add markers and keyframes, and navigate

    to matching frames in master or affiliate clips.

    04:08

    Mark in , Mark out , Clear In & Out , Markers , Edit Markers

    Mark Clip (X): Click to set In and Out points at the boundaries of the clip.

    Add Marker (M): Click to add a marker at the current playhead position. While editing,

    you can use markers to make notes about important points in your sequence

    Mark several possible In or Out points for future use.

    • Quickly move the playhead to a marker in a clip or sequence.

    • Mark a range in a clip that you may want to use as a subclip.

    • Align a clip marker to a marker in an edited sequence to match a visual or audio cue.

    08:11

    Edit Markers , SubClip

    Learning About Subclips

    For organizational purposes, you can break up a single large clip into several subclips.

    Subclips are defined by In and Out points or markers set in the original clip prior to the

    creation of subclips. New subclips automatically become their own master clips, with no

    affiliation to the clip from which they were created.

    12:42

    Browser , Format ( Frame size - Video Rate - Compressor ) SD , HDV

    Media with codecs, frame rates, or image dimensions not supported by real-time

    processing in Final Cut Pro

    You can quickly check clip properties and sequence settings to see if the format of a clip

    and a sequence match.

    09:28

    Browser , Format ( Frame size - Video Rate - Compressor ) SD , HDV

    Final Cut Pro supports

    the latest broadcast, HD, and digital cinema formats.

    you can ingest, edit, and output standard definition (SD


    13:44

    Browser , Format ( Frame size - Video Rate - Compressor ) SD , HDV

    11:33

    Browser , Format ( Frame size - Video Rate - Compressor ) SD , HDV

    Video Format Basics

    • Compressor

    • Image dimensions and aspect ratio

    • Frame rate

    FCP7 (4)
    8 questions
    Section 4: 03-Building the Story
    00:31

    Building the Story Introduction .

    15:26

    TimeLine Interface - Overwrite - Conform your Sequence

    How You Use the Timeline

    In the Timeline and Canvas, tabs represent sequences. Opening a sequence opens the

    Timeline and the Canvas windows simultaneously (if they’re not open already).

    Performing the Different Types of Edits

    The following section tells you how to perform the most common types of edits for adding

    content to a sequence. These procedures assume that you’ve already set In and Out

    points and destination tracks in the Timeline.

    06:34

    Edit your Clips at the Time Line

    drag-to-Timeline editing, three-point editing allows you to use both source clip

    and sequence In and Out points to specify the duration of a source clip and where it

    should be placed in a sequence.

    17:22

    Add Edit , use Razor Blade Toole .

    Cutting Clips in the Timeline

    Using the Add Edit Command to Cut Clips

    Joining Through Edits (Splicing Cut Clips Back Together)

    Changing the Duration of Clips in the Timeline

    08:15

    Use Another Video Track , Pen Toole

    Understanding Sync Relationships Between Multiple Linked Audio Items

    Linked Sync Relationships Between Video and Audio Clips

    Using the Add Edit Command to Cut Clips

    Pen Tool

    When you adjust audio levels and pan settings in the Timeline and Viewer, you mainly

    use the Selection and Pen tools. The Pen tools allow you to add, move, and delete audio

    level and pan keyframes in the clip overlays in the Timeline as well as in the Viewer

    04:53

    If you’ve arranged clips in the Browser according to the order you want them to appear in your sequence (creating a storyboard), you can drag all of them to the Timeline to quickly create a rough edit. If you want, you can also specify In and Out points for each clip in your storyboard, and then drag them to your sequence.

    07:04

    Doing Simple Insert and Overwrite Edits in the Timeline

    When you drag clips to the Timeline, you can perform insert or overwrite edits.

    You can drag a source clip to the unused space above or below the current tracks to create a new track for that clip.

    FCP7 (5)
    5 questions
    Section 5: 04- Advanced Editing Techniques A
    00:28

    Advanced Editing Techniques A Introduction

    10:04
    • Linked Selection button: Click this to turn linked selection on and off. With linked selection on, clicking a video or audio clip item selects all other items linked to that item. If linked selection is off, only the clip item you click is selected, even if it is linked to other items. This is useful for editing the audio In or Out point of a clip separately from the video, such as when doing a split edit. You can also turn linked selection on and off by choosing Edit > Linked Selection (or by pressing Shift-L).
    03:14

    Editing TimeLine , Link , Linked Selection , User Preferences .

    Choose Modify > Link (or press Command-L) to link the clip items together.

    Changing User Preferences

    A preference modifies how a particular Final Cut Pro feature behaves. Most preferences can be turned on or off at any time, whereas others accept a value, such as the number of Undo levels or the name of a label.


    16:33

    Overwrite , Insert , Fit To Fill, Replace , Superimpose , Editing Time Line

    • Overwrite: Replaces the clip items in the destination sequence track with the clip in the Viewer.
    • Insert: Pushes clip items in the sequence forward to accommodate the clip from the Viewer.
    • Replace: Replaces the clip item beneath the Canvas/Timeline playhead with the clip in the Viewer, using the playhead position in both windows as a synchronization point.
    • Fit to Fill: Speeds up or slows down the clip in the Viewer to fit between the In and Out points set in the Canvas and Timeline.
    • Superimpose: Edits the clip in the Viewer into a track above the sequence clip that intersects the playhead.
    FCP7 (6)
    5 questions
    Section 6: 05- Advanced Editing Techniques B
    00:34

    Advanced Editing Techniques B Introduction .

    17:23


    About Trimming with Slip, Slide, Ripple, and Roll Tools

    The Slip, Slide, Ripple, and Roll tools are specialized tools that you can use to make fine adjustments to the In and Out points of clips in your sequence. Fine-tuning your edits with these tools is also referred to as trimming.

    11:48

    Ripple Toole , Roll Tool

    Using the Roll Tool to Change Where a Cut Occurs

    • A roll edit adjusts the Out point and In point of two adjacent clips simultaneously. If you like where two clips are placed in the Timeline, but you want to change when the cut point happens, you can use the Roll tool.
    • A ripple edit adjusts a clip’s In or Out point, making the clip longer or shorter, without leaving a gap in the Timeline.
    12:55

    Ripple Toole , Roll Tool , Trim Edit Window

    The Trim Edit window is a special environment for trimming one edit point at a time while reviewing the complete media for both the incoming and outgoing clips. You can also watch how your editing adjustments affect the cut point without stopping playback.

    08:09

    Slip Tool , Slide Tool

    • slide edit allows you to move a clip’s position in the Timeline between two other clips without creating a gap. The clip’s content and duration remain the same; only its position in the Timeline changes
    • slip edit does not change a clip’s position or duration in the Timeline, but instead changes what portion of the clip’s media appears in the Timeline. The Slip tool allows you to move a clip’s In and Out points simultaneously.
    16:50

    Customise your Keyboard

    Specifying shortcuts for commands is easy. You don’t have to set up the entire keyboard with your preferred shortcuts—you can choose specific menu sets or command groups. For example, you can specify keyboard shortcuts for all commands in the File menu or for all render functions.

    FCP7 (7)
    14 questions
    Section 7: 06-Basic Audio Mixing
    00:55

    Basic Audio Mixing Introduction .

    16:04

    Audio Mixing

    • Even when you use multiple audio channels during editing and mixing, you may need to create a stereo mix. Downmixing combines all audio output channels into a single stereo output. You may want to down mix
    • Changing audio levels directly in the Timeline is fast and is especially useful when you need to mix the levels of clips relative to other clips playing at the same time. For example, if you want to raise and lower the volume of a music clip to correspond with a voiceover recording, you can see how the narrator’s dialogue lines up with the music clips if you turn on audio waveforms in the Timeline.

    13:05

    Audio Mixing , Convert Mp3 To Aiff

    Overview of the Batch Exporting Process

    The Batch Export command lets you export multiple clips and sequences at one time. This is particularly useful when you have a lot of clips or sequences to export at once, or if you need to export the same sequence to multiple formats and settings.

    06:57

    Audio Mixing , Fade In , Fade Out

    A cut, the most basic type of transition, is a transition with no duration; when one shot ends, another one immediately begins, without any overlap.

    • Final Cut Pro also comes with two audio transitions: a +3 dB cross fade (the default) and a 0 dB cross fade.
    07:29

    Audio Mixing , Audio Mixer

    You can control audio levels and pan in the Timeline and the Viewer as well as the Audio Mixer. You can make adjustments to multiple clips at once, as well as add keyframes to automate mixing levels over time.

    The Record Audio Keyframes button and the checkbox in the User Preferences window

    are the same control; they are just located in two different places for convenience.

    16:16

    Customise your Browser and Time Line

    Customizing the Browser Display

    • There are various ways you can display items in the Browser, depending on your needs and work style. You can display items in list or icon (thumbnail) view, choose columns you want to show or hide, and choose the frame you see for a clip in icon (thumbnail) view.
    • As you scrub through your clip or sequence, audio also plays back more quickly, but it doesn’t play back smoothly .
    08:07

    Audio Mixing , Audio Level

    Adjusting Audio Levels in the Timeline

    Changing audio levels directly in the Timeline is fast and is especially useful when you need to mix the levels of clips relative to other clips playing at the same time.

    07:14

    Audio Mixing , Audio Mixer , Audio Level

    Adjusting Audio Levels in the Timeline

    • Changing audio levels directly in the Timeline is fast and is especially useful when you need to mix the levels of clips relative to other clips playing at the same time.
    • Recording Audio Mixer Keyframes Using a Control Surface
    • Recording audio mixer automation with a control surface is identical to recording keyframes by adjusting faders in the Audio Mixer.
    10:27


    Audio Transition

    • Final Cut Pro also comes with two audio transitions: a +3 dB cross fade (the default) and a 0 dB cross fade.
    • Cross Fade (+3 dB): Performs the same operation as Cross Fade (0 dB), but applies an equal-power ramp to the volume level, rather than a linear ramp.
    • Cross Fade (0 dB): Fades the first clip out, while simultaneously fading the second clip in. This effect applies a linear ramp to the volume level. As a result, the volume level dips in the middle of the cross fade.
    FCP7 (8)
    8 questions
    Section 8: 07- Markers
    01:00

    Markers introduction .

    11:54

    Edit Markers in Time Line , Export Markers

    • Editing Markers into Sequences
    • You can edit markers into your sequence as if they were clips. However, a marker edited directly from the Browser into a sequence
    • Exporting Marker Lists as Text
    • Marker data can be exported as tab-delimited text. The saved text file can be modified with a spreadsheet application, printed, or reformatted for use in other software.
    02:23

    Edit Markers , Ripple Sequence Marker

    1. You can add markers to both clips and sequences. There are differences between clip markers and sequence markers that could affect your work.
    2. You can move a marker by dragging it, by repositioning the playhead, or by entering a different starting timecode value. Using the playhead, you can only move a marker forward, not backward.
    FCP7 (9)
    3 questions
    Section 9: 08-Changing & Modifying Clip Speed
    00:35

    Changing Speed Introduction .

    06:10

    Change Speed

    Working with Multiclips and Speed Effects

    Keep the following restrictions in mind when you work with multiclips and speed effects:

    • Multi clips cannot be created from speed-modified clips.
    • Multi clip sallow constant speed change sonly.
    • When a multiclip is displayed in the Viewer, all angles reflect the speed of the active angle.
    • The Change Speed dialog (and the related Change Speed Segment dialog) are central tools for creating speed effects such as slow motion, fast motion, and changes in the speed of a clip over time.

    03:57

    Change Speed , Fit To Fill

    1. Performing a Fit to Fill Edit You may have different reasons for changing the speed settings. For example, you may want to solve editorial problems in your sequence. In that case, you can do a fit to fill edit, making a clip longer to fill more time or shorter if an action takes longer than you’d like. You can use speed changes over time to create ramping speed changes from slow to fast motion, and from forward to reverse.
    02:58

    Change Speed , Speed Tool

    Using the Speed Tool

    The Speed tool provides a quick method for adjusting the speed of two adjacent clips in the Timeline by “rolling” their shared edit point. You can also adjust the speed of a single clip by dragging its In or Out point with the Speed tool.

    14:01

    Variable Speed

    Making Speed Changes in the Timeline

    You can apply variable speed effects to clips using keyframes in the Timeline.

    An effective way to create slow-motion and fast-motion effects is to use the keyframe graph area of the Timeline. You can apply and adjust keyframes with the Pen tool to create speed segments. You can slide the keyframes left or right in the keyframe graph area to interactively create variable speed effects .

    05:40

    Clip Keyframe , Add Speed KeyFrame , Freeze Frame

    Variable Speed Changes

    Applying variable speed to a clip allows you to dynamically alter the speed of a clip over time, in forward or reverse motion. Variable speed allows you to create sophisticated effects in which subjects appear to smoothly shift across a variety of different speeds, with hard or gradual transitions between each change

    Creating Freeze Frames from a Video Clip

    Final Cut Pro makes it easy to create a freeze frame from a video clip. No additional media is created on your hard disk; freeze frames are simply clips that refer to a single frame of a media file.



    12:49

    Change Speed , Ripple Sequence

    • Ripple Sequence checkbox: Select this checkbox to enable automatic rippling of the sequence when you adjust the speed/duration of a clip. Clips and markers later in the Timeline will move with the Out point of the speed-adjusted clip to prevent a gap or a collision in the Timeline.
    FCP7 (10)
    5 questions
    Section 10: 09-Transitions
    00:46

    Transitions introduction

    14:47

    Effects - Video Transition

    1. A transition is a an effect used to change from one clip in your edited sequence to the next. In the early days of film editing, the only transition you could immediately view was a cut. Even the simplest transition, the dissolve, had to be specially set up in an optical printer and sent back to the editor for viewing.
    15:13

    Effects - Video Transition - Render

    1. Any time Final Cut Pro must perform more calculations than your computer can handle in real time, you need to render. Rendering is the process of creating temporary video and audio render files for segments of your sequence that Final Cut Pro cannot play in real time.


    FCP7 (11)
    4 questions
    Section 11: 10-Video Filters
    01:20

    Video Filters Introduction

    16:23

    Video Filters

    1. Different Ways to Use Filters Filters allow you to modify and enhance the look of your clips.
    2. Final Cut Pro includes a wide selection of video filters, grouped into several categories.

    19:15

    Effects - Video Filters

    By default, Final Cut Pro displays only recommended filters in the Effects tab bins and in the Video Filters submenu of the Effects menu. Some filters, including Channel Blur, Simple Border, Contrast, and some duplicates, have been temporarily hidden from view.

    11:17

    Video Filters - Matte

    1. Using Travel Mattes to Hide or Reveal Parts of a Clip Travel mattes are useful when you want to use one clip to selectively hide or reveal part of another. For example:
      • To show parts of a video layer selectively revealed by a round spotlight shape
      • To partially reveal video images playing through a title or logo graphic
      • To use an imported graphic to obscure, or mask, part of a layer you don’t want to show
    19:07

    Video Filters - Color Correction

    To work on your project in a dedicated color correction environment, you can send your sequence to Color for professional-level color correction and grading.

    Preparing Your Sequence for Working in Color

    1. Preparing Your Media for Working in Color
    08:21

    Video Filters - Color Correction - Limet Effect

    Limit Effect Controls in the Color Corrector Filter

    The Limit Effect controls are a group of controls in the Color Corrector filter that let you key a specific color and apply color correction to just the areas of the picture that you’ve keyed on.


    10:45

    Video Filters - Color Correction With Matte

    Using Multiple Filters Together with the Limit Effect Controls

    You can use the Limit Effect controls to layer multiple color correction filters onto a single clip, selectively balancing specific areas of your picture based on their color, saturation, and luma levels. Color correction filters work serially, the same as any other filters. This means that if two color correction filters are applied to a single clip, the second color correction filter works on the modified output of the first filter, rather than on the original color values of the image.

    In Final Cut Pro, a matte is a customizable, polygonal shape used to make part of a clip transparent. By outlining part of an image with a matte, you can turn everything outside or inside the shape transparent. Final Cut Pro allows you to create four- and eight-point mattes.

    18:11

    Chroma Key - Pre Matt RT

    Renders the blue or green areas of the image transparent, allowing one or more background images to show through.

    06:25

    Progressive , Interelace

    Progressive video scanning happens when each line of a video frame is scanned, one after another.

    Interlaced scanning fills the entire frame with only half the lines, which requires half the time, thus doubling the perceived frame rate and reducing flicker.

    03:51

    Smooth Cam

    1. The SmoothCam filter reduces unwanted camera movement from your footage, such as less-than-stable crane or jib arm moves, teetering from handheld walking shots, or vibrations in automotive shots.
    2. When you apply the SmoothCam filter to a clip, the clip is automatically submitted to the SmoothCam Analysis processing queue, where motion analysis data is generated. The processing queue analyzes clips in the order they are received. When analysis for one clip in the queue is completed, analysis for the next clip begins, allowing you to submit multiple clips at one time. A clip’s entire media file is analyzed, regardless of clip In and Out points.
    03:25

    Audio Filters

    Filters in Final Cut Pro are always nondestructive, meaning they are applied to clips but not to the media files themselves. You can disable or remove filters at any time, so you can experiment without worrying about altering your media.

    The most useful Final Cut Pro audio filters can be separated into five broad categories: • Equalization(EQ)
    • Gain and normalisation
    • Dynamics(compression and expansion)

    • Noise reduction
    • Echo and reverberation

    14:31

    Audio Filters

    FCP7 (12)
    9 questions
    Section 12: 11-Effects and Compositing
    00:52

    Effects and Compositing Introduction

    15:15

    Basic Motion

    Every clip with a video clip item, whether it’s a video, still image, or generator clip, has the same motion parameters: Scale, Rotation, Center, Anchor Point, and additional attributes such as Crop, Distort, Opacity, Drop Shadow, Motion Blur, and Speed. The Motion tab allows you to adjust these parameters of a clip.

    13:24

    Baisic Motion , Add Key Frame

    Creating Keyframed Motion Paths in the Canvas

    You can create motion for a clip by repositioning it and then setting keyframes to change the clip’s Center parameter value over time. By setting enough keyframes, you can eventually create the motion path you want.

    09:32
    • Basic Motion - Nest Item
    • Final Cut Pro allows you to treat sequences as clips. You can open sequences in the Viewer and set In and Out points, and you can even edit sequences into other sequences. Putting one sequence inside another is called nesting a sequence. The sequence inside another sequence is the nested sequence. The sequence that contains the nested sequence is sometimes called the parent sequence.
    06:49

    Basic Motion . Crop Tool

    Crop tool: Allows you to drag each of a clip’s four sides inward to crop just that side. You press the C key to select the Crop tool.

    11:35

    Crop , Distort Tool

    Distort tool: Lets you drag each of a clip’s corner points independently, in order to create perspective effects and other geometric distortion. You press the D key to select the Distort tool.

    10:16

    Opacity , Drop Shadow , Motion Blur

    1. Opacity Parameter Change a clip’s opacity to make it appear solid or with a relative transparency against a background image. Increases or decreases the transparency of a clip. Drop Shadow Parameters This attribute places a drop shadow behind a clip.
    2. Drop Shadow Parameters This attribute places a drop shadow behind a clip.
    3. Motion Blur Parameters Motion blur affects any clip that has motion, whether it’s a moving subject in a video clip or keyframed motion effects that you’ve created.
    12:54

    Basic Motion , Crop , Clip Keyframe

    FCP7 (13)
    5 questions

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    Instructor Biography

    Senior Video Editor / Trainer Maged Gonem, Film / Video Editor, Motion Graphic, Apple Trainer 

    Hi to All Video Editors How will take A Courses  I Hope You Will Get Any Information About Video Editing ,Motion Graphics Course. Through Video Lectures I Put My experience That includes 25 years Implementing and Produce Video Editing, Motion Graphics, Colour Correction and teaching Apple Professional Applications and Authorized Trainer from Apple Company at Final Cut Pro 7 & X, Motion 5,Apple Colour. I Present this Courses for All Interested at Media Career You Can Create your Movie and Become Film Video Editor Producer So I Advice You Don't Stop Learning at any Software and Increase your Knowledge Because the Development is Move quickly and hope success For All Students .

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