
Practice a wet-on-wet technique to paint a vase with flowers, using masking tape to prevent warping and a soft-edged palette of blues, greens, yellows, and neutrals.
Stage two teaches the wet-on-wet watercolor approach, starting with a tea-thin wash across the paper, then building layers while controlling dampness, edges, and pigment saturation to shape flowers and foliage.
Apply watercolor with light to dark values, starting pale foliage in viridian and yellow ochre. Keep edges soft and moisture balanced to prevent ballooning while layering darker reds.
Stage four demonstrates adjusting water-to-paint ratios to keep edges soft and edges varied, layering reds, greens, and violets while preserving a loose, painterly feel with controlled bleeding.
Apply finishing touches by balancing darks and edges to harmonize the watercolor florals, then refine edges and add highlights to reinforce contrast and cohesion.
Improve the anemone painting by increasing background interest and differentiating the value between background and foreground, then add foliage and a simple vase to create a more engaging piece.
Lay in light, loose shapes by starting with the longest line to form the saucer, vase, and flowers, then apply a warm wash with cobalt blue and yellow ochre.
Master loose watercolor florals through thin layers, neutral tones, and soft edges, then add the glass vase, centers, and foliage, finishing with varied hues and dry edges.
Erase layout lines to keep white flowers crisp, then apply light, clean water strokes for light and shadow against dark foliage; stay loose and define few leaves to anchor painting.
Apply white wash to add highlights and reflections and refine edges. Mix a light green hue with viridian, yellow ochre, and wash, testing on scrap paper before adding final touches.
Design a watercolor floral composition by shaping a glass jar vase, balancing dark, medium, and light values, and using negative space to highlight white daisies and leaves.
Begin with a number 2 pencil to sketch the vase bottom and flower tops, block in large shapes first, then refine with smaller ones before painting.
Start with neutrals in the background and use negative space to shape the flowers. Layer leaves with greens and washes, keeping the flowers as the focal point.
Mix darker orange for dimension and light and shadow. Loosen with light yellow to break up the centers, apply dry brush, and build green stems for vase balance.
Finish your floral watercolor with whitewash highlights on petals and the glass vase, refine edges, sign your work, and view in natural light for true color.
Paint Beautiful Loose Watercolor Flowers
Learn The Art Of Mastering Wet-In-Wet Techniques
In this course you will learn the art of creating a colorful flower still life paintings using wet-in-wet techniques.
Once you are finished with these lessons you will have a better understanding of how to manage perhaps the most difficult challenge when painting with watercolors.
If you ever wanted to break away from tight, rigid watercolor flower art, this is it! Dive in and see for yourself how you can easily paint some amazing abstract style flowers with a little bit of efforts and skills.
What You Will Learn
This class focuses on wet-in-wet techniques
How to manage water-to-pigment ratio
Become more efficient with mixing paints
Work light-to-dark
How to work thin-to-thick
The art of painting fast & loose
Material List
11"x15" Watercolor paper, 140 lb. cold press
Watercolors
Ultramarine blue, Cadmium red deep, Alizarin crimson, Burnt Sienna, Viridian green, New gamboge, Yellow ochre, Neutral tint, White gouache
Water reservoir, Gator board (or something similar), masking tape
Brushes
Squirrel mop brush #6, Pointed round #12, Escoda optimo kolinsky #12, Paper towels
Testimonials
Very cool class, very informative and well explained even if you are not a native english speaker is very easy to follow through. I'm really enjoying the class.
N. Martinez
So much value in this class! Highly recommended. Thank you!
Angelique Noll
Robert is very thorough with his instructions. He makes painting fun again.
Patricia Seaverson