Drawing the Eye
4.0 (1 rating)
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30 students enrolled
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Drawing the Eye

This video demonstrates the structural approach to the construction of the eye using several, expressive dry mediums.
4.0 (1 rating)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
30 students enrolled
Created by Abdón J. Romero
Last updated 6/2015
Current price: $10 Original price: $40 Discount: 75% off
5 hours left at this price!
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  • 42 mins on-demand video
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion
What Will I Learn?
  • After finishing the course, the student will have the general knowledge of the eye's structure; the descriptive topography of the face features and their essential characteristics.
View Curriculum
  • The students will draw, on their own time, the examples demonstrated in the course using their favorite drawing mediums - pencil, charcoal, sanguine, etc.

In this video, the construction of the eye is demonstrated; its form and the forms that surround it from a structural point of view. For this purpose, superficial points are established that describe the size and appearance of the planes that compose this essential element of the face.

In this course, the student will learn the fundamental principles of drawing that are not generally taught today. These principles were included in a class called "Procedures," which was common the Academies of Beaux Arts. The purpose of the course is to develop basic abilities, such as the training of the eye and hand; the knowledge and correct use of working materials; the study of 3D, geometric figures (solids); and his/her individual development as well as other basic concepts of drawing - grisaille, value studies, tone and temperature.

Who is the target audience?
  • This course is useful for students of all levels; anyone interested in properly drawing the proportion and distance between the features of the face, planes, and values to express form.
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Curriculum For This Course
Start Here
1 Lecture 01:33
Bargue Method
1 Lecture 09:22

The students will learn to draw the eye using the Bargue drawing course.

Preview 09:22
Construction of the Eye
1 Lecture 14:42

This lesson teaches the structure of the eye.

Construction of the Eye
Drawing the Eye
1 Lecture 09:37

This lesson teaches the further development of the eye with sanguine with a more precise finish.

Drawing the Eye
Tonal Approach
1 Lecture 06:29

This lesson demonstrates the drawing of an eye by memory, using values starting from the shadow, to half tones to lights.

Mass Drawing of an Eye
About the Instructor
Abdón J. Romero
4.6 Average rating
8 Reviews
56 Students
2 Courses

Abdón Jose Romero Diaz was born in Maracaibo, Venezuela, 1956. He was interested in drawing and painting since a very early age. He actually started painting with watercolors and drawing in ink at six years of age. When he was eleven years old, he attended the Julio Arraga School of the Fine Arts, but dropped out before the year was over, repulsed by its “avant-garde” methods of painting that were fashionable at that time.

He sadly realized in time that no institution of learning had an efficient method of teaching the fine arts. There was no public or private school or university whose instructors had a good command of the skills and knowledge that are needed in order to inculcate the disciplines of drawing and painting.

As in Europe, there were a few places where one could gain access to the techniques of the past, and realism was somewhat being taught, but at a really basic level, almost rudimentary.

At that time many young people, having no other choice, succumbed to the methods and ideas of the 20th century, that were totally alien to formal education in the fine arts. Having become acquainted with this state of the matter, Abdón Romero began to teach himself, gathering information wherever he could find it, from old books, from the painters of the past, from manuscript texts on the subject; those were like small pieces in the great mosaic of the ancient profession of the painter, that had been destroyed and covered over by a succession of generations that preferred indolence, easy shortcuts, and arrogant ignorance.

Abdón J. Romero is a Professional and internationally recognized realist figurative artist whose style recalls late 19th century realism and the legacy of such great artists as Velázquez, Rembrandt, Zorn, Sorolla, Boldini, John Singer Sargent and Arturo Michelena, but with a contemporary point of view. He has taught portrait painting, figure drawing and artistic anatomy for over twenty years, in levels such as, College, University, Private Art schools and in his own studio.

Among his notable commissions, highlight his monumental public Mural commission “The Salvation History”, an outstanding 5,500 square feet Oil/linen, Maracaibo Venezuela, where his vitality and craftsmanship make him worthy of a distinguished place in the Latin American art world and his Oil Mural painting at Saint John Bosch Church, Miami, USA.

He has been commissioned to paint portraits of prominent figures in public, professional and business life, such as Pope John Paul II, Mrs. Oprah Winfrey, Andres Gallarraga, and Reny Ottolina.

He is an Official member of American Society of Portrait Artist, Official member of The Portrait Institute, New York, member of Portrait Society of America; Recognition as Knight Commander of the Venerable Order of Michael the Archangel from the American Police Hall of Fame & Museum, Miami, USA. He is currently living and working in Miami, USA, with his wife and daughter.

Since moving here over a decade ago he has concentrated in the fine art instruction field and pursuing a career as an artist. His teaching and working experience includes the Romero-Hidalgo Artists’ Studios, where he has become a mainstay as a Master of painting and drawing .