Zentangle and Colored Tiles - Grey and Renaissance

Name: Zentangle and Colored Tiles - Grey and Renaissance
Rating: 4.8 (22 reviews)

Grey/Tan Tile Tangling

Created bySanyukta Saxena

Last updated 10/2022

English

English [Auto],

What you'll learn

Understand the nuances of tangling on neutral/colored tiles
Understanding the tools and supplies required and learning many new tangles
Furthering Zentangle practice by adding colored stationary
Meditate and heal through creating art using very simple but deliberate strokes .

Course content

6 sections • 18 lectures • 4h 2m total length

Introduction2:04
Explore tangling on grey, tan, and color tiles, compare tone paper shading and highlighting, and learn to layer tangles with white charcoal and white jelly roll highlights.
Tools and Supplies4:36
Arrange for the supplies to get started with the course. However, if not possible, work with what is best available. Do not limit yourself due to lack of tools.

Excercise - White Vs Toned Paper- Part 119:34
Learn shading on tone and neutral papers, using grey and tan tiles to add contrast and depth with graphite, chalk, and white charcoal pencils for Munchkin and Ravel tangles.
Exercise - White Vs Toned Paper - Part 221:09
Demonstrates drawing the tangle ravel on white, gray, and renaissance tiles, then layering Knightsbridge and other tangles, with shading and highlights using graphite, white chalk, and jelly roll.
Exercise - White Vs Toned Paper - Part 320:57
Practice shading with graphite and chalk on gray, tan, and white surfaces to add depth to the festoon and the tangle gorgeous, using blending, highlights, and triangulation.
Drawing a tile using tangles Gourdgeous, Frondous, Festune and Raddox18:36
Draw a Zentangle tile on a gray surface using gourdgeous, frondous, festune and raddox, ink and shade sections, and add subtle embellishments.
Drawing a tile using tangles Gourdgeous, Frondous, Festune and Raddox12:56
Practice shading and adding weight to petals on your tile, then apply graphite and white chalk with careful blending to Gourdgeous, Frondous, Festune, and Raddox for three-dimensional folds.

Introduction and Excercise18:41
How to draw tangles Bronxcheer, Paradox and Drawings20:29
How to draw Tangle Paradox14:20
Learn to draw the paradox tangle, a line-based Zentangle motif; rotate lines in triangles and squares to create metapatterns, then shade and embellish with graphite, chalk, and jelly roll.
Drawing a Tan Zendala - Part 117:23
Learn to draw a tan zendala, applying paradox inside triangular sections, tangling fronds, and adding highlights with burgundy, brown, and black inks.
Drawing a Tan Zendala - Part 213:15
Learn to shade a tan zendala with grey tones, graphite and chalk highlights, blending with a blending stub, then enhance with jelly roll coloring, lines, and subtle embellishments.

Introduction3:24
Drawing a tile using tangles Paradox, Squid and Drawings.18:15
Draw a gray tile using paradox and squid tangles, weave in flux elements and a background grid, and finish with Shattock texture for a cohesive Zentangle composition.
Drawing a tile using tangles Paradox, Squid and Drawings.18:16
Draw a tile using the paradox and squid tangles on tone paper, then shade with blue chalk and graphite, adding highlights and subtle layering.

Requirements

Zentangle Basics Course

Description

Zentangle® is a meditative and therapeutic art form which revolves around certain structured patterns to create beautiful artwork. These patterns called as “Tangles” in Zentangle® terminology are very easy to learn by anybody with or without prior artistic background. They are made up of very elemental strokes which anyone can grasp very easily. The tangles have been designed in a fashion that they require your utmost attention, focus and awareness almost like meditating. Also, the Zentangle® method acts as an excellent therapy for kids and adults alike due to its ability to instill mindfulness.

So, till now we tangled on white tiles with black ink to create beautiful Zentangle® artwork. Tanglers are free to stick to black and white format with shades of grey even at advanced levels. However, having said that Zentangle® HQ provides a wide variety of stationary such as the grey, black and tan (Renaissance) tiles in different shapes and sizes. This course is about moving from tangling in black and white to more neutral /toned surfaces and the best way to do that is to start with Grey and Tan tiles. Grey and Tan tiles provide excellent shading and highlighting opportunities with wider usage of both graphite and white charcoal pencils. It also opens up the gates to explore and experiment many techniques such as layering tiles, giving the embossed effect and also using colored pens and pencils beautifully. It also allows more extensive use of the White GellyRoll pens and a whole lot of other stationary.

The objective of this course is to provide that gradual transition from white tile tangling to greys and tan and subsequently black surfaces. This will not only enrich your tool kit but also take your Zentangle® practice to the next level.

Contents of the course:

1. Introduction

2, Tools and Supplies

3. Shading and Highlighting - White Vs Toned paper

4.Embellishments - White Vs Toned paper

5.Backgrounds and Layering - White Vs Toned paper

6. Use of Color Stationary on Toned paper

7.Zenbossing - Originally by Anica Gabrovec CZT

8.Conclusion

So lets get started. Enjoy tangling!!

Who this course is for:

Anyone who wants to meditate and heal through Art

Zentangle and Colored Tiles - Grey and Renaissance

What you'll learn

Explore related topics

Course content

Introduction2 lectures • 7min

Shading and Highlights - White Tile Vs Grey/Tan Tile5 lectures • 1hr 33min

Embellishments - White Tile vs Grey/Tan Tile5 lectures • 1hr 24min

Backgrounds and Layering - White Tile Vs Grey/Tan Tile1 lecture • 17min

Colored Pens and Chalks - White Tile Vs Grey/Tan Tile3 lectures • 40min

Zenbossing (Originally by Zen Linea)2 lectures • 2min

Requirements

Description

Who this course is for: