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Zbrush, 3ds Max, Substance 3d Painter, Bane Creation Course
Rating: 4.7 out of 5(15 ratings)
124 students

Zbrush, 3ds Max, Substance 3d Painter, Bane Creation Course

An in depth course on modeling and sculpting realistic Bane Bust.
Created byOleg Khonko
Last updated 10/2022
English
English [Auto],

What you'll learn

  • Sculpting muscular body
  • Adding Skin details, veins and many more
  • Making Bane's cool props such as t-shirt, mask, gloves, belt
  • Making hard surface details with proper topology for clean subdivisions
  • Learning important technics for modeling different props
  • Making retopology from sculpted mesh
  • Cleaning topology after boolean's operations
  • Making UV's
  • Texturing all props for photorealistic looks
  • Make custome materials
  • Texturin skin material for body and hands
  • Learning different technics for adding cool details, scratches, grunge, dirts, peeling effect
  • Overview rendering process for Marmoset toolbag and Arnold for 3ds max
  • Overview materil configarations
  • Light properties and placement
  • Explaine how to properly setup rendering configurations
  • Denoising image in Arnold

Course content

3 sections • 77 lectures • 20h 40m total length

  • Introduction3:13

    Explore the full workflow from 3d block out to rendering in this urban design tutorial, guiding you through designing and finalizing a 3d render.

  • 1-0 Preparing base mesh1:33
  • 1-1 Blocking main shapes18:18

    Block main shapes in ZBrush by building a rough silhouette from a base mesh, using reference imagery and sculpting brushes to add volume to arms, shoulders, torso, and neck.

  • 1-2 Refining the main shapes and sketching the mask15:32
  • 1-3 Continuing to work on a model18:57

    Continue refining a 3d character model with the move brush, fixing head proportions and defining chest, abs, obliques, traps, shoulders, and arms while matching reference and smoothing jagged edges.

  • 1-4 Refining main shapes18:48

    Learn to refine main shapes in Zbrush by using scans as reference, iteratively shaping the abdomen, shoulders, arms, and forearms while comparing from multiple angles and using real references.

  • 1-5 Working on a mask20:27

    Refine the mask by sculpting to match a reference, adjust neck and jaw proportions, build volume with clay build and clip brushes, and apply color to define eyes.

  • 1-6 Working on a fists14:12
  • 1-7 Making accessories13:27

    block out belt, chest piece, and straps using the cleave pillar brush to define shapes, refine topology, and mirror components against references.

  • 1-8 Refining the shape of the mask11:01
  • 1-9 Blocking a t-shirt15:26
  • 1-10 Refining a body11:14

    Refine the body by subdividing the model using layers, sculpting muscles with clay brushes and alpha details, and aligning with references to preserve prior details.

  • 1-11 Refining a body 217:38

    Refine the body sculpture by shaping the lower back, chest, and obliques with brushwork, preserving earlier details while seeking defined muscle separations and accurate anatomy.

  • 1-12 Refining a body 321:40
  • 1-13 Adding secondary shapes to a fists22:02
  • 1-14 Adding secondary shapes to a body20:20

    Refine a character model using clay and standard brushes, adjust the shirt and body to reveal secondary shapes, muscle fibers, and better proportions with subdivision algorithm.

  • 1-15 Adding folds for a t-shirt23:10
  • 1-16 Making UV and working on t-shirt23:12
  • 1-17 Refining muscles15:38

    Refine the 3d model by adding muscle separations with the standard brush, shaping shoulder muscle fibers and softening surface details for more defined, realistic anatomy.

  • 1-18 Work on shoulders and mask19:54
  • 1-19 Mask retopology27:32
  • 1-20 Refining mask in Zbrush17:01

    Refine the mask in Zbrush by rebuilding subdivision levels, fixing topology, and adjusting materials, while using the brush, lasso tool, and dynamic subdivisions to restore detail and clean borders.

  • 1-21 Adding a pattern to a t-shirt11:10

    Refine a 3d character by sculpting natural muscles from reference and add a t-shirt pattern with noise for surface detail, planning support loops to fix jagged edges.

  • 1-22 Continue to work on a t-shirt7:11
  • 1-23 Adding veins28:02
  • 1-24 Refining veins and adding skin pores26:14
  • 1-25 Adding a pattern to mask14:24

    Learn to add a pattern to a mask by projecting details, duplicating and merging mask areas, and refining with brushes to create volume and a cleaner pattern on the model.

  • 1-26 Adding details to mask17:43
  • 1-27 Adding details to mask 225:55
  • 1-28 Working on a shoulders6:40
  • 1-29 Working on a traps10:18
  • 1-30 Making a base8:58

    Learn base creation in Zbrush by extruding, selecting, and centering geometry, refining with subdivision levels, and mirroring details for clean renders.

  • 1-31 Making a gloves13:43
  • 1-32 Refining gloves in 3ds Max14:18
  • 1-33 Continuing to work on gloves13:47
  • 1-34 Adding details to gloves19:27
  • 1-35 Adding details to gloves 224:10
  • 1-36 Adding details to gloves 325:38
  • 1-37 Adding details to gloves 414:59

    Continue adding details to gloves using the correct brush, refine the piece with color work, and deliver a Borderlands-inspired look.

  • 1-38 Refining my props13:31

    Refine props by adding surface details and textures, including wrinkles and scratches, using brushes and subdivision to transform a mask and a t-shirt into a cohesive final model.

  • 1-39 Finishing my model17:31
  • 1-40 Texturing Base0:37
  • 1-41 Texturing Body4:03
  • 1-42 Texturing Gloves1:48
  • 1-43 Texturing Mask0:42

    Texture a mask using two smart materials, one cell phone and the other damage to smart materials, and tweak the materials from the mesh.

  • 1-44 Texturing Mask 21:03
  • 1-45 Texturing T-Shirt2:02
  • 1-46 Air particles0:32

Requirements

  • Zbrush, 3ds Max basic knowledge

Description

GOAL OF THE COURSE :

Hi, my name is Oleg and I did this course in collaboration with my brother Bogdan. At the end of this course you will be able to model and sculpt the advanced Bane bust model, you will also be able to make realistic clothes and accessories in Zbrush and 3ds Max from start to finish. Also you will learn how to make a proper topology and UV's, achieve a photorealistic look for your textures in substance painer 3d and do a stunning renders in Marmoset Toolbag 4 and Arnold for 3ds Max.


IN THIS COURSE YOU WILL LEARN :


Zbrush:

- In this tutorial you will learn how to make organic model in ZBrush

- Initial anatomy sculpting and refining

- Adding Skin details, veins and many more

- Making Bane's cool props such as t-shirt, mask, gloves

- Making low poly model with zremesher


3ds max:

- Making hard surface details with proper topology for clean subdivisions

- Learning important technics for modeling different props

- Making retopology from sculpted mesh

- Cleaning topology after boolean's operations

- Making UV's


Substance Painter:

- Texturing all props for photorealistic looks

- Make custome materials

- Texturin skin material for body and hands

- Learning different technics for adding cool details, scratches, grunge, dirts, peeling effect


Rendering:

- Overview rendering process for Marmoset toolbag and Arnold for 3ds max

- Overview materil configarations

- Light properties and placement

- Explaine how to properly setup rendering configurations

- Denoising image in Arnold

Who this course is for:

  • Intermediate students and artists who has Zbrush and 3ds Max experience and who wants to improve their sculpting, poly modeling, texturing and rendering skills.

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