
A quick introduction to what you'll learn by taking this course. Good luck!
A image and PDF file on how to create the perfect story. This is a download for you.
Your first step to a successful edit is to print out your manuscript. Yes, you must leave the digital realm for awhile!
Reading out loud is the secret "killer" method to revealing the best — and worst — of your story.
Start with the big stuff! Don't make the mistake that so many writers make and start by editing sentences and words, no no!
Index cards are old school, but do they work to help you organize your story!
In this lesson, you'll learn how to remove unnecessary and distracting conversation "tags."
In this lesson, you'll learn how to add tension to every scene and conversation in your novel -- and why this is a critical element to your book's success.
In this lesson, you'll learn how to apply the five senses to your work.
In this lesson, you'll learn how to SHOW emotions in your characters, so the reader can feel them, and not just read about them.
Recommended reading for adding real emotion and psychological depth to your characters.
In this lesson, you learn about the magic of foreshadowing.
In this lesson, you'll learn about flashbacks and when (and if you should) use them in your story.
Used sparingly, dream sequences can be an effective way to communicate characters' hidden emotions and thoughts.
In this lesson, you'll learn the importance of having a subplot to complement your main story.
In this lesson, you'll learn the importance of having TWO subplots to complement your main story.
In this lesson, you'll learn the importance of having THREE subplots to complement your main story. But stop there. Seriously. Unless you're George RR Martin.
In this lesson, you'll learn the importance of having the input of friends, and how to ask for their help the right way.
In this lesson, you're introduced to the Writer's Cafe on the web.
In this lesson, you're introduced to WattPad on the web.
In this lesson, you're introduced to the Scribophile site on the web.
In this lesson, you learn how to incorporate feedback.
In this lesson, you learn how to ignore bad or off-target feedback.
In this lesson, you learn how to deflect hurtful criticism.
In this lesson, you learn about a great self-editing tool — in my opinion, the best one.
In this lesson, you'll learn the in's and out's of one of the best self-editing system available, and perhaps decide for yourself if it's right for you.
In this lesson, you learn about another great self-editing tool.
In this lesson, you learn about the Hemingway app for self-editing (Mac only, for now).
In this lesson, you learn about a cool little self-editing tool.
In this lesson, I tell you about a couple of self-editing tools you should be wary of, for one reason or another. Caveat emptor, as they say.
In this lesson, you'll learn about the best way of all to find the perfect book editor for you.
In this lesson, you'll learn about some of the best places on the web for researching and selecting a great editor for your book.
I know how hard it is to edit your first draft.
I know how hard it is to WRITE your first draft, to begin with!
I've been where you are.
Perhaps you're disappointed by what you've written.
Perhaps you're feeling that it's not QUITE what you had in mind.
Well, this is the right course for you.
First, I take a POSITIVE and FUN approach to editing.
Nothing to be dreaded or afraid of.
I've written a dozen novels and a bucket load of short stories.
Ten of my novels are published (most under pen names), as is my collection of short stories.
Now here's the thing.
My novels were TERRIBLE when I finished writing them.
Really, really awful.
So, I got help. I learned everything I could about editing your novel from some great books and some great online courses, including those by the wonderful Holly Lisle and the amazing Shawn Coyne and the brilliant James Scott Bell, among many, many other great writers and editors.
I also worked with genius editors through draft after draft and learned from what they told me about my writing (some of it eye opening).
And I discovered online resources you won't believe exist -- they are that good!
This course can be finished in an hour, but in my opinion it should ideally be used this way:
1. After the intro lessons, take ONE lesson, learn from it.
2. Then, APPLY it to your current manuscript.
3. When you're done, come back and take the next lesson.
4. Apply what you've learned to your manuscript AGAIN.
5. Rinse and repeat.
In this manner, make your way through the course.
When you are done with the course — whether it takes you hours, days, weeks, or months -- so, too, your manuscript will be done!
So don't delay. I promise it's painless. You'll learn a lot and have fun doing it.
And remember, this course, like all the courses on Udemy, is yours to access forever.
That's really good for two reasons:
You can retake the course every time you have a new novel or short story to edit
The course will increase in content over time, and will always be up-to-date, because I will be adding new courses and refreshing existing courses all the time.
So sign up, and best of luck.
And remember, you can always ask me questions right in the course.
This course — again, like all of Udemy's courses — are personal. They aren't just posted here and forgotten. Letting you sink or swim on your own.
I'll be here to offer advice, answer questions, and guide you through the rough spots.
Aren't you excited to get started? I am eager to have you jump in with both feet!
Let's do this!
Best,
Carl