
Explore the fundamentals of compression and dynamics processing, from purpose to attack and release. Learn how to set up a compressor, test results, and apply creative uses to shape sounds.
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Explore the creative and technical uses of compression, from volume balancing and shaping to attack and release controls, and learn how single- and multi-band compressors aid mixing and sound design.
Compare single-band and multi-band compressors, and learn how threshold and ratio shape dynamics across frequency ranges. Apply to vocals and master bus to understand band-specific transparency and control.
Explore different types of compression, including downward and upward compression, expansion, gates, and limiters, for beginners, and learn practical uses with multi-band compressors, threshold, ratio, and attack-release controls.
Use a compressor to volume balance a vocal, reducing loud words to match quiet ones, and tune threshold, ratio, attack, release, and make-up gain for natural consistency.
Explore how compression molds and shapes a guitar loop by dialing attack, release, threshold, and ratio, using make up gain to maintain loudness.
Define dynamics as the contrast between loud and quiet parts and explain how dynamic range and a compressor and limiter control peaks for a more even, louder mix in mastering.
Understand how a compressor uses a sidechain to control gain via an external input, letting kick drums duck pads and other sounds, with pumping rhythms and options.
Learn how to set the threshold based on your audio level and how it interacts with ratio, attack, and release to shape compression for mastering and mixing.
Explore how the ratio knob works with threshold, attack, release, and makeup gain to shape dynamics; experiment with 2:1 and higher ratios, and make precise adjustments by listening.
Learn how the attack knob affects transients and the kick drum by comparing fast versus longer attack times and their impact on the initial hit. Experience shaping dynamics with a compressor by emphasizing or squashing the transient, adjusting ratio and threshold, and hearing how attack timing changes the body and sustain.
This lecture explains how the release knob on a compressor shapes dynamics by choosing fast or long release, affecting bass presence, reverb balance, and overall loudness.
Learn how the gain reduction meter and makeup gain work together to balance compression, keep dynamics steady, and compare by listening with and without compression for best mastering results.
Explore the input-output meter and threshold-driven compression. Visualize ratios from 2:1 to 3:1 with hard knee, and inspect gain reduction alongside attack, release, and makeup gain.
Compare hard knee and soft knee compression by showing how compression begins at the threshold with a hard knee and starts earlier with a rounded onset in soft knee.
Compare two compressor states with an a/b test and level matching to hear if compression benefits your music, using threshold, ratio, attack, release, and makeup gain.
Learn how to set up a compressor, balance a mix, and use threshold, ratio, attack, release, and makeup gain to shape the sound from tracking to mastering.
Explore side chain compression, using a kick drum to duck the bass and prevent clashes, and learn setup, external inputs, subgroups, and threshold, ratio, attack, and release.
Learn how to apply sidechain compression to a delay using an external input, keeping dry at zero and wet at 100 percent for a cleaner, fuller guitar tone.
Set up parallel compression by routing a duplicate track, compressing it hard, and blending it back to create thickness and fullness on drums, vocals, or bass, even in mastering.
Master dynamic processing in compression, dial in effects, and use A and B testing with level matching to gauge progress. Explore other courses on mixing and sampling.
Audio Compressors are crucial to make music loud, while still controlling volume to sit in a controlled, yet musical way.
The problem when mixing music without compression is that audio tracks contains loud and quiet parts. The quiet parts don't cut through, and the loud parts risk distortion in your song!
The loud and quiet parts of audio are called dynamics, which is where Dynamics Processing enters the scene.
How to Use Compression for Beginners:
A compressor is essentially an automatic volume controller, which automatically reduces loud parts of audio so that they become a similar volume to the quiet parts of the audio!
One of the most confusing parts of compression was simply thinking compressors were only for volume control, but that's not true! You can also use a compressor to shape audio to pop and make drums hit harder, or squash the peaks of audio so the audio becomes consistent, smooth, and tucks into the mix in a controlled way.
This Compression Course will teach you:
The basic components of a compressor: Threshold, Ratio, Attack, Release, Hold, Lookahead, Knee, Range.
How to listen for compression
How to dial in compression settings
How to use compression for making beats & producing music
To this day, compressors are the hardest part of music production to learn. It's very important to understand the types of compressors, as some are more aggressive than others, and give you a different sound.
You can use a compress on a single audio track, or on the MASTER Bus to Master your music. The mindset of how we're using a compressor for Mixing vs. Mastering is much different, and the settings aren't as aggressive in mastering.
Audio Compression for Producers:
If you want to learn how to use compression in music production for beatmakers & producers, that's who this course is for.
You will Learn Compression & Dynamics Processing to get your audio tracks to fit in the mix.
You will also learn mastering compression, and why we must be subtle in our compressor settings, compared to mixing compression.
We cover each part of a compressor using FabFilter Pro-C 2 plugin, which is an excellent tool to learn off of.
It's also important to understand that each compressor is different. Some compressors may not have certain parameters like range, lookahead, or even sidechain compression!
So by me showing you FabFilter Pro-C 2 compressor, you can then go and use any compressor and know how to use all compressor settings, IF your compressor supports it!
Enroll and learn how to use compression course.