
This presentation will suggest a list of recommended equipment to complete your exercises in this course.
This presentation will suggest a list of watercolour colours for use in this course.
This presentation will show how to copy from the drawings to be downloaded in order to carry out the tasks in the course.
This presentation will show how to draw in perspective.
This presentation will show some useful techniques and effects that will be helpful in watercolour painting.
This presentation will confirm the philosophy of the course by examples.
Create a thumbnail watercolour sketch.
Setting out the drawing and starting the painting process
Adding ink to your painting
Adding texture to the painting
Complete the final painting
The student will be able to choose what the painting will look like, after the thumbnail sketch process
Sketching the outline of the painting
Introducing the background & foreground
Painting in the trees
Adding the ink for definition
Introducing texture effects
Develop the on site sketch (or photograph) back in the studio into a thumb nail painting. Decide whether the sketch suggests a landscape or portrait final painting. Consider whether the final painting would better as a summer or winter scene. You could paint this stage in a single neutral colour to arrange light and dark more readily. Remember just because the sketch was done in a particular season does not mean you cannot change the time of year. I often sketch in the warm seasons and then paint in a winter setting, or vise versa. This phase is important because it takes a small loose sketch into a potential final painting, so it decides where the final painting will end up.
Creating the background
Adding the houses
More background added
Working on the foreground
Adding ink to define
Adding more to the foreground and background areas
Adding textural details
This is the stage where it all comes together, although of course you can still make changes if it doesn't look right. This is a very flexible medium so don't be afraid to make changes if you feel it is needed. Decide the colours you feel best express the scene, mix them in sufficient quantities in order to complete the painting without losing the effect(s) Remember the watercolour techniques, adding them where you feel neccessary, this is a part of establishing your own style.
The main object of the approach I have taken in this course is to help you decide what you want to paint without the restriction of copying the landscape verbatim. You will be able to make decisions as to what season you paint in, whether the painting shall be a portrait or a landscape, and most importantly what you will add in terms of buildings and other items of interest, and the layout of each accordingly.
In this extensive course I will show you how to sketch an impression of the chosen subject, either on site or from photographs back in the studio. I will then show you how to develop the sketch into a watercolour painting/drawing thumb nail prior to the final painting. Lastly we will move to the final watercolour painting. This three stage process will be the basis upon which all the lectures are set out. At the end of which you will be able to express yourself in your own style.
I have provided, in the downloads, an extensive number of drawings that I have accumulated prior to this course, which will help you to start your own layouts/paintings according to your particular designs. I hope that this will inspire you to collect drawings of your own of buildings and things of interest to you, in order to form a library in readiness for painting through the utilisation of this process.
Recent reviews:
"I really enjoy the techniques you use when creating your masterpieces" Christy
"Just the sort of course I was looking for. I particularly like the instructor's style of watercolour painting, which is important to me when choosing an art course." Dorothy