
Explore watercolor fundamentals in this beginner module covering basic skills and watercolor characteristics. Watch the videos, perform the demos, and post your project across a 30-day course, Monday through Friday.
Explore watercolor materials and setup, covering brushes, paints, paper, and the studio arrangement used for demonstrations, and how to adapt to your supplies.
Master watercolor transparency by layering light washes with a water-heavy pigment mix, drying between passes with a hairdryer, and avoiding overworking the paint to keep washes even.
Explore three-color transparency in watercolor by layering cadmium yellow and crimson with ultramarine blue to reveal secondary hues through controlled washes, drying times, and minimal passes.
Explore how water fuses colors and gravity moves pigment on wet and dry surfaces. Observe how paper wetness and paint thickness affect bleeding and dispersion in wet-on-wet.
Explore stroke speed in watercolor, comparing slow strokes that produce an even wash with fast strokes that reveal paper texture; wet paper cancels texture, while hot press yields smoother stroke.
Learn how water thins hues to produce lighter values in watercolor. Perform swatch tests from crimson to pink and ultramarine blue to master gradual, transparent shifts.
Practice hue transitions by gradually mixing two colors to reveal color variations and subtle hue shifts, from ultramarine blue and alizarin crimson to greens and violets.
Master watercolor skills by painting a silverware study that uses slow and fast strokes, thin and thick paint, and water-driven washes to remove paint and create transparency, texture, and reflections.
Create a metallic silverware look in watercolor by using slow and fast strokes, thin and thick paint, blending hues with water and gravity, with few passes for a transparent finish.
Explore watercolor fundamentals by creating abstract squares, using water and gravity to fuse pigments across multiple hues for a crisp watercolor look.
Master value and form in watercolor by building a five-value scale and painting a sphere and cube with wet-on-wet layers to model light, core shadow, and soft cast shadows.
Explore painting a red sphere beside a white cube using reflected light, soft shadows, and careful layering, with swatch testing, water control, and focus on value to achieve form.
Practice matching color values to a grayscale chart by mixing washes and comparing color swatches to a six-value grayscale, revealing how well you see value in color.
Explore random painting to gel with watercolor behavior, three small studies to gain familiarity with wet and dry washes; scratch into the wet surface and manage thin and thick paint.
Create a simple landscape in watercolor using loose, transparent washes and wet and dry layering that let the paper's white sparkle show through and glow in the sky.
Practice a loose, transparent watercolor landscape demonstration using wet and dry layers, simple hills, and spontaneous brushwork to emphasize color flow, texture, and natural light.
Explore an easy tree landscape using watercolor washes, layered foreground and middle ground, and a dark vertical to create distance, with pigment lifting and negative space painting.
Build upon beginner watercolor techniques as we enter the intermediate strategies. Use light on form to maximize subject dimensionality with simple objects, then increase complexity.
Explore light on form in watercolor by applying hard and soft edges, value placement, and transparent layers to model a chair with depth, using fusion, gravity, and controlled water dispersion.
Learn to paint a white bamboo chair in watercolor using value hierarchy and cross contours to reveal form. Add texture, light from the top right, and edges to suggest weave.
Learn to draw a chair with a fine point brush, using calligraphic and fast strokes to loosen form and edges, harness watercolor bleed, and embrace the medium.
Master loose watercolor on a chair, dribbling water to create light and shadow, letting pigment bleed into wet areas for soft and hard edges and lost and found effects.
Paint a simple chair using a variegated wash and expressive watercolor techniques, splash hues, and let colors mingle from light to dark to create a loose, finished sketch.
Paint a red barn with wet and dry washes and variegated washes to express value. Balance shadows and avoid excessive detailing to preserve a loose, three-dimensional look.
Form edges using a barn as muse, focus on value structure and layered washes to build light-to-dark value. Plan values, limit shadows, and stack transparent layers.
Explore handling light, shadows, and value hierarchy in watercolor through a barn demo, using wet and dry layers, prewashed paper, and transparent washes to create depth during golden hour.
Explore drawing with a brush to infuse watercolor characteristics, blend light and dark values, avoid details, and premix colors to let color mingle with loose strokes.
Blend drawing with painting to create a variegated watercolor wash, block in color, mix hues, and balance linework and negative space so the watercolor remains the focus.
Blend drawing and painting in watercolor practice, using negative-space drawing, color blocking, and bold strokes on a taxi and building. Embrace playful, freeform exploration that unites line work with washes.
Explore loose watercolor sketching of a banana by drawing with a brush, blending cast shadows, and mixing warm and cool hues to create a playful, expressive composition.
Practice a minimalistic, loose watercolor of a melon slice, using layered greens and yellows to create fusion and soft shadows while sketching seeds.
Explore watercolor architecture by building depth with variegated washes, perspective lines, and layered colors; learn to plan values, combine drawing and painting, and add subtle details to evoke structural character.
Learn to manage value with variegated washes, using the brush as a drawing tool to build architectural detail, perspective lines, and lively shadows while leaving out more than you add.
Tackle watercolor projects by revisiting familiar exercises with added complexity, sharpening drawing skills and brush control as you progress through more challenging techniques.
Master a metal pots watercolor study with a minimalistic palette, thin washes, and selective thick details, premixing neutrals with yellow ochre and burnt sienna, and removing paint from wet surface.
Learn to paint a slotted spoon using a minimal palette of thin washes, preserving white space while mastering wet-on-wet technique and controlled water flow.
Learn watercolor basics with 'three scoops' by painting three ice cream scoops using washes, negative space, brush drawing for texture, and a translucent background.
Explore watercolor techniques for lipstick and perfume, using wet-on-wet blending, bleeding and transparent washes, and embrace happy accidents, fusion and gravity with minimal, loose details.
Learn to paint a teacup with watercolor techniques that balance wet and dry areas, thin and thick washes, and value and hue adjustments for light, shadow, and realistic quality.
Tea cup study on a dry surface uses wet-on-wet washes and thick-thin paint. Adjust hues for light and shadow, embrace happy accidents, and paint from an image without copying it.
Embrace randomness in landscape painting by using random shadows, avoiding photo copying, and leaving white space for buildings; use wet washes and selective drawing to suggest roofs and figures.
Explore negative space painting with light to dark washes around horses. Use a mop brush and colors yellow ochre, neutral tint, burnt sienna, and raw amber to define white space.
Explore negative space painting in watercolor to define horses with selective darks, outlines, and color bleeds using burnt sienna and neutral tint.
Practice loose watercolor studies of galloping horses, using light-to-dark layers to create depth and distance, while varying head positions and poses for a dynamic series.
Learn to paint galloping horses with watercolor using a sword brush, greyscale with touches of ochre and brown, building washes that bleed and mingle, and let the viewer imagine forms.
Learn to paint fish in watercolor with loose washes and color exploration, sketching the fish and eye, using wet-on-wet blending, bleeding edges, and expressive brushwork.
Explore watercolor fish painting with layered washes and dry brush textures. Apply selective detail using ultramarine blue, yellow ochre, raw umber, and sienna while keeping some areas simpler.
Practice loose abstract florals inside soft washes with a cool gray palette—cobalt, turquoise, and ultramarine—while managing wet-on-wet edges, pigment depth, and softly overlapping petals.
Explore abstract floral tulips with watercolor, building loose, expressive washes, fresh water prep, color layering, and controlled bleeding for soft edges and vibrant blooms.
Explore abstract floral watercolor by dry-on-wet technique, using a damp mop brush to exploit paper texture. Mix pinks, yellows, greens, and blues to craft loose blooms with practiced brush control.
Explore watercolor still life fundamentals with progressive exercises, starting from simple bottles and advancing toward looser, varied methods to expand your painting skills.
Explore a loose watercolor still life of a coke bottle, using alla prima technique, yellow ochre to blues, and minimal drawing to let the medium's transparency and bleeding define form.
Learn to paint a simple Sprite bottle with light-to-dark watercolor, using wet-on-wet blends and leaving white areas for a crisp, loose look.
Explore a simple watercolor still life of tomatoes, embracing wet‑in‑wet technique and alla prima flow to let colors mingle, bleed, and form a fresh, loose painting with reflective highlights.
Learn to paint clementines as a watercolor still life, using a sword brush, harnessing wet-on-wet and controlled shadows to create bleeding, timing, and mood.
Explore a still life approach to watercolor by grouping vessels as one block, layering wet-on-dry washes, and using negative space painting to carve shapes and deepen shadows.
Explore a tight still life study that emphasizes fundamentals—value, hierarchy, and focal points—while blending loose, expressive watercolor techniques with disciplined drawing and layering.
Explore looser watercolor techniques by painting back-to-back still lifes, starting with neutral washes, then reacting in time to values and edges, using negative space painting to create expressive, cohesive vessels.
Explore watercolor painting loose still lifes with washes that bleed on textured papers, while experimenting with nontraditional surfaces, color alternatives, and reflective vessel accents to keep art fresh and expressive.
Embrace watercolor's unique qualities, focusing on happy accidents, fusion, and gravity over strict realism. Complete the projects across lessons, revisit earlier lessons for practice, and join the discussion.
Welcome to Watercolor Workout.
This is a course designed to develop the basic fundamentals and embrace the characteristics of watercolors. It's suited for all levels from the very beginner to the experienced artist that's been around for a while. We will cover many subjects and styles which will make you step outside your comfort zone. After all, this is where great things and growth happens.
The class will begin with a beginner module. In it I will share various demonstrations for developing a keen awareness of the characteristics of watercolors. These lessons aren't to be ignored even if you have been around watercolor painting for a while.
As we mover deeper into the workout we will incorporate more advanced ideas including how to exploit 'happy accidents', wet-in-wet washes, drawing with the paintbrush and more.
There are many exercises along the way but the class ends with a series of projects that will test your skills and ability to maximize the uncontrollable world of watercolors.
I hope you enjoy the workout. And when you are finished with the class you can flex your new watercolor muscles.
This class is perfect for learning to embrace the loose and somewhat uncontrollable qualities of watercolors. Most artists try to control every brushstroke, color and results but this is the absolute worst thing you could do. The medium is intended to be more random than others. It's best to control certain areas and then get out of the way when it's starts to fuse and mingle.