
Learn walking bass arrangement basics for jazz guitar: explore harmony, chord progressions, major/minor seventh and diminished chords, altered bass, and versatile techniques across jazz, blues, bossa nova, and bop rock.
Develop guitar skills through efficient practice: dedicate at least 30 minutes daily, split into 10–15 minute sessions, and follow steps to play several songs within one to two months.
Explore triads, the common chords built from the third and fifth above a starting note, illustrated by C major, and learn to improvise chord progressions, guitar solos, and arrangements.
Explore when to use sharps or flats in scales, and master the whole- and half-step patterns to avoid repeating notes in major and minor keys.
Explore how music intervals work and how to apply interval formulas from a reference table, including major seconds, major thirds, minor intervals, flats, and diminished intervals, for jazz guitar players.
Learn practical fretboard interval shortcuts, including the fifth interval and power chords, to accelerate improvisation and navigate one, four, and five patterns across strings.
Explore major and minor scales with step-by-step formulas, whole and half steps, using C major and e minor examples for jazz guitar bass.
Learn to build major and minor chords from scales by extracting the 1st, 3rd, and 5th notes, and apply this to walking bass in jazz guitar.
Explore how to form seventh chords by adding a seventh to triads, major seventh, dominant seventh, minor seventh, diminished, and fully diminished chords, with a C major seventh example.
Practice 7th chords within walking bass arrangements for jazz guitar players, building foundational harmony and groove for solo and ensemble settings.
Explore a quick shortcut to memorize and measure seventh chords for walking bass on jazz guitar, building major seventh chords from 1, 3, 5, 7 and flat seven.
Explore how dominant chords resolve to the key using one and five progressions in any key, with Rocketman and Time of Her Life as examples.
Learn how to form 9th chords from a major triad by adding the seventh and ninth, and explore their use in funk, jazz, and blues within walking bass arrangements.
Explore constructing 11th chords in jazz guitar walking bass, using major scale concepts and the core chord tones 1, 3, 5, 7, and 11.
Explore 13th chords in jazz guitar, noting that 13th is the same as nine and 11, and that a major 13 chord includes root, third, fifth, seventh, and the 13.
Learn altered bass chords by adding a new bass note to form slash chords, used in jazz and contemporary music, with examples like C slash E and C slash G.
Explore the difference between diminished and half-diminished chords, focusing on the seventh note, triad intervals, and how minor seventh and diminished seventh define each shape; then learn guitar shapes.
Introduce Greek mode theory using C major scale as the example, outlining Dorian, Aeolian, Mixolydian, and Locrian on D, A, G, and B, and relate major and natural minor scales.
Practice Greek mode patterns for walking bass on jazz guitar, with emphasis on be and boom rhythmic accents.
Master the walking bass arrangement for jazz guitar players with core progressions—major seventh, E-flat diminished, and seven-flat-13 voicings—while using a three-finger rhythm approach to lock in groove.
Learn a jazz walking bass arrangement using seventh chords, including B minor seventh, E-flat diminished, and major seventh voicings, with rhythm and fingerstyle technique using the thumb and fingers.
Learn a practical jazz guitar walking bass technique with a half-step approach and chromatic notes on a G6 progression. Master fingerings, tablature, and bridges between notes for smooth bass lines.
Connect minor pentatonic and pentatonic blues shapes across the neck with a repeat-pattern shortcut between strings, enabling identical licks in patterns one, two, and five for improvisation across octaves.
Connect scale shapes and play the same lick in two octaves by shifting two parts up the neck, using the pentatonic minor shape in a minor key and encouraging creativity.
optimize pedal chains with proper cables and connectors, and a high-capacity power supply to reduce noise; prevent feedback by positioning and gain control, and avoid rusted pedals.
Experiment with pedal order, as there is no recipe in the signal path. Sit down, test different chains—from pitch shifter to overdrive, wah and fuzz—and craft your own sound signature.
Explore whether guitar pedals or computer plugins best emulate Marshall-like tones, as a red crunch pedal is tested against digital amps, highlighting cost and travel advantages.
Learn to turn a chord progression into an arrangement by blending melody and walking bass, two techniques for harmony-driven jazz guitar arrangements.
Choose a major key and build a simple harmony with seventh chords, featuring a dominant chord, then add major seventh and minor seventh variations to craft a jazz guitar progression.
Shift fly me to the moon to e minor to fit singer’s voice, blending melody with chords through a walking bass with half-step movements, adding guitar licks and ii–V–I transitions.
Show how to arrange that's life for jazz guitar, using guitar licks and walking bass between chords, blues accents from e minor pentatonic, and a capo for G major turnarounds.
Finish the course by refining your walking bass arrangement for jazz guitar players, and share any questions or feedback to help improve the course in future lessons.
Hello, my name is Gabriel Felix (California College of Music), and today I want to talk about my new course. Walking bass Arrangement For Jazz Beginners.
You will find lessons about:
1. Harmony and Theory.
2. Chords (7th,9th,11th and 13th)
3. Altered bass Chords.
4. Walking bass technique.
5. How to turn an easy pop chords progression in jazz.
6. Walking bass exercises.
7. Scales.
And More…
Learning is a process of taking the impossible and making it possible, this course is like many private lessons. If you’ll follow closely, and play slowly, again and again, the movements will eventually get into your body and fingers, and then it happens, we can play the thing that we couldn’t play before.
And that is exactly how I teach in this course, slowly and repetitively.
So take your time, play, and it will happen.
Part 1 = Basic Harmony and Theory
Part 2 = Chords
Part 2 = Scales
Part 3 = Walking bass technique
Part 4 = Arrangement analysis
Very Important Note: Walking Bass Jazz it's not an easy technique, from this it is necessary to learn harmony, theory, and all the basic jazz chords before begin!! I know you just want to play jazz on the guitar, but be patient and follow all the step by step. It´s much better to spend fell days learning about harmony than give up after 1 week just because you don't know how to play a Cmaj7(9) chord.