
Learn the wai khru for double swords in krabikrabikrabong, focusing on respect for the grandmaster, pre-fight checks, body and equipment, and opponent assessment through dancing movements.
Perform a comprehensive pre-training warm-up for Waikru swords dancing, focusing on neck, shoulder, wrist, knee, and ankle mobility, breathing, and meditation to prepare body and mind for Krabikrabikrabong.
Begin the first movement from a seated posture to build balance and tendon flexibility, align knee, shoulder, and neck, and honor daily rituals and ceremonial weapon handling.
Master the fundamentals of Waikru swords dancing with double swords, including standing starts, 1-2-3 step patterns, cutting in and out, overhead turns, and training both left and right forward.
Learn the Phrom yuen Face 2 sequence in Waikru swords dancing with double swords, mastering step patterns 1–4, forward and right turns, and balance, equipment, and opponent checks.
Learn the Phrom Yuen face 3 sequence of the Waikru swords dancing, mastering the 1-2-3 directions, select hand, hangs, and turning transitions through chained movements.
Master the phased double sword dance, following counts from one to four, guiding hand placements and turns, while respecting the grandmaster and adapting movement for performance.
Master the dern chaing walking pattern—right, right, left, behind, and right—with knee drops and 45-degree direction, pairing leg work with hand cues in Waikru swords dancing with the white crew.
Explore cervical neck movement patterns for walking in Waikru swords dancing, including right and left steps, turns, and a 360-degree circle rhythm using a one-two-three sequence.
Discover the raymond movement, a coordinated sequence of right-left steps and a 45-degree walk, followed by turns one-two-three to assemble the raymond pattern.
Explore left-right hand sequences and turnaround steps in Waikru swords dancing with double swords, choosing hand positions and rhythm as you practice.
Master double-sword dance moves with the Waikru technique, practicing right and left hand turns, backsteps, and turning options inspired by Hong Kong styles, including monsoon clone variations and walking choices.
Master the dum da dum movement in Waikru swords dancing with a Krabikrabikrabong double sword, including touch the handle, walking, turn around, and go back.
Develop coordinated neck movement and mirrored right and left sword techniques through elephant imagery and Thai language cues, honed over more than twenty years of practice.
Practice the peka walking sequence, coordinating head and neck turns with three turns forming a circle and returning to start, while maintaining left-right footwork.
Learn turning and chain sequences in Waikru sword dancing, including behind chains, cutting the cannon, and side movements, with detail and Chen Tian steps.
Practice aiming at the target, drawing the arrow, and shooting. Observe how these actions relate to movement shown in this clip.
Explore sharpening, rough-etching, and forging to check your blade for Waikru swords dancing in Krabikrabikrabong double sword fighting, emphasizing equipment checks, movement, and respect for the Grandmaster.
Explores garuda as a symbol of kingly power and the naka duel through dynamic krut yud nak movements, including walking, turning, and leaping.
Master wai kru daab song mue by following directional hand cues, step forward patterns, and direction changes, integrating movements into a cohesive double sword sequence.
Explore Waikru in double sword, practice swords dancing in krabikrabikrabong, apply Waikru of double sword across the course.
The traditional two-handed sword dance in this course has a waikru to:
1. Remember and pay respect to the teachers who have passed down this fighting art for thousands of years in the Suvarnabhumi area of Thailand until our current generation.
2. It is a warm-up and checking the weapon to make sure it is ready for use, including checking the surrounding area to see if there are any good points or things to be careful of.
3. It is a way to build morale before the competition because some people often feel nervous and overly shocked when they enter the arena. When we focus and dance according to the plan, the excitement will decrease and we will be better prepared for the fight.
4. While dancing, we can check some information we need with our own eyes, such as how the lights are shining into the arena, whether the floor is slippery, and where the entrance and exit doors are, where each group of spectators are seated in the arena.
5. We can check the readiness of our opponents by ourselves, such as what kind of weapon they have prepared, whether the handle is long or short, whether the blade is small or large, and what the tip of the weapon is like because the small weapon is fast, can change direction quickly, but has less impact force, while the large sword It will have more weight in the clash, but it moves slower.
6. To continue the original traditions according to the principles of the subject so that they do not disappear with time.
Because when people learn to use it but do not learn to dance, some important things in this subject will gradually disappear from memory. Therefore, dancing is very important.
For those who learn Krabi Krabong.