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Voice Over auditioning - Tips and tricks to improve bookings
Rating: 4.5 out of 5(25 ratings)
241 students

Voice Over auditioning - Tips and tricks to improve bookings

Winning the audition
Created byMike Elmore
Last updated 12/2017
English
English [Auto],

What you'll learn

  • Improve Booking to Audition ratio utilizing tips and tricks during the process

Course content

1 section22 lectures1h 49m total length
  • Introduction6:03

    Learn the essentials of voiceover, the importance of ongoing auditions, and practical tips to increase bookings from home using a versatile toolbox of techniques.

  • Understanding why people want auditions...helps you do them better6:24

    Understand why clients seek auditions to review many voices for radio or video projects, from rough ideas to final selection, and learn audition techniques to improve bookings.

  • Undestanding and interpreting specs11:05

    Learn to interpret audition specs and align your read with client directions, using a technique to morph delivery, manage tough terms, and submit a single mp3 with confidence.

  • We love SIDES8:24

    Evaluate vocal directions against the script; if unclear in auditions, skip instead of asking questions, and in bookings, ask clarifications when needed, with two takes and slating if allowed.

  • Please give me an example4:19

    Discover how to use client-provided links and music as mood references to shape a voiceover performance that fits a requested style, not an imitation, boosting audition bookings.

  • "Voice Seekers" make QUICK judgments3:06

    Craft a compelling opening line to grab the listener's ear in the first few seconds of a voiceover audition. Clients make knee-jerk judgments within three to five seconds, affecting bookings.

  • TRY THIS PROCESS when auditioning8:20

    Use a three-take audition approach: read the specs, become the character, record three to four takes, then comp the best and redo the first line for contrast, pace, and pitch.

  • There's a good dose of Acting in...voice Acting3:19

    Explore how acting informs voice acting, and learn vocal technique to turn an audition in your head into audible performance, using tempo, excitement, and expressive cues.

  • Breaking down, asking questions and making determinations about a script/read4:58

    Break down the script by reading specs, identify the target vocal age range and audience, understand the intended impact, and practice with recordings, listening critically to avoid imitating others.

  • What is the intended broadcast medium and why does it matter?3:22

    Identify the broadcast medium from specs, and tailor your voiceover delivery for radio, television, or internet. Compare proximity, warmth, and mix levels to ensure your voice cuts through.

  • Some words will suggest how you should say them2:47

    Learn how copy points cue delivery, using adjectives like delightful and adding -ly to shape reads with breath, pitch variety, and practiced phrasing to improve voice over bookings.

  • Weeeee MUST uncover the Copy Points!!!3:28

    Identify copy points in scripts and mark them, focusing on adjectives and key phrases; master eight emphasis techniques—pitch up or down, elongate, shorten, louder, quieter, and pauses—for natural delivery.

  • Lets do an audition read together and seek out..AGAIN...Copy Points7:14

    Learn to self-direct voice over auditions with no directions by identifying the main idea, experimenting with emphasis and pacing, and using timed practice reads to refine copy points.

  • Microphone technique and proximity. Mess this up and it will KILL the audition5:08

    Master microphone proximity to shape warm versus natural voice, control plosives and sibilants with pop filters and angles, and reduce room echo through proper distance and treatment.

  • Head Slate? Tail Slate?....What the Slate??4:22

    Master head slate versus tail slate by learning when to state your name at the start or end of an audition, and follow directions to ensure you are heard.

  • File naming conventions. Pay Close Attention!!!!2:30

    Name audition files exactly as instructed to keep submission folders organized. Copy the requested format from emails, include your name, and never guess when no guidance is given.

  • Timing is Everything! "WHERE'S THAT AUDITIONNNN!""2:22

    timing is everything in voice over auditions; submit as you get them to avoid last-minute delays, boost reliability, and improve your audition-to-booking ratio.

  • The audition should have the same sound quality as the actual BOOKING2:55

    Improve audition bookings by ensuring broadcast quality home recordings; create a dead recording space with absorptive foam and avoid live rooms, then get a professional sound assessment if needed.

  • Sloppy editing and NO editing is prohibited2:54

    Learn to deliver clean voice over edits by listening on headphones or studio monitors, removing breaths and mouth noises for better bookings.

  • Be Picky. ~Certain auditions and you just weren't meant for each other~2:05

    Be picky with voiceover auditions by knowing your wheelhouse, strengths, and weaknesses; delete unsuitable auditions and submit only when the stars align to boost bookings.

  • Not sure about something? Do a minute or two of research. You'll be glad you did1:57

    research briefly before auditions to verify company names, products, and word pronunciations using online resources, and study prior commercials to match their delivery style.

  • How do I find and also GET auditions sent to me by "Voice Seekers"?12:47

    Market yourself online to attract voiceover auditions and get auditions sent by Voice Seekers, using cold emails, pay-to-play sites, and a professional home studio.

Requirements

  • A desire to start booking voice over jobs or already be doing that

Description

Auditioning isn't the ONLY way to secure paying VO jobs...but it plays a huge role in your day to day activity as a working or hobbyist voice over talent. Here we discuss the art of auditioning and talk about how  you can THINK about your auditions with a process that resulted in a booking explosion for me. 

Who this course is for:

  • Someone that has just gotten into the world of Voice Over or is thinking about it