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Understanding Publishing Contracts
Rating: 4.8 out of 5(5 ratings)
19 students

Understanding Publishing Contracts

An introduction to intellectual property contracts for authors, illustrators, agents, editors and other publishing staff
Created byPaul Baxter
Last updated 5/2023
English

What you'll learn

  • Understand elements of a publishing contract
  • View a publishing contract as a publisher, creator or agent
  • Learn everything from royalty calculations used to types of intellectual property right grantings
  • Learn how to draft and negotiate these elements with contract examples

Course content

1 section12 lectures1h 37m total length
  • What Is A Contract?7:34

    - What is a contract?

    - Learn the 4 elements which make up a contract

    - Do contracts have to be in writing and signed?

    - When can a contract not be binding?

    - Can an editor accidentally form a contract through an offer email?

  • Everyday Contracts4:12

    - How many contracts do you enter into each day? Do you even realise?

    - The purpose of written contracts

    - Everyone uses contracts, no matter what their profession

    - The pitfalls of not understanding contracts

  • What Gives A Contract Its Power?4:54

    - Origins and purpose of contracts

    - The rule of law (Magna Carta)

    - Geographic and geopolitical risks

    - Courts and laws for a contract


  • Layout & Definitions5:23

    - Purpose and numbering of clauses

    - What is a definition and why do we use them?

    - How to use a definition


  • Changing Laws & Grant Of Rights13:19

    - How and why laws change

    - Different interpretations

    - Predicting future changes and products

    - Illegitimate clauses

    - Which rights are being granted and why

    - Audio rights

    - Film/TV (Dramatic) rights

    - Reversion of rights

    - What happens when a book goes out of print?

    - Exclusive vs non-exclusive licences

  • Advances & Royalties15:32

    - What is an advance and how does it work?

    - Advance splits and incentives

    - Joint vs separate accounting

    - What is a royalty?

    - Dynamic rates and escalators

    - Profit share agreements

    - RRP vs net receipts royalties

    - High discounts

    - Book returns

    - Discounts

    - Promotional and destroyed copies

    - Remaindering

    - Sub-licences

  • Types Of Subrights5:38

    - Types of rights, how and why they are licensed

    - Film/TV and merchandising

    - Serial rights

    - Reprint rights

    - Foreign editions

    - Theme parks

    - What is a co-edition?

  • Accounting6:52

    - Royalty statements and what they contain

    - Statement periods

    - Payment thresholds

    - Invoicing requirements

    - Pay-throughs

    - Example statement

    - Agents

    - Currencies and charges

    - Audits

  • Delivery, Publication & Promotion7:28

    - Delivery requirements and risks

    - Obligation of the publisher to publish

    - Force majeure

    - Promotional obligations of the creator

  • Moral Rights3:40

    - What is a moral right?

    - Moral rights vs copyright

    - Waiving or asserting a moral right

    - Types of moral rights

    - Subjectiveness in moral rights

    - Moral rights where the copyright is being assigned

  • Warranties, Indemnities & Legal Obligations9:29

    - What is a warranty and what is an indemnity and why do we use them?

    - Subjectiveness in warranties

    - Morality vs reputation clauses

    - Third party infringements

    - Competing works clauses

    - Restraint of trade

    - Termination clauses

    - Confidentiality clauses

  • Ongoing Relationship & Wrapping Up13:41

    - Complimentary copies

    - Option clauses (risks and when they're needed)

    - Most favoured nations

    - Right of third parties (UK)

    - Prior agreements clauses

    - Execution clauses

Requirements

  • No legal or contracts experience needed. This course is helpful to creators looking to enter into a publishing deal armed with knowledge, an agent representing others, someone working in another area of publishing looking to broaden their understanding or someone new to a publishing contracts role.

Description

Learn the basics of publishing contracts. From what makes up a contract and why we use them, to specific clause examples and real-life situations. For anyone involved in, or looking to become involved in, publishing. From authors or illustrators seeking a publishing deal to agents and in-house professionals in any department. It's always useful to understand these elements so that you're prepared. This predominantly focuses on the UK laws and sales taxes but contains a lot of transferrable, valuable information for those based in other territories.


An in-detail look into how we all enter into contracts on a daily basis and why you should know the basics regardless of your profession. We also take a look at various royalty and advance structures, the reason why certain clauses are used, subrights (film/tv, theme park, serials and others), potential pitfalls, option clauses, the subjectiveness of provisions, morality vs reputation clauses, contract layouts, verbal contracts, warranties & indemnities, geopolitical considerations and varying types of rights and licences.


Separated into bite-sized chunks with helpful slides giving breakdowns, bullet points, additional information and example clauses. Taking the time to learn the basics of publishing contracts could save you a lot of issues in the future, and ensure that you aren’t being taken advantage of.

Who this course is for:

  • Authors, illustrators, agents, publishing employees or junior contracts staff looking to understand publishing contracts and the meaning behind different provisions alongside examples
  • This course concentrates on laws within the UK but contains a lot of relevant and transferrable information for anyone outside of the UK