
We take an initial look at the user interface and understand how the program is separated in to distinct areas.
We continue to look at the UI, and how a program is created.
We now study zones.
Here is information about housekeeping with Halion.
We add new zones here.
We add and adapt synth zones in this movie.
We now look at how oscillators adapt the sound.
We look at utilising specific ports and channels here for different types of midi instrument.
Multi programs allow us to group together similar sounds that work well together.
We focus here on sample zones.
Content sets are investigated here.
Changing the UI is useful when we want to focus on particular tasks.
We learn about setting a specific INIT program here.
As part of a trio of movies, we take a first look at sample view options.
We continue the trio of movies looking at sample view options.
We conclude the trio of movies looking at sample view options.
Extra information is offered here related to sample manipulation.
We look at how midi modules can adapt the sound.
Please excuse the narrator's sore throat whilst adding effects are investigated.
We finish this course with a look at granular synthesis.
Here's a first look at the Halion 7 UI.
A look at the new Home Page that allows ease of set up.
Here's the spectral Zone and how to adapt it.
We explore the Tales module here.
A look at how to access Preferences and Key Commands in the standalone version of Halion 7.
A first look at the Synth section of the FM Lab VSTi.
We now cover the arpeggiator.
The third in the trio of movies getting to know FM Lab.
In this getting started guide to Steinberg's Halion 6, users are introduced to the most essential parts of the soft sampler. This should allow users an understanding of the initially intimidating user interface.
Steinberg states 'HALion 6 is the most comprehensive virtual sampling and sound design system available today and excels the present creative process for producers and sound designers in all areas. It covers the complete creative workflow from recording, sample editing to programming advanced synthesis and creating professional sound libraries which you can actually share or sell.
Halion ships with more than 40GB of high end content, and up to 3400 presets across 14 instruments.
Users can load different presets instruments or articulations and control them simultaneously, with one external MIDI keyboard in separate MIDI zones. This comes in pretty handy when you want to play different instruments and styles on either the first, second or third program — there are no creative barriers.
Whether you want to design an instrument, create wavetables, edit samples or just play it requires a different setup of windows to be most effective. Due to this fact you can save and load your own screensets, dock or undock every window and find the perfect creative space for every task.'
Once complete, the user should have a good understanding of how Halion 6 operates.