
This video provides a brief overall look a what the students will see in the course.
Set the threshold to taste and hear how compression reacts as the audio crosses it. Understand attack time, the speed to reach peak compression, and how dynamic performances influence settings.
Understand release time, from about 50 milliseconds to five seconds, and how attack, ratio, threshold, and make-up gain shape pumping, tailing, and the overall compressed sound.
Adjust attack times for drums between 10 and 50 ms, apply a 2:1 ratio, then use makeup gain to compensate for dB reduction and enable clear gain staging.
This video is just a quick excerpt that shows the quality of information that you will get watching this course.
Compare how different compressors use varying controls, from input-driven compression to threshold, with attack and release, and preset ratios (4:1, 8:1, 12:1, 20:1), plus comp compression naming.
Discover how an expander reverses compression to boost drum transients with instant attack, fast release, and make-up gain, then blend dry and attacked signals for punch.
Explore how threshold and ratio interact with soft knee versus hard knee to shape compression, from gradual onset at high ratios like 14:1 to a sharper response.
Demonstrate how a compressor's knee setting affects a full drum kit by switching between hard and soft knee, highlighting the snare's punch when heard.
The lecture compares many compressor plugins, detailing how threshold, ratio, and makeup gain shape compression and features like mix knobs, mid‑side processing, and side‑chain filters.
Compare compressors and plugins, including waves and fabfilter pro-c, with emphasis on ratio, threshold, attack, release, and wet/dry controls. Explore mid/side and multiband options for dynamic control.
Compare plugins and a Neve-based channel strip to control gate and compressor, adjust threshold and ratio, and explore attack and auto release and auto mode.
Explore parallel compression with mix controls, including a 100 percent mix, to blend heavily compressed signals with the dry signal, avoiding pumping and preserving natural energy.
Explore parallel compression on drums to preserve punch and energy. Blend dry and compressed signals with a mix knob or two aux returns, highlighting transients and release time.
Learn multiband compression techniques, set per-band thresholds, ratios, attack, release, and lookahead, and use sidechain detector tricks to shape bass, midrange, and highs.
Learn electric guitar compression techniques with serial and multi-band approaches, using 1176, la-2a, renaissance ax, browser, and waves c4 multiband to shape attack, release, detector, and tone.
Explore acoustic guitar compression using a Neve 336/9 bus compressor with auto attack and release. Compare mono and dual mono setups and the impact of parallel compression on guitar tone.
Learn to use stereo unlinking for a Hammond B3 and Leslie cabinet, preserving stereo imaging while independently compressing left and right channels with API 2500, a stereo bus compressor.
Apply sidechain compression on the organ using a bandpass notch around 2 kHz, with fast attack and 8:1 ratio, and add make up gain to tame the mid range.
Use sidechain compression with a bass drum on a pre fader bus to trigger a pummeling effect without changing the send, preserving threshold input level settings.
Fine-tune vocal compression for rap and singing by using medium to fast attack and fast release, avoiding slow releases, and apply release to place the vocal in the mix.
Adjust gain and compression amount to sculpt vocal dynamics, using multi-band processing and proximity controls to shape midrange and balance release.
Discover how vocal compression reduces dynamic range to balance loud and quiet parts, while the range control caps reduction to manage peaks, preserve energy, and introduce tasteful saturation.
Learn to tame peaks with a simple compressor using attack, ratio, threshold, and output gain, shaping mid range and air while brightening the vocal with targeted high shelf adjustments.
Explore parallel vocal compression with a bus and pre-fader send, blending heavily compressed signals with the original vocal using a C6 and L-1 limiter for dense tracks.
Discover how bus compression glues a mix, tames dynamics, and shapes the low end and tone, with API and SSL options.
Explore classic bus compression, including SSL style plugins and Fairchild 670. Learn to dial threshold, attack, release, ratio, and makeup gain with modern high-pass and mix controls.
Apply mid-side bus compression to lower the mid drums (kick and snare) while leaving the sides with less compression, then adjust mid and side levels to widen the mix.
Over the years, we found that compression is one of the most difficult things to learn when it comes to mixing. This is why we finally took the lead and partnered with Bob Horn, one of the most loved engineers by the Pro Studio Live audience and developed this Ultimate Guide on Compression. Learn from the hands of a professional engineer who is already mixing for some of the biggest records you hear out there. After watching this class you will be able to understand and master compression like never before. Bob will not only explain what the controls are and how to use them, but you will develop your skills on What to Hear and How, so you can start applying these techniques to your mixes right away.