
Explore how to use ableton live instruments, focusing on synthesis basics and the analog synth, with workflow tips, key commands, clip organization, and creating and using patches and sounds.
Post questions in the course Q&A; I check them daily, and you should scan existing questions first to avoid redundancy.
Discover an overview of working with instruments in Ableton Live, compare instruments, plugins, and packs, and distinguish built-in Ableton instruments from third-party plugins, plus loading into MIDI tracks.
Gain a quick MIDI refresher by creating and editing MIDI clips in session and arrangement views, using the piano roll to move, stretch, and transpose notes, and auditioning instruments.
Master MIDI clips in Ableton Live 9, duplicating and deleting mini clips, using the piano roll with the audition light and fold, and exploring time warp concepts.
Explore the fundamentals of synthesis, distinguish synthesis from sampling, and learn a four-element framework to identify how any synthesizer produces sound.
Explore synthesis types in Ableton Live, including FM synthesis, additive synthesis, sampling, and physical modeling, and learn how timbre is shaped by parameters like friction, damping, and exciter.
Discover the four core building blocks of synthesis—oscillator, filter, amplifier, and envelope—and how to dial them in to create sound on any synthesizer, including Ableton Live.
Begin with analog as the first instrument in Ableton Live 9 and outline the instrument order, deferring Drum Rack and External Instrument. Save Simpler and Sampler for later; explore sounds.
Explore the basic outline of analog synthesis in Ableton Live by loading presets on a MIDI track, and examine oscillators, filters, amplifiers, noise, and the LFO.
Master analog sound design in Ableton Live 9 by building a bass synth with two oscillators, a low-pass filter, and an expressive amplitude envelope from attack to release.
Explore how noise and LFOs extend the main envelope, routing LFO1 to volume and to filter frequency, and saving presets for future sessions.
Explore all Ableton Live instruments, including analog, collision, electric, impulse, operator, and tension, with quick overviews of samplers like simpler, racks, and external instrument usage.
Discover how collision models percussion sounds using physical modeling, with mallet and noise sections, resonators, and pitch envelopes to create unique percussive instruments in Ableton Live 9.
Explore collision in Ableton Live 9, modeling percussion by tweaking the exciter and resonator parameters, using key, velocity, and noise envelopes to shape plate, membrane, or tube sounds.
Explore the electric instrument in Ableton Live 9’s physical modeling, focusing on strings, hammers, tines, and pickups that shape electric keyboard sounds and their oscillator-filter interactions.
learn the electric instrument framework with mallet, fork, damper, pickup and global sections, using physical modeling, force mapping, tone shaping, and presets.
Explore Ableton Live presets in piano and keys, audition electric piano tones, and adjust stiffness, velocity, noise, damper, and output, then explore instrument rack and instrument tracks.
Explore impulse, a simple sampler in Ableton Live 9, loading conga, hat, snare, shaker, and kick onto pads and shaping with filters, envelopes, drive, and velocity-dependent options.
Build grooves with Impulse in a session clip, loop kick and percussion parts, apply swing from the groove pool, and organize sounds with the group pool to craft drum kits.
Explore tension, a stringed instrument emulator in Ableton’s physical modeling, by shaping exciter type, termination, pickup position, damping, and body resonance to craft expressive string tones.
Explore tension instrument presets in Ableton Live 9 by auditioning piano, Stevie Wonder electric piano, and banjo sounds, adjusting exciter, filter, envelope, and LFO within an instrument rack.
Explore operator in Ableton Live 9 by examining four oscillators, their waveforms, envelopes, and modulation to craft fm and additive sounds.
Explore operator presets and the FM modulation to craft plucked piano and pad sounds. Learn how to use four oscillators with envelopes, LFO, and a filter envelope to shape tone.
Explore the simpler and the sampler, two flavors of the same sampler in Ableton Live 9, and review their core parameters for quick sound design. We'll preview racks next.
Master how simpler turns a single sample into a playable instrument via a drop zone, envelopes, and loop points; contrast with sampler’s multisample zones for multiple samples.
Explore Ableton's sampler by loading a sample, setting the root key, and shaping pitch, loop, envelopes, filters, and LFOs to craft pitched sounds and drums.
Build a multi-sample instrument in Ableton Live with zones holding kick, snare, and hi-hat samples. Set root keys, adjust velocity ranges, and use crossfade to blend samples across the keyboard.
Explore a realistic Ableton orchestral strings preset, convert multisample to sampler, and inspect zones and velocity layers across six samples per key to understand dense instrument libraries.
Discover the updated simpler in Ableton Live 9.5, a versatile sample player with classic, one-shot, and slice modes. Drag samples, transpose pitch with notes, and control warping, glide, and envelopes.
Switch from looping to a one-shot in Live 9.5 simpler, using trigger or gate, and apply a pitch envelope and filter to shape a single sample with hold behavior.
Explore live 9.5 simpler slice mode, auto slicing by beat, mapping slices to keys, and playing slices in order. Experiment with per-slice notes across three modes to create versatile beats.
Explore instrument racks in Ableton Live by building a multi-instrument rack with analog, operator, and galactic pad, using chains, velocity ranges, crossfading, and the macro button for control.
Map the Ableton Live chain selector to a physical dial using MIDI mapping, enabling three-state control (0-2) for instrument racks and live performance.
Map multiple instrument rack parameters to a single macro in Ableton Live 9, enabling synchronized control of filters and oscillators, with range scaling, renaming, inversion, and MIDI mapping.
Explore how to use instrument racks in Ableton Live 9, including chains, presets, and macro mappings for sound design. Delve into rackception, on/off mappings, and articulation to sculpt evolving textures.
Review drum racks in Ableton Live 9, exploring instrument racks, simpler inside racks, macro mappings, chains, and how receive, play, and choke functions shape dynamic drum kits.
exploit the choke setting in Ableton Live drum racks to stop a previous hit when a new one begins, using group choking with hi-hat open and closed as examples.
Demonstrate sends audio to drum rack returns, route via rack output, and build an effects chain with delays to sculpt percussive textures.
Explore the external instrument in Ableton Live 9 to control an external hardware synthesizer via MIDI and return its audio to the project for recording and processing.
Wrap up part four of the Ableton Live 9 complete course with insights on audio effects, mixing techniques, and plugins, and preview parts five and six featuring Max for Live.
This course is "5-Star Certified" by the International Association of Online Music Educators and Institutions (IAOMEI). This course has been independently reviewed by a panel of experts and has received a stellar 5-star rating.
100% Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor.
For years I've been teaching Ableton Live in the college classroom. As a University Professor, my classes are sought after, and, frankly, expensive. I believe Ableton Live can be learned by anyone, and cost shouldn't be a barrier. This class uses the same outline and syllabus I've used in my college classes for years, at a fraction of the cost.
This version of the class contains all parts 4, 5, and 6.
This is a really deep class - tons of content, tricks, and tips. I'm giving you tons of complete sessions to play around with. One of them (the first one in part 3) is even a finished, published complete track of mine. We are going to be covering how to produce using Ableton Live, starting from working with clips and going all the way up to some advanced production techniques. Topics include:
Synthesis Basics
Types of Synthesis
Physical Modeling Synthesis
Elements of Synthesis
Live's Analog Instrument
Live's Collision Instrument
Live's Electric Instrument
Live's Impulse Instrument
Live's Tension Instrument
Live's Operator Instrument
Live's Simpler Instrument
Live's Sampler Instrument
Multisamples and Zones
Sampler Orchestras
Racks!!!!
Instrument Racks
Chain Selector
Macros in Racks
Drum Racks
Choke Settings
The External Instrument
MIDI Effects
Arpeggiator
Chord MIDI Effect
MIDI Effect Racks
Note Length MIDI Effect
Pitch MIDI Effect
Random MIDI Effect
Scale MIDI Effect
Velocity MIDI Effect
Audio Effects
The three types of Audio Effects
ALL Ableton Audio Effects (and how to use them!)
Simple Delay
Ping Pong Delay
Filter Delay
Grain Delay
Chorus
Flanger
Reverb
Beat Repeat
Looper
EQ Three
EQ Eight
Auto Filter
Amp
Cabinet
Corpus
Dynamic Tube
Erosion
Frequency Shifter
Overdrive
Phaser
Redux
Resonator
Saturator
Vocoder
Compressor
Glue Compressor
Limiter
Multiband Dynamics
Gate
Auto Pan
External Audio Effect
Vinyl Distortion
Spectrum
Tuner
Utility
Audio Effect Racks
Using Effect Rack Presets
Building our own Effect Racks
Parallel Processing
Fade To Grey
Performance Racks
Controllers and Controllerism
MIDI Mapping
The Ableton Push Interface
The APC40 Interface
Follow Actions
Legato Mode
Launch Modes
Launching Clips in Performance
Effects Setup for Performance
The Crossfader
Mapping Controllers for Performance
... And much more!!!
Dr. Jason Allen is an Ableton Certified Trainer and a Ph.D. in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater. His 2015 album, Aniscorcia, reaching the CMJ Top200 Charts and radio broadcasts nationwide. In 2014 he was named a semi-finalist for the Grammy Music Educator Award.
He currently is an adjunct professor of composition at the University of St. Thomas, and the CEO of Slam Academy in Minneapolis.
Praise for classes by Dr. Jason Allen:
"Without a doubt the best explanation and east of use that one can get. It leaves you enough room to go explore. The classes go by quickly, so you can be on your way at being proficient. What are you waiting for!"
"Amazing - Seriously Loved It! I took all his courses and have to say I'm so happy! Learned loads! Jason is an awesome teacher!"
"I have never had any formal training in music at all. Trying to learn all the notes and how everything translated was a serious challenge. After going through this class, Dr. J has totally brought down the barriers. The content was very useful and was easy to grasp for me."
"I like these courses because you can get up and running quickly without having to spend hours of time wading through TMI (too much information!). Jason hits the high points but shows you what you need to know. Thanks!"
"I've watched many other videos on scales and chords before, however, this one has been the best. I now understand minor scales and chords and even how to analyze songs. It really gave me the confidence to start producing music because I feel like I have some structure and guidelines to follow. AWESOME!"
"Clear and Informative - Jason has a clear uncluttered style (with the important dashes of humor) of presentation that is focused on the important key aspects of this course. Recommended for those starting out!"
"Dr. Allen does it again with his music theory series. This course really opened up everything I learned from the 1st section, and now I understand more about the composition side of things for music. I highly highly recommend this course to anyone!!! Really opened my eyes to many things I wasn't aware of."
"The Best Teacher Ever, who makes you understand the ins & outs of Music Theory by all means without giving what you don't want to know."