
Explore transitioning from street to documentary photography, compare photojournalism, discuss formats, and learn how to publish your documentary work using real project examples like Gleason's Gym.
What are the differences between street photography and documentary photography.
Explore how street photography transitions into documentary photography, and differentiate photojournalism from documentary work. See the first documentary assignment at Gleason's Gym in Brooklyn and publish across formats.
What is photojournalism and how it differs from street and documentary photography.
transition from street to documentary photography by shifting mindset and workflow toward photo essays, supported by planning, research, and examining archives for thematic bodies of work.
What was my first assignment and how I executed it.
I share a self-initiated, two-year long term project photographing a ballet troupe in New York, blending documentary detail with fine art imagery through rehearsals, shows, and intimate moments.
Publish your documentary work by building a fast, clean online portfolio and using Instagram to connect with editors. Consider self-publishing, zeins, and books to showcase your strongest images.
Start your project by photographing your neighborhood or surroundings with a specific theme, using familiar communities to ease access and convey what it feels like to live there.
You don't need formal schooling to become a documentary photographer; the transition can be easy, and you may already be in the making, go shoot projects and upload for feedback.
This course takes you on a journey from street photography to documentary photography. I explain the key differences between these two genres, what you need to understand about each, and the core principles of strong documentary work. I then show how I began getting assignments, starting with my first commission at the legendary Gleason’s Gym, where some of boxing’s greatest fighters trained. I walk through the original plan for the assignment and how I executed it in practice.
I also discuss the importance of long-term projects and adopting a long-distance mindset when working on documentary photography. Another crucial topic covered is publishing your work and the different avenues available for sharing it. To conclude, students are given a project designed to actively involve them—allowing them to step into new, uncharted territory in a thoughtful and accessible way.
PROJECT DESCRITPION
Document your neighborhood or surroundings, make me feel what it's like to live there. Be specific! A broad approach isn't usually the best, it's the details that matter and through a specific person, place or time we can achieve showing a bigger pictures much easier. Instead of working on "documenting your neighborhood" work on documenting a specific place in that neighborhood, like playgrounds or your local grocery store. Document specific people, the guy who sells fruits and vegetables on the corner or your neighbor who has lived there ever since you remember.