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Explore the five watercolor process methods: alla prima, layered direct, layered mixed, creative, and sectional, identifying wet-on-wet, dry brush, glazing, and edge qualities in masterworks.
Master watercolor layering by balancing transparency and staining, ensuring dry layers stay fixed, and apply the light-to-dark rule, saving darker values for later.
Learn to build value with light-to-dark and dark-to-light watercolor layers on 300 lb cold-pressed paper using two analogous pigments; practice glazing, lifting, and drying techniques at home.
Explore opaque watercolor and gouache, contrasting with transparent watercolor, and learn how chalk or calcium carbonate creates opacity, affects tinting strength and drying behavior in works by masters.
Discover how watercolor masters used gouache and opaque watercolor, including white gouache, to create solid, directly painted forms with thick, opaque colors, revealing layering and texture.
Explore color gradients and layering in a mango watercolor study, using transparent and opaque paints, shadows, and glazing to build depth with gravity-driven tilting.
Choose and develop a simple composition, plan underdrawing, surface preparation, and color planning, then paint with five process approaches and complete a final project in any subject or color scheme.
This is a bonus video - A lecture from. my Oil Painting Process class that covers some of the history behind underdrawings. Although it deals with oil painting, there is some information that can be taken away no matter your painting medium.
Test how dry mediums perform under watercolor to evaluate smearing, lifting, and color integrity. Identify best underdrawings: hard graphite, matching watercolor pencil, and diluted ink.
Create a color study (about 5 x 7 inches) in a sitting to test color interaction and value for cupcake, using a gray wash and magenta–gold glazes to refine plan.
Use the layered direct method on a dry surface, drying between layers to build gray, magenta, and gold tones. Refine with tracing, edge control, and glazing, contrasting with alla prima.
Master the direct mixed watercolor method by combining wet-in-wet backgrounds, bravura magenta strokes, and layered glazes. Learn on-the-spot adjustments, scrubbing, and glazing to enhance icing, liner, and candle shadows.
Learn the sectional version of the watercolor painting process, focusing on icing first, then the liner and background, using glaze, wet-in-wet techniques, and finishing each section before moving on.
Plan, prep, and execute a dark-valued watercolor demo using masking fluid, layered washes, and a limited palette—raw sienna, sepia, and burnt umber—to reveal depth.
"Wow! Just amazing!!! Great content and such beautiful work from the instructor." - Cynthia P.
"Jill paints the same scene five times using five different approaches. FIVE times! It's very insightful to watch and very practical, with lots of activities too. Very highly recommended." - Natalie L.
"Once again, Ms. Jill P. demonstrates why she is one of the world's premier watercolorists. She remains at the top of her game. She gives you things to think about or food for thought, blending in the brain and the creative heart." - Deborah R.
In this groundbreaking class, the watercolor painting process is categorized into five different approaches, based on the methods used by watercolor masters throughout history.
The class is broken down into three sections:
Foundational Concepts
Preparing to Paint
The Five Painting Processes
The first half of the course examines foundational topics that relate specifically to the watercolor painting process, to include a comparison of transparency and opacity and how that relates to layering the paint. Concepts are reinforced through hands-on activities.
The second half begins with a walk through of the preparatory stages of a painting, such as the underdrawing and color planning. Students then choose a simple composition and paint the same piece using each of the five methods. In this way, students can see and experience how each version impacts the results.
To close out the class, students are asked to create a formal painting using their preferred process method and a composition of their choice. The goal is for students to discover what they feel is a process that best meets their personality and painting style.
Throughout the course, students are guided step-by-step through each stage and are given hands-on activities to reinforce the concepts. There are over five hours of course lecture, and over fifteen student activities and multiple helpful handouts.