
After this lecture you will know what to expect from this course and be excited as to what you will learn.
The Story Code is rapid ideas generator fuel, throwing together a number of different concepts and structures to kick start your creativity,
Here you will meet me, your budding instructor. I've worked in film/tv and now publishing and I'm keen to share with you some of the things I've learnt on my journey.
Before we get TOO carried away, it's worth really considering what an idea actually is, before we try to think of any, right? This ground us in the fundamentals before we move on to the advanced stuff.
Like ideas, it's also worth considering what a story actually means and all that it entails. You will find a story you consumer like film or a book are actually a composite of a number of different elements. In the first part we talk about protagonist and characters.
In the second part, we look more at genre, plot, narrative with The Matrix as an example.
By looking at the book covers of popular thrillers, we can tease out the story hooks and reverse engineer them to create ideas of our own. Please use the blurb PDF to make notes.
This will look at the power of using controversial areas as another starting point for generating ideas.
This is yet another idea generator tool in which you take the DNA of 2 (or more) of your favourite stories and merge them together to create something 'new'. Please use the Grid PDF handout here to assist.
A mini case study using Source Code, this will show you how some of your favourite movies might not be so original after all...
Here we look at the critical importance of research and how it can add such value to your work.
We look at the classic 3 act structure and see if it can be applied to some favourite movies like Inception and The Matrix. You'll be surprised to see this pattern at work... and how you can use it in your own.
Here we look at the applicability of it in novels too and suggest you start thinking of how to make things harder for your protagonist. Please use the PDF below (same as part 1 in case you missed it!)
Here we investigate the usefulness of an outline and how it can save your work grinding to a halt from the start. I've even included an extract of one I used in the downloadable materials.
Here I suggest a few strategies to busting the dreaded writers block and how sometimes it can actually make your work better.
Wow, what a journey. I hope you enjoyed the course and have at least 1 idea you would like to investigate. As I promised, once you have seen these different patterns and tricks at work, The Story Code is now visible in everything you read or watch. Use these tools wisely and I wish you all the best on your creative journey.
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My dedicated site to this course and other related items.
The boring stuff I have to say....
DNA Helix picture <a href="https://www.freepik.com/photos/background">Background photo created by kjpargeter - www.freepik.com</a>
All images created, provided by/or with permission to the author Lee Francis.
The information herein is offered for informational purposes solely and is universal as so. The presentation of the information is without contract or any type of guarantee assurance. The author makes no formal guarantees concerning the level of success you may experience by following the advice and strategies contained in this book, and you accept the risk that results will differ for each individual.
The advice provided in this course/publication is general advice only. To the maximum extent permitted by law, the author disclaims all responsibility and liability to any person, arising directly or indirectly from any person taking or not taking action based on the information in this publication.
The films, tv shows and books are discussed without consent. All creative works referred to within this book are for clarifying purposes only and their makers are not officially affiliated with, nor endorse, this document. No malicious copyright infringement of other creative works is intended and is believed to be ‘fair use’ review, criticism and promotion of said works for educational purposes, within the author’s own interpretive frameworks. All readers are encouraged to watch/read the original films, novels and tv shows discussed.
Hello! The epic trailer for this course!
Want to write but don't know where to start? Already have an idea but don't know how to develop it?
This course is suitable for beginners, students, the curious, right through to professionals looking for a refresher overview. This course is fast paced ideas fuel!
This ideas generator course is designed to kickstart your creative juices by illuminating some fundamental writing and structure secrets of novels and films hiding in plain sight! It gives you a whistle stop tour of awesome ideas and concepts that all feed into creating a compelling story idea, aswell as the next steps to flesh them out. The course draws on best-selling novels like Silence of The Lambs, Gone Girl aswell as blockbuster films like The Matrix, Inception, Rocky and The Martian- to name just a few. These tips and tricks are pooled from my varied experience and I deliver practical, down to earth techniques to save you all the hard work. Writing commercial fiction need not be a dirty word...
Lee Francis is the co-author of the high octane techno thriller Playing With Death with best selling historical author Simon Scarrow. 'If Stephen King had collaborated with Michael Crichton on a thriller, it might have been as good as this' (Peterborough Evening Telegraph). Lee has worked on some of the biggest UK film and TV productions: The Woman In Black, Spooks, and Harry Potter to name just a few.
Lee is also an award winning/optioned screenplay writer of several feature and short screenplays- Grand Prize Winner of SWSF, Quarter finalist in the 2020 ScreenCraft Sci-Fi & Fantasy Screenwriting Competition, placed in the top 20% of submissions to Academy of Motion Pictures Arts and Sciences Nicholl Fellowship, placed in top 13% of BBC Writer's Room, winner of 13Horrorcom’s 2018 short horror screenplay, and TV series development with Big Tree Productions, Cotton Reel. Lee has also been featured in/spoken at: Crime Files, Eastern Daily Press, Lancaster Guardian, MCM comic con, Kent Arts Network, Morecambe and Vice Crime Festival, BBC Radio Lancashire, Haunted House Fear Fest. Lee has worked closely with notable industry figures such as David Heyman (producer of the Harry Potter series, I Am Legend, Gravity), James Watkins (creator and director of McMafia, director of The Woman In Black), Jane Goldman (writer of Kick Ass, Kingsman, X-Men), Simon Scarrow (author of the Eagle book series) and Alex Scarrow (author of the Time Riders series, Remade). Lee is also a freelance script analyst for Industrial Scripts, Hollywood's premium script coverage service.
WARNING: Once you have completed this course, you will never be able to watch or read anything again without seeing The Story Code!
So what are you waiting for? Enrol in my course and we can start generating ideas, right now!