
Topics addressed in this module:
Right Hand Fluency:
Fingering strategies
Following the melodic shape
Following the hand shape
'Grouping' technique
Trills:
Best practices for short trills
Development and resolution
Incorporating trills in a melody
Topics addressed in this module:
Trills:
In depth on the Valse's trills
Left Hand Accuracy:
Improving left hand precision
Pedal technique
Fluency in Hands Together:
Coordination Issues
Speeding up the tempo
Topics addressed in this module:
Tone balance (left hand):
How to play chords
Hearing all notes in a chord
Accurate key striking
Left hand phrasing:
Finding expressivity
Time stretch as a way of phrasing
Tone balance (hands together):
Practicing the listening
Even sound comes from uneven playing
Keyboard is a small orchestra
Challenging passage:
Ornaments and big chords
Fast jumps and pedalling issues
Triplet
Topics addressed in this module:
Chopin's Rubato:
how to deal with a free phrase
mathematics vs expression
two-hands coordination
Frequent Figurations:
the turn
the chromatic scale
the conclusion
Phrasing with fingers, wrist, arm:
developing your gesture
rotation and movement
Topics addressed in this module:
What is Horizontal Technique:
the lateral movements
involvement of the arms
activity of the hand
the relationship with fingers
the role of the thumb
Examples:
5 fingers exercises
arpeggios (3 and 4 notes)
expanded exercises for one hand, to multiply and repeat on both hands
Topics addressed in this module:
Formal analysis:
the larger picture
understanding the form
Left hand technique:
wrist rotation
fluency and phrasing
How to identify and memorize patterns
Long Trills:
fingering options, technique, resolutions
A note on the piece's different editions.
The problem with fast scales:
do you know your scales?
a scale is just a 3 and a 4
light touch is hard
Middle section (Mazurka):
a rather mysterious section
the rhtyhmical dimension
accents and expression
Topics addressed in this module:
Formal analisys and considerations:
the structure of the piece
recurring sections, harmonies
understanding the form means it's easier to play
Left hand technique and memorisation:
chords vs bass part
practicing hand positions vs practicing notes
memorize sequences vs memorizing notes
more memorisation techniques and strategies
Topics addressed in this module:
Ornaments and trills:
ornaments and variations
the signing appoggiatura
complex figurations
chromatic scale using finger 5
The challenging ending:
Rubato vs mathematics
phrasing and fluency
the final unique 4 notes trill (and its pattern)
Are you passionate about Chopin's beautiful piano music?
If you play his music but want to dig deeper into the poetry, the magic, the romanticism, the lyricism and freedom of his pieces, this course is designed for you.
The goal of the Course is to provide the students with the strongest foundations for performing Chopin’s Piano music at the highest level. It is a practical Course: students will learn the best practices to adopt when facing the challenges of Chopin’s magnificent music.
It is fun and educational, and your teacher (that's me) will guide you through the hard work necessary to complete it.
Each module explores a particular piece: the Course is structured so that each class draws from the topics addressed in previous modules. While a student might be interested only in a few of the individual pieces covered and will be inclined to begin from the corresponding module, I invite them to follow the Course from the start. This will have two benefits: 1) the student will become familiar (if not proficient) with more than a few of Chopin’s works, and 2) the techniques presented throughout the course follow an order of incremental complexity; the last modules rely on the previous ones being thoroughly assimilated. The best value from the Course comes from approaching the pieces, techniques, and concepts comprehensively rather than individually.
While each module lasts less than one hour, it is recommended to watch them at the piano and stop the video as often as necessary: while a technique can be addressed in few minutes, the student might need more time to practice the suggested exercises/solutions. It takes weeks to master a single piece!
We will look at:
fluency, tone control, coordination, phrasing, pedal techniques, ornaments and trills;
we will explore the concept (and solution) of Chopin’s Rubato, his treatment of the left hand chords and arpeggios, his unique approach to piano dynamics;
we will develop fingering strategies that will make the phrasing and memorization easier and more effective;
we will address issues of tempo and fast playing coordination.
The course is intended to music students who are passionate about Chopin’s music, already have experience with music notation, and play the piano at a beginner/intermediate level. Important: the approach adopted in the course assumes the student’s independent ability at reading musical scores; with a few exceptions the modules won’t address notes/values/rhythms, or anything that is already evident on the score. The course aims at developing what is NOT on the score!
With that in mind, get ready for discovering the poetic, elegant, unique, beautiful, heart-stopping, mind-blowing music of the greatest piano composer in history: Frederic Chopin.