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In this lecture, we discuss what you can expect from this course and some tips on conducting the student activities. NOTE: There are important documents attached: the course supply list, student activities list, and student reference images.
Select a solid painting support for oil painting, from traditional wood panel and canvas to metal or marble, and understand why canvas became popular for its durability and format.
Explore rigid supports for oil painting, from solid wood panels and cradle panels to plywood, hardboard, and fibreboard, and learn how sizing, gesso, and fabric improve archival stability.
Explore flexible supports like canvas and paper, and how they crack when oil paint dries. Adopt best practices by mounting on rigid border panels, using stretcher bars and tightness checks.
Choose kiln-dried solid wood panels, at least 3/4 inch thick, seal with sizing and alkyd primer to balance moisture, and consider a canvas overlay under the gesso.
Sizing applies a thin binder layer to seal the support, creating an oil barrier and an isolation layer between the surface and the painting.
Size a wood panel with contemporary PVA size, prep the surface, apply thin coats in multiple directions, and size back and edges for archival stability.
Learn to mount cotton canvas to a panel using acrylic matte medium gel to create an archival surface, then size, trim edges, and apply gesso for a durable ground.
Explore ground in oil painting: learn what gesso is, the differences between traditional, oil, and acrylic grounds, single versus double grounds, and how binder, color, and absorbency shape paint behavior.
Explore acrylic gesso demonstrations on a canvas-covered wooden panel, comparing gesso brands and viscosities, and build texture with three coats and directional strokes using a palette knife or brush.
Learn how to apply an oil ground or oil gesso to a panel or stretched canvas, mixing with solvent for a thin, even coat using a roller and knife.
Demonstrate color gesso for oil and acrylic grounds by using dry pigment for oil and paint for acrylic, mixing with solvent, and applying thin layers to dry overnight.
Explore imprimatur, a semi transparent oil paint layer used after the ground to tone the surface, control absorption to reduce sinking in, and unify color in oil painting.
learn to apply an imprimatur with oil paint, solvent, and oil to create lean, translucent grounds with varied brushwork.
The under drawing acts as an optional intermediary layer guiding composition between the ground and the paint, using methods like squaring, tracing, or pouncing.
Explore underdrawing techniques for oil painting through grid-based and tracing methods, using key shapes, rulers, and diluted ink to transfer and seal lines before painting.
Learn how oil paint blends pigment and drying oil to shape drying, opacity, and finish. Explore solvent use, cpvc, and swatch testing to predict pigment behavior and drying times.
Explore how drying time shapes oil painting layering, balancing lean vs fat, solvents, and oils to create flexible top layers and lasting under paintings.
Learn how to develop an oil painting with under painting and upper layers, choosing tonal or blocking methods, and using grisaille or tonal underpaintings to establish form and light.
Learn how value underpaintings use an earthy green tone and grisaille underpainting to build light, medium, and dark values in oil painting, with underdrawing and lift techniques.
Block color to lock in mid tones and values using swatches, testing mixes on scrap watercolor paper, and building a cohesive underpainting with limited colors before proceeding to upper layers.
Develop the upper layers of paint by applying multiple brushwork techniques—glazing, broken strokes, and feather strokes—building on your underpainting to realize your vision, while ensuring proper drying between layers.
Apply the first upper layer to the value underpinnings, adjusting mixes like French gray, yellow ochre, and raw umber to approximate the object's color.
Navigate an upper layer ii value demonstration by balancing reference images with imagination, applying highlights and darks, and refining forms with glazing, blending, and impasto for a glass-like finish.
Add a new paint layer over blocked underpinnings to develop rock and water forms through value shifts, color variation, and careful brushwork.
In upper layer II, block and refine a landscape underpinning, evaluate at eye level, and adjust sky, cliff edge, rocks, sand, and water with varied values and impasto textures.
Explore the upper layers of paint by analyzing historical masterworks to uncover glazing, imprimatur, and layering strategies that reveal order, opacity, and final highlights in oil paintings.
Explore how to varnish oil paintings with natural or synthetic coatings, covering six months to a year drying, application methods, removability, and health considerations for safe conservation.
Review the oil painting process, from supports and sizing to ground, imprimatur, under drawing, under painting, upper layers, and varnishing, with emphasis on flexibility and longevity.
“This is an amazing course…This course has filled in all the gaps of knowledge that we know exist but don't know where or how to find the answers. This is THE foundational course we have all wanted and searched for.“ - Josh F.
"I am using this as an addition to a University course and find that this is on par technically" - Wendy J.
"It is the best course I have ever taken. All the questions regarding painting have been presented." - Anna
This is an extremely comprehensive 5-hour long online painting class with a focus on the construction of an oil painting and the process of layering paint rather than actual brushwork and design. To truly master oil painting, it’s important to have a strong foundation; to thoroughly understand your materials and their proper usage. You have to know how to build a sound substructure or base, and then apply the paints in such a way as to ensure decades of life for the painting.
In this comprehensive course, students are taken step-by-step through topics such as supports, sizing, grounds, an imprimatura, the underdrawing, the underpainting, upper layers of paint, and varnish. Each layer is explained thoroughly and clearly, and then followed up with related demonstrations so that students can follow along.
The goal is for:
Students to come away with a clear understanding of oil painting materials and how to build a stable painting;
To help those who felt intimidated by oil painting to feel that it’s approachable;
Experienced painters who have gaps in their knowledge to gain a more thorough understanding.
Includes over 40 student resources.