
If you haven't already done so, watch the Workbook introductory video, then go straight into the Snake Dance build-up videos.
Learn the Snake Dance melody in the right hand, accompanied with plain fifths in the left hand.
Download the Snake Dance Workbook MS only pdf file. Note that this is only for use with the video tuition - unless you are an accomplished reader.
We develop our basic Snake Dance performance by breaking up the left hand fifth and rocking it bottom-top-bottom-top.
We add some harmonic variation with a B flat in the left hand.
Explore longer left-hand rhythmic patterns across multiple bars, practice left-right coordination, and study cross-staff harmony and crotchet patterns in a medley.
Another way to create rhythm in the Snake Dance accompaniment is to hold the little finger down and 'flap' the thumb independently. The first of a three-lesson mini-series.
Another way to create rhythm in the Snake Dance accompaniment is to hold the little finger down and 'flap' the thumb independently. The second of a three-lesson mini-series.
explore left-hand rhythm mastery with flapping fifths, crotchets and quavers, and latin-inspired patterns, using slo-mo demos, tapping videos, and optional version three variations to harmonize and reach fast tempos.
Learn to harmonize the snake dance melody using thirds, with left hand accompaniment and practical fingering options. Practice drills for thirds and sixes, then apply variations to snake dance arrangements.
We start combining the techniques we've explored over the last four lessons into some sophisticated Snake Dance arrangements.
Every popular-styles keyboard player has a selection of favourite 'ornaments' (aka 'grace-note figures') which they use to embellish melodies. Here's an introduction to some possibilities.
You can easily put together a more substantial performance by combining a couple of Snake Dance versions into a mini-medley. Here are two examples to inspire you.
You can easily put together a more substantial performance by combining a couple of Snake Dance versions into a mini-medley. Here are two more examples for you to learn and develop.
There is an introduction to this Beat and Rhythm course module in the Beat and Rhythm introductory video, but you'll soon get the idea if you just dive in!
The Syncopation and Anticipation videos follow on from each other logically.
Explore syncopation and anticipation in module four, practicing left and right hand patterns, timing, and phrasing to build groove and rhythmic accuracy.
Explore syncopation and anticipation in the beat and rhythm workbook, showcasing patterns at 92 bpm with octave hand variations, tonic and next-door notes, and improvisational rhythm exploration.
Please watch the introductory video to give yourself the best chance to get the most out of this module.
It is assumed you have watched the Swinging Hanon introductory video (Lesson 22).
Download the Original Hanon Exercises Nos.1-20 pdf for reference, but remember that the printed exercises are not the course! The course is about the rhythm you practice from the videos.
practice rhythmic patterns six to ten from the swinging hanon module using the static five-finger position, applying rhythm to the hanon exercises for crisp, musical timing.
Explore beat and rhythm patterns from the Hanon-based video four, covering patterns 17 to 22. Learn to anticipate notes, add the left-hand kick, and mix these techniques for improvising musicians.
Watch this introductory video to get the most out of the Rhythmic Pentatonic Scales (RPS) module.
You learn the D minor pentatonic ('blues') scale.
You starting learning (tapping) six-eight rhythms. Download the lesson notes pdf and see if you can get used to reading them as 'beat maps' - without fretting over 100% accuracy.
We move on to playing the six-eight rhythms in the D minor I-IV-V (12-bar) set of chords.
Choose between D minor exercises in three four or the C minor 12 Baqi set, including C minor and F minor pentatonics, or move to video six or eleven.
Download the notes and start learning the patterns in 'jazz waltz' three-four meter.
Discover tapping three and four patterns in the rhythmic pentatonic scales course, with a three over two to prep jazz and blues rhythms, plus plenty of practice.
Practice rhythmic pentatonic scales and three-four time exercises in D minor, with left-right tapping patterns, tempo goals, and gradual moves between D minor and G minor.
The second two three-four patterns (performance).
We go on to learn the C minor I-IV-V set of pentatonic scales.
No separate 'tapping' lessons - we go straight into the six-eight performances.
Master six-eight patterns nos. 3 and 4 in C minor by tapping your partner's out first, and revising the C minor scales; proceed to the three-four patterns in video 13.
Here are the C minor three-four performances.
Conclude the course by mastering eight syncopated patterns in two keys, using five scales across two meters in C minor, and apply straight quavers to practical keyboard practice.
Modern popular music has a strong rhythmic elements, but 'normal' piano teaching pays little attention to developing the keyboard player's rhythmic abilities. The Musicarta Beat and Rhythm Workbook tackles the issue head on, with four different modules, each with cumulative video coaching in two-handed rhythm and syncopation.
Watch the introductory video for a full overview of the video workbook.