
Explore the gothic motifs that make Poe's short stories terrifying, including doppelgängers, women buried alive, haunted houses, and possession by ghosts, while examining the uncanny and the fantastic.
Explore how gothic literature uses ruined castles, dungeons, and monstrous imagery to externalize human fears, while Freud's uncanny and Todorov's ideas explain how the familiar becomes unfamiliar.
Explore gothic motifs of setting, the double, and the uncanny, from haunted houses to doppelgangers, and how confinement, dreams, and secrecy reveal fear.
Explore uncanny motifs in the gothic, focusing on the evil eye in the Sandman, the automaton Olympia, and the chilling fear of being buried alive.
The fall of the house of Usher surveys a gothic world of desolate landscape, a haunted house, doppelgangers, and the narrator's inward journey.
Explores the gothic Tell-Tale Heart and its mad narrator, whose obsession with the old man's eye drives murder, concealment beneath floorboards, and a heartbeat that reveals guilt and questions sanity.
Examine madness in Poe's the black cat through a psychological study of domestic violence and guilt, with a doppelganger cat and murder, and the line between real and the supernatural.
Trace how Poe dramatizes the uncanny doppelgänger in William Wilson, a split self that haunts the narrator across life, prompting fear, jealousy, and a murder that ends in self-destruction.
Examine how death and beauty generate the uncanny in Poe's Ligeia, detailing obsession with eyes and hair, ghostly revival, doppelgängers, and opium-fueled uncertainty.
Explore an unreliable narrator as he descends into monomaniac obsession with Berenice's teeth. The tale blends the uncanny with blurred reality and themes of mortality, madness, and a gothic mansion.
Explore the raven, Poe's gothic poem of grief and obsession with Lenore, set in a bleak midnight chamber where death and longing drive the narrator toward madness.
Delve into gothic elements through Poe's exploration of death and inevitability. Analyze how memory and what lies beyond shape the characters' fate.
In this course I will try to offer a glimpse into the most common Gothic and uncanny motifs that occur in the works of Edgar Allan Poe. I the introductory part I intend to discuss examples of both English and American literature, while in the second part of the course emphasis will fall on specific examples/texts by E. A. Poe. This course is more than just literary analysis: we will try to look at the ways the elements of the gothic generate fear and horror, as well as a sense of anxiety. Such elements include, of course, monsters, ghost, doppelgangers, ladies buried alive, mad protagonists, repetition of places, characters and objects, as well as labyrinth like settings, claustrophobic gothic mansions. I will look at how, by what means such elements reflect on characters/narrators and how they create suspense in the most unexpected ways.
Each lesson discusses a story/poem written by Poe and attempts to offer a unique interpretation of these literary texts. How do Poe’s stories master the elements of horror? How do such texts create suspense? To answer these questions we will try to make use of Sigmund Freud’s concept of “the uncanny” as well as Tzvetan Todorov’s concept of “the fantastic.”